This book is intended to be an introduction to a style of music which has a long and noble history that is inextricable intertwined with that of the ancient harp. the tunes contained in this book were chosen for their playability on the folk harp as well as for ease of separating into categories of skill.

Harp

Evoke the traditional sounds of the Celtic lands with these instrumental arrangements of songs for solo Celtic harp. These 25 tunes are Manx, Welsh, Irish, Scottish, Cornish, Hebridean, and Bretton, including pieces by Turlough O'Carolan and Robert Burns. Notes at the end of the book give insights into the meanings of the texts of the songs, aiding interpretation and inviting you to experience the ambience of the Celtic lands through their music. Lyrics for selected songs are given in the notes in English.

This book teaches the student step by step how to play the harp. Each of the 12 lessons includes instructions, exercises, and folk and classical pieces using the new skills and techniques taught in the lesson. --from publisher description.

For her ninth book of Celtic harp music, Suzanne Guldimann has researched and arranged 18 historic pieces of music drawn from and inspired by Jane Austen's personal collection of music. As a bonus, the not-quite-period English country dance popularized by the 1995 A&E version of Pride and Prejudice is included. The collection features classical pieces by Mozart, Handel and Gluck; and a haunting and romantic selection of the French, Italian, Scottish and Irish traditional airs that were tremendously popular during the late 18th/early 19th century, including several with lyrics by Robert Burns, and two pieces reported to have been among Jane Austen's personal favorites.All of the pieces in the collection are arranged to fit on a small harp with just three octaves, but can also be played on larger harps or on any melody instrument. Each arrangement includes fingering, chord symbols, lyrics when available and historic notes.

A collection of 34 English and Scottish ballads arranged for harp. The ballads date from the fifteenth through the nineteenth centuries, and range from the well known to the rare and unusual. They can be played on a lap harp with a range of just two and a half octaves, or on larger harps. They can also be played on flute, violin, guitar, or any melody instrument. The book includes lyrics, historical notes, and illustrations. The pieces are in the key of C, or in sharp keys. All of the pieces include fingerings and chord symbols.

The harp is the quintessential wedding instrument. Its romantic image and sound make it ideal for the special day which represents a landmark in the life of the bride and groom and their families. the music they choose will stay with them in memory and meaning for a lifetime. This book contains a variety of classic, traditional, and ethnic music, some pieces you will recognize as standards, and some you may never have heard before. Selections in this book may be played on any style or type of harp. These tunes and pieces have been chosen because they are in the public domain, and also because they could make the difference between an ordinary wedding and a very special one. Divided into four sections: Preludes, Processionals, Meditations, and Recessionals, this music offers more than enough choices to get you through an entire wedding ceremony and reception. These arrangements are interesting to the player as well as the listener and take full advantage of the harmonic capabilities of the lever harp. Includes important and useful tips and suggestions regarding music selections, fees for services, contracts, proper attire, etiquette, and more.