During the 1930s many Americans avoided thinking about war erupting in Europe, believing it of little relevance to their own lives. Yet, the Warner Bros. film studio embarked on a virtual crusade to alert Americans to the growing menace of Nazism. Polish-Jewish immigrants Harry and Jack Warner risked both reputation and fortune to inform the American public of the insidious threat Hitler's regime posed throughout the world. Through a score of films produced during the 1930s and early 1940s-including the pivotal Sergeant York-the Warner Bros. studio marshaled its forces to influence the American conscience and push toward intervention in World War II. Celluloid Soldiers offers a compelling historical look at Warner Bros.'s efforts as the only major studio to promote anti-Nazi activity before the outbreak of the Second World War.

During the 1930s many Americans avoided thinking about war erupting in Europe, believing it of little relevance to their own lives. Yet, the Warner Bros. film studio embarked on a virtual crusade to alert Americans to the growing menace of Nazism. Polish-Jewish immigrants Harry and Jack Warner risked both reputation and fortune to inform the American public of the insidious threat Hitler's regime posed throughout the world. Through a score of films produced during the 1930s and early 1940s-including the pivotal Sergeant York-the Warner Bros. studio marshaled its forces to influence the American conscience and push toward intervention in World War II. Celluloid Soldiers offers a compelling historical look at Warner Bros.'s efforts as the only major studio to promote anti-Nazi activity before the outbreak of the Second World War.

At the beginning of the twentieth century, Jewish immigrants upended Protestant control of vaudeville and the silent film industry. This book rejects the commonly held explanations for this shift: Jewish commercial acumen and their desire to assimilate. Instead, this book argues that the “pleasure principle”—a positive view of bodily pleasures and sexuality that Jewish immigrants held ––gave rise to the role of Jewish influence on popular culture, an influence still felt today. After discussing the pivotal ascendancy of Jews in vaudeville and silent films, Cherry explores the important role that Jewish performers and middlemen played in the evolution of popular culture throughout the century, from stage and the big screen to radio, television, and the music industry. He concludes with a broader discussion of Jewish values that helps explain the continued outsized role that Jews continue to play in American popular culture.

This easy-to-use guide explores the relationships between film images and the experience of war, showing how films influence war-time behavior and how wars influence films. This unique reference combines essays on the aesthetic and historical aspects of war films with classifications and discussions of films about different wars, a filmography arranged alphabetically with annotations, a bibliography of books and articles dealing with war films, a general guide for film study, along with separate indices to film titles, filmmakers, and subjects. This is both a research guide and text for serious scholars of military history and American popular culture, and an attractive reader for history buffs and for a general audience.

On October 8, 1918, seventeen soldiers from the 82nd Division, American Expeditionary Force, led by acting Sgt. Bernard Early, flanked a German machine gun nest that had inundated their unit with withering fire. In this sneak attack, they successfully surprised and captured more than 80 German soldiers before an unseen machine gun suddenly opened fire and killed six men. Acting Cpl. Alvin York, a member of the patrol, received the credit for taking control of the squad and single-handedly killing 20 Germans, capturing 132 prisoners, and eliminating 35 machine guns, all before leading the men back to Allied lines. For this act of bravery, York not only received the Medal of Honor and was promoted to sergeant, but he also rose to fame and glory. The 1941 movie Sergeant York, starring Gary Cooper, solidified York as a legend and one of the most well-known military figures in American history. In Unraveling the Myth of Sgt. Alvin York, historian James P. Gregory Jr. tells the story of the other sixteen soldiers who took part in the battle, capture, and return before fading into relative obscurity in the shadow of Sergeant York. As the tale reached mythological proportions, the other survivors began to speak out, seeking recognition for their parts in the engagement, only to be stymied by improper investigations, cover-ups, and media misrepresentations. Here, Gregory recovers the story of these other men and the part they played alongside York while revealing the process of mythmaking in twentieth-century America.

This author's analytical approach will be appreciated by historians as well as film buffs. He examines Hollywood's response to the rise of fascism and the beginning of the Second World War. Welky traces the shifting motivations and arguments of the film industry, politicians, and the public as they negotiated how or whether the silver screen would portray certain wartime attributes.

Alvin C. York (1887--1964) -- devout Christian, conscientious objector, and reluctant hero of World War I -- is one of America's most famous and celebrated soldiers. Known to generations through Gary Cooper's Academy Award-winning portrayal in the 1941 film Sergeant York, York is credited with the capture of 132 German soldiers on October 8, 1918, in the Meuse-Argonne region of France -- a deed for which he was awarded the Congressional Medal of Honor. At war's end, the media glorified York's bravery but some members of the German military and a soldier from his own unit cast aspersions on his wartime heroics. Historians continue to debate whether York has received more recognition than he deserves. A fierce disagreement about the location of the battle in the Argonne forest has further complicated the soldier's legacy. In Alvin York, Douglas V. Mastriano sorts fact from myth in the first full-length biography of York in decades. He meticulously examines York's youth in the hills of east Tennessee, his service in the Great War, and his return to a quiet civilian life dedicated to charity. By reviewing artifacts recovered from the battlefield using military terrain analysis, forensic study, and research in both German and American archives, Mastriano reconstructs the events of October 8 and corroborates the recorded accounts. On the eve of the WWI centennial, Alvin York promises to be a major contribution to twentieth-century military history.