A concise handbook describing current practice and supporting theory of ceramics glazing. Starting with fundamental definitions and theoretical considerations, the work discusses glaze raw materials, their pretreatment, application, firing and the avoidance of defects in finished products. Emphasis is placed on the wide variety of materials and processes used in modern glazing practice, and the volume provides helpful guidelines to the correct selection of a material or process for a given application. Published under the aegis of the Institute of Ceramics.

Demonstrates the technology involved in making and firing ceramics.

Packed with information and glaze recipes, this book will enable you to reference hundreds of ceramic surfaces. Each glaze recipe is reproduced pictorially so you can see the colour and surface responses it has to offer, and features a brief description, its firing range, and the uses to which it can be put.

“No pot is left unturned, as the author features elegant examples of major glaze techniques.” —Booklist. “This well-illustrated handbook...covers glaze chemistry, application techniques, firing, and problem solving. Color photographs comparing fired samples are particularly good. Useful for studio potters and hobbyists.”—Library Journal.

Potters and collectors alike are captivated by the distinctive surface qualities of salt glaze. Its revival amongst studio potters has produced some beautiful and exciting work. In a rich and authoritative text, the author shares her own fascination with salt glaze, bringing together her practical experience and skills. Lavish illustrations throughout show the textures and colors that characterize old and contemporary salt glaze. Whether you wish to become involved in salt glaze by making and firing pots, or to gain a wider appreciation with an insight into the process, there is a wealth of information to enjoy within the chapters of this book.

Ash Glazes has been designed as an introduction and practical handbook to this glazing technique, covering the history of ash glazes and the practicalities of collecting and testing wood ashes and transforming them into glazes. It will provide inspiration for working potters and delight all those interested in contemporary ceramics.

These twenty papers dedicated to Mike Tite focus upon the interpretation of ancient artefacts and technologies, particularly through the application of materials analysis. Instruments from the human eye to mass spectrometry provide insights into a range of technologies ranging from classical alum extraction to Bronze Age wall painting, and cover materials as diverse as niello, flint, bronze, glass and ceramic. Ranging chronologically from the Neolithic through to the medieval period, and geographically from Britain to China, these case studies provide a rare overview which will be of value to students, teachers and researchers with an interest in early material culture.