This volume sets out a new paradigm that increases our understanding of African culture and the forces that led to its transformation during the period of the Atlantic slave trade and beyond, putting long due emphasis on the importance of Central African culture to the cultures of the United States, Brazil, and the Caribbean. Focusing on the Kongo/Angola culture zone, the book illustrates how African peoples re-shaped their cultural institutions as they interacted with Portuguese slave traders up to 1800, then follows Central Africans through all the regions where they were taken as slaves and captives.

This book establishes Central Africa as the origin of most Africans brought to English and Dutch American colonies in North America, the Caribbean, and South America before 1660. It reveals that Central Africans were frequently possessors of an Atlantic Creole culture and places the movement of slaves and creation of the colonies within an Atlantic historical framework.

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Patrick Manning follows the multiple routes that brought Africans and people of African descent into contact with one another and with Europe, Asia, and the Americas. In joining these stories, he shows how the waters of the Atlantic Ocean, the Mediterranean Sea, and the Indian Ocean fueled dynamic interactions among black communities and cultures and how these patterns resembled those of a number of connected diasporas concurrently taking shaping across the globe. Manning begins in 1400 and traces the connections that enabled Africans to mutually identify and hold together as a global community. He tracks discourses on race, changes in economic circumstance, the evolving character of family life, and the growth of popular culture. He underscores the profound influence that the African diaspora had on world history and demonstrates the inextricable link between black migration and the rise of modernity. Inclusive and far-reaching, The African Diaspora proves that the advent of modernity cannot be fully understood without taking the African peoples and the African continent into account.

Ripped from motherland and family, ethnically mixed to quell the potential of uprisings, and brutalized by regimes of hard labor, the heart - the spirit - of Africa did not stop beating in the New World. Rather, it survived and has re-emerged; changed by contacts with new cultures and environments, but still part of the continuum of African tradition: an African Re-Genesis. This is the first volume in its field to emphasize the interdisciplinary temporal and geographic comparative research of Archaeology, Anthropology, History and Linguistics to allow us to form unique perspectives on broader trends in the transformation and (re-) emergence of African Diaspora cultures. African Re-Genesis confirms that regardless of discipline, from continental Africa to Europe, the Western Hemisphere and Indian Ocean, all Diaspora research requires a relevance to modern communities and sensitivity to the interplay with contemporary cultural identities. Matters concerning race and cultural diversity, though ostensibly de-fused by the vocabulary of political correctness, remain contentious. Indeed, the topic of racial relations has become to the twenty-first century what sex was to the nineteenth century - something best not discussed in public, and better talked around than confronted directly. African Re-Genesis strikes at the nerve of urgency that the past, present and future globalization of African cultures, is a cornerstone of the entire human experience, and it thus deserves recognition as such.

A sweeping, multidisciplinary study that analyzes and identifies some of the main lineaments of the Central African cultural legacy in the Caribbean. This long-awaited study is based on more than three decades of research and analysis. Scholars will be fascinated with the transatlantic comparative data. The author identifies Central African cultural forms in those areas settled in Africa by the Koongo, Mbundu, and Ovimbunde. (The modern-day locations of these three ethnic groups are present-day Congo, Zaire and Angola.) The book illuminates Caribbean thought and practice by comparison with Central African worldview and custom. The work is based on extensive primary and secondary sources, oral interviews, letters and diaries, folktales, proverbs and songs. In its multidisciplinary approach and depth, it highlights the debate concerning the origin and transformation of cultural forms in the Caribbean against a larger background of African culture, economy, colonialism, slavery, emancipation and independence. With its Central African focus, the book is a pioneering perspective on Caribbean cultural forms. A noted linguist, the author uses her knowledge of the most functional languages

A revised and expanded edition of a groundbreaking text.