Ceramic Masterpieces: Art, Structure andTechnology was first published by the Free Press in 1986. It won a publisher’s award for art (American Publishers’ Association, Scholarly and Technical, Honorable Mention, 1986). The copyright is held by David Kingery’s son, William D. Kingery, Jr., who about 11 years ago signed over to the American Ceramic Society the rights to publish a second edition of the book. This second edition is divided into four parts. In the introductory section, it states : “The appearance of a ceramic is determined by its internal structure, which is in turn determined by the technology of its manufacture. Revolutionary new methods of study and analysis have advanced out understanding of ceramics. This book applies these new methods, connecting visual impact, internal structure, and technology for a deeper appreciation of ceramic masterpieces.” Each chapter outlines the transformative art and structure of a ceramic material by providing a general outline of history, artistic value, antecedent technologies, manufacture of the particular dated example, analysis of macrostructure, then microstructure, then composition, then firing, variability and its relation to appearance, and finally significance of technology and its contribution to art and culture. In the ceramic technology section, the sequences and variability of processing, exemplified in the case studies, is inventoried with emphasis on structure and transformation.

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Ceramic Materials: Science and Engineering is an up-to-date treatment of ceramic science, engineering, and applications in a single, integrated text. Building on a foundation of crystal structures, phase equilibria, defects and the mechanical properties of ceramic materials, students are shown how these materials are processed for a broad diversity of applications in today's society. Concepts such as how and why ions move, how ceramics interact with light and magnetic fields, and how they respond to temperature changes are discussed in the context of their applications. References to the art and history of ceramics are included throughout the text. The text concludes with discussions of ceramics in biology and medicine, ceramics as gemstones and the role of ceramics in the interplay between industry and the environment. Extensively illustrated, the text also includes questions for the student and recommendations for additional reading. KEY FEATURES: Combines the treatment of bioceramics, furnaces, glass, optics, pores, gemstones, and point defects in a single text Provides abundant examples and illustrations relating theory to practical applications Suitable for advanced undergraduate and graduate teaching and as a reference for researchers in materials science Written by established and successful teachers and authors with experience in both research and industry

The nation's premier private collection of Rookwood art pottery featuring American Indian portraiture is on display at the Cincinnati Art Museum from October 2007 to January 2008. Rookwood and the American Indian: Masterpieces of American Art Pottery from the James J. Gardner Collection is a remarkable exhibition catalogue that will be of interest well beyond the exhibition because of its unique subject matter. Fifty-two pieces produced by the Rookwood Pottery Company are showcased, many accompanied by black-and-white photographs of the American Indians portrayed by the ceramic artist. In addition, the catalogue includes a brief biography of each artist as well as curators' comments about the Rookwood pottery and the Indian apparel seen in the portraits. The catalogue also presents two essays. The first, "Enduring Encounters: Cincinnatians and American Indians to 1900," by ethnologist and co-curator Susan Labry Meyn, describes American Indian activities in Cincinnati from the time of the first settlers to 1900 and relates these events to national policy, such as the 1830 Indian Removal Act. Rookwood and the American Indian, by art historian Anita J. Ellis, concentrates on Rookwood's fascination with the American Indian and the economic implications of producing that line. Rookwood and the American Indian blends anthropology with art history to reveal the relationships between the white settlers and the Native Americans in general, between Cincinnati and the American Indian in particular, and ultimately between Rookwood artists and their Indian friends.

This book is primarily an introduction to the vast family of ceramic materials. The first part is devoted to the basics of ceramics and processes: raw materials, powders synthesis, shaping and sintering. It discusses traditional ceramics as well as “technical” ceramics – both oxide and non-oxide – which have multiple developments. The second part focuses on properties and applications, and discusses both structural and functional ceramics, including bioceramics. The fields of abrasion, cutting and tribology illustrate the importance of mechanical properties. It also deals with the questions/answers of a ceramicist regarding electronuclear technology. As chemistry is an essential discipline for ceramicists, the book shows, in particular, what soft chemistry can contribute as a result of sol-gel methods.

The ceramic art of Korea stretches back to prehistory when simple brown wares were made and decorated with geometrical incisions. Potters were influenced by ideas and techniques from China and go on to produce their own highly sought-after works, including grey stoneware, celadons or greenware, buncheong ware and white porcelain. The National Museum of Korea collection is world-famous and of great importance in the world of ceramic art. This book catalogues the best and most representative items in the collection.