The Mind That Is Catholic, he presents a retrospective collection of his academic and literary essays written in the past fifty years. In each essay, he exemplifies the Catholic mind at its best--seeing the whole, leaving nothing out.

Walking with Ignatius is a celebration of 500 years of the Society of Jesus, as seen through the eyes of its first Latin American Father General, Arturo Sosa. Comprised of interviews with Father General conducted over a period of two years by Dario Menor, Walking with Ignatius retraces the ‘inner tension’ – both personal and communal – that defines the quest for meaning over the ages: from the time when St Ignatius begged for alms to sustain his studies to a world transformed by globalisation. Menor’s questions reflect the spirit of the Ignatian practice of discernment: unafraid to ask questions and to face up to the challenges of the present, Menor and Sosa engage in a spiritual conversation that covers such topics as the life of Ignatius, the life story of Sosa, the challenge of the unsettling twenty-first century, and the future of the Church. With great care Sosa sifts through the past, present, and future of the Society of Jesus and of the Church. The reader is invited in the Ignatian spirit into a conversation about the future direction of the Church in which the question of being a Catholic is replaced with the question of how we become Catholics. Included is a section-by-section guide – complete with bible references, pointers for prayer, and tips for spiritual conversation – that encourages the reader to embark on a spiritual journey of their own. Intended for those within and outside the Ignatian family, Walking with Ignatius is both an exemplar of spiritual conversation in action and a response to Pope Francis’s call for Jesuits to bring the practice of discernment to the world.

Athanasius Kircher's catalogue of the prodigious early museum (a Wunderkammer or cabinet of curiosities) which he assembled and arranged at the Roman College of the Society of Jesus was completed by his assistant Giorgio de Sepi for publication in 1678. This publication, with many expertly-engraved illustrations, is one of the most sumptuous and most curious examples of high baroque book production. It has memorable images of exotic birds and animals, of one of the first magic-lanterns or projected images, its text hints at the presence of machines which are little short of computers, it also illustrates numerous wonderful machines, be those clockwork automata, chiming and ambulant clocks, or multiplying and distorting mirrors. It is perhaps most famous for the exceptionally lavish fold-out plates of Roman obelisks which it contains, each page dedicated to one of the obelisks re-discovered in baroque Rome or new obelisks with pseudo-hierolgyphics by Kircher, devised according to his own scheme of interpretation of hieroglyphics as pictograms or, in baroque practice, emblems or impresa. 0A full facsimile, including foldout plates, is offered here, together with the first English translation of a notoriously problematic Latin text. There is also a commentary to the translation, identifying objects, sources and facts while also explaining something of the status which the museum and its description share, as epitomes of the scarcely-credible range of activities and disciplines in which Kircher involved himself. The commentary also identifies passages which refer to others of Kircher's numerous and prodigious works. The edition also contains an afterword, reflecting on the current state of scholarship on Kircher, his museum, and his world.