'Celia's Secret' is an intensely personal and truthful account of Martha Ashwell's struggle to come to terms with a family secret. The earlier part of the book is set in wartime Manchester in 1942, a time when rules and boundaries were set aside. In September 1964, the scene moves to Oxford and Martha writes evocatively about this period of her life. Seeking answers to her unresolved questions she examines the impact which the secret has had upon her and her family. Martha reflects on family relationships, her education, her training in social work and her knowledge of counselling. A life-long Christian, she explores religious and literary themes in order to express her thoughts and feelings. Martha tells this story to fulfil a deeply-felt need to be reconciled with her much-loved mother.

This book explores the legacies of the genocide of Roma in Europe after the end of the Second World War. Hundreds of thousands of people labelled as ‘Gypsies’ were persecuted or killed in Nazi Germany and across occupied Europe between 1933 and 1945. In many places, discrimination continued after the war was over. The chapters in this volume ask how these experiences shaped the lives of Romani survivors and their families in eastern and western Europe since 1945. This book will appeal to researchers and students in Modern European History, Romani Studies, and the history of genocide and the Holocaust.

What has wonder, that apparently innocent feeling of amazement so common in little children, to do with wisdom, often thought to be the privilege of those who are old? What has theology and religious experience to do with scientific investigation of the natural world? Professor Celia Deane-Drummond's exploration of these themes expands thedialogue between science and religion. She begins her study with reflectionson the emotion of wonder, tracing the history of its meaning from its Indo-European roots to the present, focusing on the experience of the naturalworld, including that described by contemporary cosmology.Incorporating insights from both Eastern and Western religious traditions, as well as African spirituality, she segues to a discussion of wisdom. Sheconsiders: natural wisdom, looking at evolutionary convergence and design inthe natural world and how it might mesh with theological understanding ofnatural wisdom; human identity; and the notion of God as wisdom. She also discusses the origin of the cosmos and the role of God as creator, as well as whether there is wisdom in nature and what the role, if any, of neuroscience in wisdom as a facet of human nature might be. Returning to the theme of wonder, she muses on wonder as it relates tothe wisdom of God and the wisdom of the cross. She shows that by weavingwonder and wisdom together, a deeper spirituality can surface that integratestheology and science. "If wisdom is the voice for theology at the boundaryof science, so wonder reminds theology that science too offers its own wisdomthat needs to be taken into account," she concludes.

Xat'sull Chief Bev Sellars spent her childhood in a church-run residential school whose aim it was to "civilize" Native children through Christian teachings, forced separation from family and culture, and discipline. In addition, beginning at the age of five, Sellars was isolated for two years at Coqualeetza Indian Turberculosis Hospital in Sardis, British Columbia, nearly six hours' drive from home. The trauma of these experiences has reverberated throughout her life. The first full-length memoir to be published out of St. Joseph's Mission at Williams Lake, BC, Sellars tells of three generations of women who attended the school, interweaving the personal histories of her grandmother and her mother with her own. She tells of hunger, forced labour, and physical beatings, often with a leather strap, and also of the demand for conformity in a culturally alien institution where children were confined and denigrated for failure to be White and Roman Catholic. Like Native children forced by law to attend schools across Canada and the United States, Sellars and other students of St. Joseph's Mission were allowed home only for two months in the summer and for two weeks at Christmas. The rest of the year they lived, worked, and studied at the school. St. Joseph's Mission is the site of the controversial and well-publicized sex-related offences of Bishop Hubert O'Connor, which took place during Sellars's student days, between 1962 and 1967, when O'Connor was the school principal. After the school's closure, those who had been forced to attend came from surrounding reserves and smashed windows, tore doors and cabinets from the wall, and broke anything that could be broken. Overnight their anger turned a site of shameful memory into a pile of rubble. In this frank and poignant memoir, Sellars breaks her silence about the institution's lasting effects, and eloquently articulates her own path to healing.

“Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—Time Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author. Praise for Dreaming in Cuban “Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle “Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post “Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post