'Celia's Secret' is an intensely personal and truthful account of Martha Ashwell's struggle to come to terms with a family secret. The earlier part of the book is set in wartime Manchester in 1942, a time when rules and boundaries were set aside. In September 1964, the scene moves to Oxford and Martha writes evocatively about this period of her life. Seeking answers to her unresolved questions she examines the impact which the secret has had upon her and her family. Martha reflects on family relationships, her education, her training in social work and her knowledge of counselling. A life-long Christian, she explores religious and literary themes in order to express her thoughts and feelings. Martha tells this story to fulfil a deeply-felt need to be reconciled with her much-loved mother.

One day during the run of Michael Fryan's play Copenhagen, a curious letter arrived from a housewife in Chiswick. She enclosed a few faded pages of barely legible German which she thought might have some relevance to the mystery at the play's heart. They turned out to mark the start of a long and winding trail. The subject of Copenhagen is the strange visit that the German physicist, Werner Heisenberg, made to his former Danish colleague, Niels Bohr in 1941. The two old friends now found themselves on opposite sides in a world war, and Heisenberg could not explain to Bohr that he was running the Nazis' secret atomic programme. His intentions have intrigued and baffled historians, and the hitherto unpublished German documents which Celia Rhys-Evans now began to send Michael Frayn cast a remarkable new light on certain aspects of the story. The gradual emergence of these papers was followed with particularly close interest by the actor, David Burke, who was playing Niels Bohr, and who had happened to have a wide experience of documents of this sort. When it was all over David Burke and Michael Frayn sat down together, rather as Bohr and Heisenberg do in the play, to try to unravel the mystery, and, like Bohr and Heisenberg, to confront once again the eternal difficulty of knowing why we do what we do.

Celia Frost is a freak. At least that's what everyone thinks. Her life is ruled by a rare disorder that means she could bleed to death from the slightest cut, confining her to a gloomy bubble of "safety". No friends. No fun. No life. But when a knife attack on Celia has unexpected consequences, her mum reacts strangely. Suddenly they're on the run. Why is her mum so scared? Someone out there knows – and when they find Celia, she's going to wish the truth was a lie... A buried secret; a gripping manhunt; a dangerous deceit: what is the truth about Celia Frost? A page-turning thriller that's impossible to put down. "Paula Rawsthorne's excellent debut is original and gripping and the tension is palpable throughout... As well as being a compulsive thriller, this novel is also a skilful coming-of-age novel.Both parts of the story build to a thoroughly satisfying climax and resolution, with final twists to surprise." - Books For Keeps Winner Leeds Book Award 2012 and Sefton Super Reads Award 2012, Winner Brilliant Book Award

ORevenge may be sweet, but the joys of friendship and following your own star prove even sweeter in this engaging, low-key novel about a creative, rebellious youngster.ON"Kirkus Reviews."

A "novel based on an unexplored slice of World War II history, following a young Jewish girl whose family flees refined and urbane Vienna for safe harbor in the mountains of Bolivia"--

Ten-year-old Celia is messy and disorganized, so her father builds her a robot to turn her life around. High-tech Robot is part nanny, part housekeeper, and all friend, but Celia worries that Dad build Robot because he and Mom are too busy to take care of her. Then Robot goes missing, and Celia wonders if she's lost her father's love as well.

Don’t miss the enchanting, heartwarming new novel from the bestselling author... ’Uplifting with a magical quality’WOMAN Took me on a trip I’ll remember for a long time’ BELLA OSBORNE ‘Certain to make you laugh and cry’ JENNI KEER ’An absolute joy’ RUTH HOGAN