Celebration of the Beethoven Centenary, 1827-1927
Title | Celebration of the Beethoven Centenary, 1827-1927 PDF eBook |
Author | John Wanamaker (Firm) |
Publisher | |
Pages | 16 |
Release | 1927* |
Genre | |
ISBN |
Centenary Festival, Ludwig Van Beethoven, 1770-1827
Title | Centenary Festival, Ludwig Van Beethoven, 1770-1827 PDF eBook |
Author | Boston Public Library. Music Department |
Publisher | |
Pages | 89 |
Release | 1946 |
Genre | |
ISBN |
Beethoven 1770-1827
Title | Beethoven 1770-1827 PDF eBook |
Author | Boston Public Library |
Publisher | |
Pages | 0 |
Release | 1927 |
Genre | |
ISBN |
Beethoven Centenary Souvenir 1827-1927
Title | Beethoven Centenary Souvenir 1827-1927 PDF eBook |
Author | Gramophone Company |
Publisher | |
Pages | 16 |
Release | 1927 |
Genre | |
ISBN |
A Collection of Concert Programmes, Clippings and Posters Issued in Connection with the Beethoven Centenary Celebration in England, 1927
Title | A Collection of Concert Programmes, Clippings and Posters Issued in Connection with the Beethoven Centenary Celebration in England, 1927 PDF eBook |
Author | |
Publisher | |
Pages | |
Release | 1927 |
Genre | Scrapbooks |
ISBN |
The Beethoven Centennial, 1827-1927
Title | The Beethoven Centennial, 1827-1927 PDF eBook |
Author | Columbia Phonograph Company, inc |
Publisher | |
Pages | 24 |
Release | 1927 |
Genre | |
ISBN |
Beethoven's Ninth
Title | Beethoven's Ninth PDF eBook |
Author | Esteban Buch |
Publisher | University of Chicago Press |
Pages | 348 |
Release | 2003 |
Genre | Music |
ISBN | 9780226078243 |
Who hasn't been stirred by the strains of Beethoven's Ninth Symphony? That's a good question, claims Esteban Buch. German nationalists and French republicans, communists and Catholics have all, in the course of history, embraced the piece. It was performed under the direction of Leonard Bernstein at a concert to mark the fall of the Berlin Wall, yet it also serves as a ghastly and ironic leitmotif in Stanley Kubrick's A Clockwork Orange. Hitler celebrated his birthdays with it, and the government of Rhodesia made it their anthem. And played in German concentration camps by the imprisoned, it also figured prominently at Mitterand's 1981 investiture. In his remarkable history of one of the most popular symphonic works of the modern period, Buch traces such complex and contradictory uses—and abuses—of Beethoven's Ninth Symphony since its premier in 1824. Buch shows that Beethoven consciously drew on the tradition of European political music, with its mix of sacred and profane, military and religious themes, when he composed his symphony. But while Beethoven obviously had his own political aspirations for the piece—he wanted it to make a statement about ideal power—he could not have had any idea of the antithetical political uses, nationalist and universalist, to which the Ninth Symphony has been put since its creation. Buch shows us how the symphony has been "deployed" throughout nearly two centuries, and in the course of this exploration offers what was described by one French reviewer as "a fundamental examination of the moral value of art." Sensitive and fascinating, this account of the tangled political existence of a symphony is a rare book that shows the life of an artwork through time, shifted and realigned with the currents of history.