"Who can resist the call of the saxophone? This expressive instrument is at the very heart of 20th-century music. Celebrating the Saxophone is a colorful and affectionate look at its richly diverse history. Paul Lindemeyer follows its progress from the 1840s Paris workshop of Adolphe Sax, through years of obscurity in band music, to its eventual fame in 1920s America, to the election of a sax-playing President." "The saxophone is best known as the symbol - and musical standard-bearer - of jazz. Celebrating the Saxophone illustrates its role in the music from early times - when Sidney Bechet became the pioneer jazz saxman - to the present, when artists like Branford Marsalis have won unparalleled public acceptance. The saxophone's development as the creative jazz voice is traced in profiles of its great innovators - among them Coleman Hawkins, Lester Young, Charlie Parker, Sonny Rollins, and John Coltrane. Yet jazz is only part of the story. Classical saxophonists have been gaining long-overdue acceptance. And the horn has played many roles in popular music - from the ragtime virtuosity of Rudy Wiedoeft, to the big band era, to the ever-popular David Sanborn."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Traces the history of the saxophone from its invention by the eccentric Belgian instrument maker Adolphe Sax in the 1840s to its role in the jazz genre in the twenty-first century.

In the first fully comprehensive study of one of the world's most iconic musical instruments, Stephen Cottrell examines the saxophone's various social, historical, and cultural trajectories, and illustrates how and why this instrument, with its idiosyncratic shape and sound, became important for so many different music-makers around the world.After considering what led inventor Adolphe Sax to develop this new musical wind instrument, Cottrell explores changes in saxophone design since the 1840s before examining the instrument's role in a variety of contexts: in the military bands that contributed so much to the saxophone's global dissemination during the nineteenth century; as part of the rapid expansion of American popular music around the turn of the twentieth century; in classical and contemporary art music; in world and popular music; and, of course, in jazz, a musical style with which the saxophone has become closely identified.

Saxophone has a problem, she’s different. None of the other instruments want her around, so she sits all by herself. Will anyone ever want to play with her, or will Saxophone always sit alone? In this story about the acceptance and celebration of diversity, we learn why every musical instrument deserves a chance to be played with.

“Paul Tran’s debut collection of poems is indelible, this remarkable voice transforming itself as you read, eventually transforming you.” —Alexander Chee, author of How to Write an Autobiographical Novel “This powerful debut marshals narrative lyrics and stark beauty to address personal and political violence.” —New York Times Book Review A profound meditation on physical, emotional, and psychological transformation in the aftermath of imperial violence and interpersonal abuse, from a poet both “tender and unflinching” (Khadijah Queen) Visceral and astonishing, Paul Tran's debut poetry collection All the Flowers Kneeling investigates intergenerational trauma, sexual violence, and U.S. imperialism in order to radically alter our understanding of freedom, power, and control. In poems of desire, gender, bodies, legacies, and imagined futures, Tran’s poems elucidate the complex and harrowing processes of reckoning and recovery, enhanced by innovative poetic forms that mirror the nonlinear emotional and psychological experiences of trauma survivors. At once grand and intimate, commanding and deeply vulnerable, All the Flowers Kneeling revels in rediscovering and reconfiguring the self, and ultimately becomes an essential testament to the human capacity for resilience, endurance, and love.

After its invention in France in 1838, the saxophone, Vermazen argues, was finally brought to the American public by the Six Brown Brothers, one of the most famous musical stage acts of the early 20th century. This title explores how they turned an instrument once derided as the "Siren of Satan", into the crowning symbol of jazz.

Now with a bonus second CD that contains individual ii/V7/I tracks for each major key (17 new practice tracks). The most important musical sequence in modern jazz Contains all the needed scales and chords to each CD track and all are written in the staff. Contains 120 written patterns (transposed for all instruments) and three full pages of piano voicings that correspond to the CD. Contains a Scale Syllabus which allows you to find and use various substitute scales---just like professional musicians. The CD contains four tracks of Jamey playing exercises in a "call and response" fashion over an extended ii/V7/I progression that stays in one key at a comfortable tempo. Allows you to practice major, minor, dom. 7th, diminished, whole tone, half-diminished, Lydian, and dim. whole tone scales and chords. Beginning/Intermediate level. Suggested prerequisites: Volumes 1 and 2. Titles: ii/V7/I All Major Keys * G Minor Blues * Bebop Tune * V7+9/I All Keys * ii/V7/I in Three Keys * F Blues with 8-Bar Bridge * II/V7 Random Progressions * ii /V7+9/I All Minor Keys.