This is the first book to tell the story of censorship in Northern Ireland and the south between 1922 and 1939. Censorship in the Two Irelands examines the differences in how the two regimes treated freedom of speech - and finds some surprising similarities. Beginning with the history of censorship under British rule and during the Irish Revolution it shows how the new states built on that legacy. It examines all forms of censorship in the period: political, film, literature, radio and theatre and puts them into an international context showing how the two Irelands at some times resembled other jurisdictions but also created their own unique legacies of repression. This is the story of how a Unionist government treated Nationalist dissent, IRA propaganda and labour organisations. It compares Northern repression of these groups to southern actions against the IRA and Irish communists. It also tells how the two states reacted to foreign culture in cinema and literature. It shows how a powerful lobby of conservative, Catholic activists convinced the Irish Free State to introduce stringent censorships of film and literature. The scandalous decisions of the period, when authors like Steinbeck, Shaw and O'Faoilain were banned are examined but are also put in their international context. The most detailed study yet of the early years of censorship in the two Irelands, this work questions how serious either government really was about protecting freedom of expression. It poses challenges about how far a state should tolerate dissent, new ideas or controversial art; problems that are as relevant today as they were eighty years ago.Ã?Â?Ã?Â?

This is the first book to tell the story of censorship in Northern Ireland and the south between 1922 and 1939. Censorship in the Two Irelands examines the differences in how the two regimes treated freedom of speech - and finds some surprising similarities. Beginning with the history of censorship under British rule and during the Irish Revolution it shows how the new states built on that legacy. It examines all forms of censorship in the period: political, film, literature, radio and theatre and puts them into an international context showing how the two Irelands at some times resembled other jurisdictions but also created their own unique legacies of repression. This is the story of how a Unionist government treated Nationalist dissent, IRA propaganda and labour organisations. It compares Northern repression of these groups to southern actions against the IRA and Irish communists. It also tells how the two states reacted to foreign culture in cinema and literature. It shows how a powerful lobby of conservative, Catholic activists convinced the Irish Free State to introduce stringent censorships of film and literature. The scandalous decisions of the period, when authors like Steinbeck, Shaw and O'Faoilain were banned are examined but are also put in their international context. The most detailed study yet of the early years of censorship in the two Irelands, this work questions how serious either government really was about protecting freedom of expression. It poses challenges about how far a state should tolerate dissent, new ideas or controversial art; problems that are as relevant today as they were eighty years ago.Ã?Â?Ã?Â?

Irish Political Prisoners presents a detailed and gripping overview of political imprisonment from 1920-1962. Seán McConville examines the years from the formation of the Northern Ireland state to the release of the last border campaign prisoners in 1962. Drawing extensively and, in many cases, uniquely on archives and special collections in the three jurisdictions, and interviews with survivors from the period, McConville demonstrates how punishment came to embody and shape the nationalist consciousness. Irish Political Prisoners 1920-1962 commences with the legacy of the Anglo Irish and Irish Civil Wars - militancy, division and bitterness. The book travels from the embedding of Northern Ireland’s security agenda in the 1920’s, and the IRA’s search for a role in the 1930’s (including the 1939 bombing campaign against Britain) to the decisive use of internment during the war and the border campaign years. This volume will be an essential resource for students of Irish history and is a major contribution to the study of imprisonment. .

The study of Irish history, once riven and constricted, has recently enjoyed a resurgence, with new practitioners, new approaches, and new methods of investigation. The Oxford Handbook of Modern Irish History represents the diversity of this emerging talent and achievement by bringing together 36 leading scholars of modern Ireland and embracing 400 years of Irish history, uniting early and late modernists as well as contemporary historians. The Handbook offers a set of scholarly perspectives drawn from numerous disciplines, including history, political science, literature, geography, and the Irish language. It looks at the Irish at home as well as in their migrant and diasporic communities. The Handbook combines sets of wide thematic and interpretative essays, with more detailed investigations of particular periods. Each of the contributors offers a summation of the state of scholarship within their subject area, linking their own research insights with assessments of future directions within the discipline. In its breadth and depth and diversity, The Oxford Handbook of Modern Irish History offers an authoritative and vibrant portrayal of the history of modern Ireland.

This book examines the origins of Ireland in its first independent incarnation, the Irish Free State (1922-1937). It explores how contemporary public relations and propaganda techniques were used to construct an identity for this new state – a state which after enduring seven years of insurrection and civil war, became one of the most stable democracies in Europe. This stability, the book argues, was constructed not solely through policies enacted by governments, but through the construction of a Gaelic, Catholic and Celtic national identity. By shifting the perspective to how nation building was communicated, it weaves an interdisciplinary narrative that initiates a new understanding of nation building - providing insights of increasing relevance in current world events. Avoiding a simplistic cause and effect history of public relations, the book examines the uses and effects of early public relations from a political and societal perspective and suggests that while governments were only modestly successful in their varied propaganda efforts, cumulatively they facilitated a transition from violence to peace. This will be of interest to researchers and advanced students with an interest in public relations, propaganda studies, nation building and Irish studies.

An examination of the emergence, reception and legacy of modernism in Ireland. Engaging with the ongoing re-evaluation of regional and national modernisms, the essays collected here reveal both the importance of modernism to Ireland, and that of Ireland to modernism. This collection introduces fresh perspectives on modern Irish culture that reflect new understandings of the contradictory and contested nature of modernism itself.--

Was there an Irish Revolution, and - if so - what kind of revolution was it? What motivated revolutionaries and those who supported them? How was the war fought and ended? What have been the repercussions for unionists, women and modern Irish politics? These questions are here addressed by leading historians of the period through both detailed assessments of specific incidents and wide-ranging analysis of key themes. The Irish Revolution, 1913-1923 provides the most up-to-date answers to, and debate on, the fundamental questions relating to this formative period in Irish history. Clear coverage of the historiography and a detailed chronology make this book ideal for classroom use. The Irish Revolution is essential reading for students and scholars of modern Ireland, and for all those interested in the study of revolution.