Love and loss, life and death, among the nighttime creatures of the city that never sleeps Like her bestseller Red-Tails in Love, Marie Winn’s Central Park in the Dark explores a once-hidden world in a series of interlocking narratives about the extraordinary denizens, human and animal, of an iconic American park. Her beguiling account of a city’s lakes and woodlands at night takes the reader through the cycle of seasons as experienced by nocturnal active beasts (raccoons, bats, black skimmers, and sleeping robins among them), insects (moths, wasps, fireflies, crickets), and slugs (in all their unexpected poetical randiness). Winn does not neglect her famous protagonists Pale Male and Lola, the hawks that captivated readers years ago, but this time she adds an exciting narrative about thirty-eight screech owls in Central Park and their lives, loves, and tragedies there. An eye-popping amount of natural history is packed into this entertaining book—on bird physiology, spiders, sunsets, dragonflies, meteor showers, and the nature of darkness. But the human drama is never forgotten, for Central Park at night boasts a floating population not only of lovers, dog walkers, and policemen but of regulars young and old who, like Winn, hope to unlock the secrets of urban nature. These “night people” are drawn into a peculiar kind of intimacy. While exploring the astonishing variety of wildlife in the city park, they end up revealing more of their inner lives than they expected.

Love and loss, life and death, among the nighttime creatures of the city that never sleeps Like her bestseller Red-Tails in Love, Marie Winn’s Central Park in the Dark explores a once-hidden world in a series of interlocking narratives about the extraordinary denizens, human and animal, of an iconic American park. Her beguiling account of a city’s lakes and woodlands at night takes the reader through the cycle of seasons as experienced by nocturnal active beasts (raccoons, bats, black skimmers, and sleeping robins among them), insects (moths, wasps, fireflies, crickets), and slugs (in all their unexpected poetical randiness). Winn does not neglect her famous protagonists Pale Male and Lola, the hawks that captivated readers years ago, but this time she adds an exciting narrative about thirty-eight screech owls in Central Park and their lives, loves, and tragedies there. An eye-popping amount of natural history is packed into this entertaining book—on bird physiology, spiders, sunsets, dragonflies, meteor showers, and the nature of darkness. But the human drama is never forgotten, for Central Park at night boasts a floating population not only of lovers, dog walkers, and policemen but of regulars young and old who, like Winn, hope to unlock the secrets of urban nature. These “night people” are drawn into a peculiar kind of intimacy. While exploring the astonishing variety of wildlife in the city park, they end up revealing more of their inner lives than they expected.

Central Park is perhaps the most well-trod and familiar green space in the county. It is both a refuge from the city and Manhattan's very heart; a respite from the urban grind and a hive of activity all its own. 843 carefully planned acres allow some 37 million visitors each year to come and get lost in a sense of nature. Unsurprisingly, the park also inspires a wealth of great writing, and here Andrew Blauner collects some of the finest fiction and nonfiction-- 20 pieces in all, with classics sprinkled among 13 new ones commissioned from great New York writers. Bill Buford spends a wild night in the park; Jonathan Safran Foer envisions it as a tiny, transplanted piece of a mythical Sixth Borough; and Marie Winn answers definitively Holden Caulfield's question of where the ducks go when the park's ponds freeze over. There are bird sightings and fish sightings; Jackie Kennedy and James Brown sightings; and pieces by Colson Whitehead, Paul Auster, and Francine Prose. This vibrant collection presents Central Park, in all its many-faceted glory, a 51-block swath of special magic.

A pictorial history of the development of New York City’s Central Park from conception to completion. Drawing on the unparalleled collection of original designs for Central Park in the New York City Municipal Archives, Cynthia S. Brenwall tells the story of the creation of New York’s great public park, from its conception to its completion. This treasure trove of material ranges from the original winning competition entry; to meticulously detailed maps; to plans and elevations of buildings, some built, some unbuilt; to elegant designs for all kinds of fixtures needed in a world of gaslight and horses; to intricate engineering drawings of infrastructure elements. Much of it has never been published before. A virtual time machine that takes the reader on a journey through the park as it was originally envisioned, The Central Park is both a magnificent art book and a message from the past about what brilliant urban planning can do for a great city.

This catalogue of the music of Charles Ives contains 728 entries covering all of the prolific composer's works. James Sinclair's book presents information produced by recent Ives scholarship and generous commentary on each of Ives's compositions. It completes the work begun by musicologist John Kirkpatrick in 1955, when Ives's music manuscripts were deposited in the Yale Music Library. Ives's works are arranged alphabetically by title within genres. Whenever possible, each entry includes the main title and any other titles the composer may have used; the forces required; the duration; headings of movements; publication history; citation of the first known performance and first recording; the derivation of the work, listing music on which it may be modeled or from which it may borrow material; the principal literature treating the piece; and commentary on these and other matters. The catalogue also provides musical incipits for all Ives's extant works, seven appendixes (covering his work lists, 'Quality Photo' lists, his songbooks, a chronology of his life, recordings made by Ives, and his private publications and commercial publishers), three concordances, and four extensive indexes (addresses, names, titles, and musical borrowings).

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

The best of America's best writer on dance "Theoretically, I am ready to go to anything-once. If it moves, I'm interested; if it moves to music, I'm in love." From 1973 until 1996 Arlene Croce was The New Yorker's dance critic, a post created for her. Her entertaining, forthright, passionate reviews and essays have revealed the logic and history of ballet, modern dance, and their postmodern variants to a generation of theatergoers. This volume contains her most significant and provocative pieces-over a fourth have never appeared in book form-writings that reverberate with consequence and controversy for the state of the art today.