In The Centennial Cure, the second volume in the Studies in Atlantic Canada History series, Meaghan Elizabeth Beaton critically examines the intersection of state policy, cultural development, and commemoration in Nova Scotia during Canada’s centennial celebrations. Beaton’s engaging and insightful analysis of four case studies­– the establishment of the Cape Breton Miners’ Museum, the construction of Halifax’s Centennial Swimming Pool, the Community Improvement Program, and the 1967 Nova Scotia Highland Games and Folk Festival­–reveals the province’s attempts to reimagine and renew public spaces. Through these case studies Beaton illuminates the myriad ways in which Nova Scotians saw themselves, in the context of modernity and ethnic identity, during the post-war years. The successes and failures of these infrastructure and cultural projects, intended to foster and develop cultural capital, reflected the socio-economic realities and dreams of local communities. The Centennial Cure shifts our focus away from the dominant studies on Expo’67 to provide a nuanced and tension filled account of how Canada’s 1967 centennial celebrations were experienced in other parts of Canada.

Whether it is birthdays, wedding anniversaries, Thanksgiving dinners or New Year's celebrations, we humans demonstrate a peculiar compulsion to celebrate the continuing cycle of the recurrent calendar dates that mark our lives. Public events of the same type evoke an even more pronounced response. The Anniversary Compulsionfocuses on Canada's Centennial celebrations in 1967 as an example of how a classic mega-anniversary can be successfully organized and staged. With wit and wisdom, Peter Aykroyd describes how many of the key elements of Centennial year will undoubtedly be present in the staging of what is bound to be an unprecedented worldwide celebratory outburst - the advent of the 21st century, the Third Millennium.