Piecework enthusiasts rejoice] Now great Celtic designs can be created with only two simple blocks. Quilters traditionally use appliquÞ to create Celtic designs. Instead, Karen has translated knot work into pieced patterns. She found she can create many Celtic designs with two, three, or more blocks, so the possibilities are unlimited. Famous for her use of color and color illusion, the author shows how to use color, texture, and value to add excitement to Celtic quilts. She shares her simple design concepts for those who want to design their own Celtic quilts, while providing piecing tips, pressing options, and quilting ideas. Even beginning quiltmakers can tackle these colorful quilt patterns. Teaching tips and lesson plans are included for quilt teachers and shop owners. OUT OF PRINT

The world of optical illusions has fascinated artists for centuries, and quiltmaker Karen Combs has been intrigued by them for years. In Optical Illusions for Quilters, she unravels the mysteries of optical illusions as applied to quilting, some of them for the first time. Masterpiece quilts are used to explain each illusion and quilters are shown how to apply these principles to their work. Though Karen's focus is on quilting, these principles can be applied to other creative mediums. In an easy to understand manner, she encourages readers to use their imaginations, listen to their inner voices, and apply their new knowledge as they become masters of illusions.

Add your own hues to 43 colorable vignettes depicting stylized birds, fish, serpents, mythological creatures, and other fabulous fauna. For artists, craftspeople, and coloring book enthusiasts of every age.

Create your own stunning versions of distinctive Celtic spirals and weaves by adding colors of your choice to 16 traditional designs.

(Piano Solo Songbook). "I think there is a similarity between the infinite big and the infinite smallness of everything," says Yann Tiersen. "It's the same experiment looking through a microscope as it is a telescope." Named after a chapel in a small village on the island of Ushant, Kerber marks a new chapter in critically-acclaimed composer Yann Tiersen's career. A chapter still true to Tiersen's nuanced and subtle approach but one that sets out with his most overtly electronic material to date. Beautifully textured, highly immersive and thoughtfully constructed, Tiersen creates an electronic world, providing an environment in which the piano source exists. A sense of place has often been a central theme in Tiersen's work and here that is no different. Each track is tied to a place mapping out the immediate landscape that surrounds Tiersen's home, linking back to his thoughts on the possibilities of the infinite smallness. This official, exclusive folio is beautifully printed on high-quality, uncoated paper with striking graphic artwork. All seven pieces are presented for solo piano and follow an exclusive introduction to the project.

In this study, which is first of all a folk-lore study, we pursue principally an anthropo-psychological method of interpreting the Celtic belief in fairies, though we do not hesitate now and then to call in the aid of philology; and we make good use of the evidence offered by mythologies, religions, metaphysics, and physical sciences.