The only work to date to collect data gathered during the American and Soviet missions in an accessible and complete reference of current scientific and technical information about the Moon.

Beyond Vision is the first English-language collection of essays on art by Pavel Florensky (1882–1937), Russian philosopher, priest, linguist, scientist, mathematician – and art historian. In addition to seven essays by Florensky, the book includes a biographical introduction and an examination of Florensky’s contribution as an art historian by Nicoletta Misler. Beyond Vision reveals Florensky’s fundamental attitudes to the vital questions of construction, composition, chronology, function and destination in the fields of painting, sculpture and design. His reputation as a theologian and philosopher is already established in the English-speaking world, but this first collection in English of his art essays (translated by Wendy Salmond) will be a revelation to those in the field. Pavel Florensky was a true polymath: trained in mathematics and philosophy at Moscow University, he rejected a scholarship in advanced mathematics in order to study theology at the Moscow Theological Academy. He was also an expert linguist, scientist and art historian. A victim of the Soviet government’s animosity towards religion, he was condemned to a Siberian labor camp in 1933 where he continued his work under increasingly difficult circumstances. He was executed in 1937.

" ... Concise explanations and descriptions - easily read and readily understood - of what we know of the chain of events and processes that connect the Sun to the Earth, with special emphasis on space weather and Sun-Climate."--Dear Reader.

**The Extraterrestrial Encyclopedia Unveiling the Mysteries of Alien Geology** Embark on a cosmic journey beyond the reaches of Earth in "The Extraterrestrial Encyclopedia," an enthralling exploration of planetary wonders waiting to be discovered. This comprehensive guide delves deep into the geological features of alien worlds, offering insights that challenge our understanding of what planets and moons can be. Discover the enigmatic landscapes of distant exoplanets where unique geological marvels defy imagination. From super-Earths to mini-Neptunes, uncover how these rocky exoplanets forge their identities, while navigating the tantalizing promise of life in the habitable zone. Journey through the icy realms of our solar system’s moons, where hidden oceans may harbor the secrets of life beneath their frozen crusts. Delve into the sizzling surfaces of volcanic planets, where molten lava crafts otherworldly terrains that stir the senses. Explore weather systems and climates that shape alien worlds through volatile weather extremes. Learn how these celestial conditions influence the surface geology of planets light-years away. Harnessing the latest in alien cartography, this guide unveils the techniques and the audacious technology fueling our quest to map the unseen. Imagine the rare resources buried deep within exotic planets, revealing minerals with potential uses that could revolutionize our future. Understand the cosmic dance of solar systems as stars and binary systems mold the geology of planets and moons. Marvel at theoretical worlds, where imagination meets scientific speculation, expanding our understanding of unseen exoplanets. With the blend of theoretical insights and cutting-edge science, "The Extraterrestrial Encyclopedia" prepares you for the future of space exploration. From ethical debates on terraforming to the practical insights gained from Earth's own geology, this book becomes your portal to the unknown. Prepare to unlock the secrets of alien landscapes with "The Extraterrestrial Encyclopedia," your guide to the fascinating geology that lies beyond our earthly reach.

Studies major works by important sculptors since Rodin in the light of different approaches to general sculptural issues to reveal the logical progressions from nineteenth-century figurative works to the conceptual work of the present.

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.