Ceded at Dawn identifies and examines decolonization as the principal source of the smoldering tension that persisted between the two former United Nations Trust Territories in Cameroon which finally exploded into an armed conflict in 2017. French Cameroon (now the Republic of Cameroon) was decolonized while the decolonization of British Cameroons was abandoned unfinished. The international experiment on independence by joining was an exceptional route selected for the decolonization of British Southern Cameroons and was defended with the untenable arguments that British Southern Cameroons was too small and too poor to be granted sovereign independence. Both British Southern Cameroons and French Cameroon rejected independence by joining – the latter registering her objection in a “No” vote at the General Assembly meeting in April 1961. In British Southern Cameroons on the other hand, the suppression of bilateral agreement on confederation of states of equal status, the nullification of their self-governing status and worst of all the wrongful transfer of that self-governing state to the Republic of Cameroon on no known terms became a complete recipe for a disaster awaiting outburst and eruption. Ceded at Dawn documents and methodically analyzes these developments using archival and recently declassified British colonial sources. Historians, diplomats, political scientists, scholars of the UN system and international law as well experts on decolonization will find this volume it very illuminating.

The father of virtual reality explains its dazzling possibilities by reflecting on his own lifelong relationship with technology. Bridging the gap between tech mania and the experience of being inside the human body, Jaron Lanier has written a three-pronged adventure into 'virtual reality', by exposing its ability to illuminate and amplify our understanding of our species.

Reprints the 1931 Liveright edition without change except for the correction of a few misprints and misspellings. This section of what was envisioned as a multi-volume autobiography (only the first two volumes were completed) covers Dreiser's life up to his departure for St. Louis to work as a reporter for the Globe-Democrat. Reviewers of the original remarked that Dreiser had out-Rousseaued Rousseau in terms of frank personal revelations and his unblinking treatment of sex. Annotation copyrighted by Book News, Inc., Portland, OR

The Sanskrit Puranas and epics are replete with stories of the avatars, incarnations of the god Visnu in various forms to rid the universe of malevolent forces and to restore the proper cosmic balance. As Narasimha, half-man half-lion, Visnu finds a loophole in the pact of invulnerability the demon Hiranaipu has received from god Brahma, and rends the demon apart with his claws. As the brahmin dwarf, Vamana, Visnu deceives the demon Bali with his diminutive appearance and thwarts Bali's attempt to gain universal sovereignty. After carefully analyzing the myths of Vamana and Narasimha, Deborah Soifer grounds her study in the textual history of each avatar and its myth, in their religious contexts, and in the intricate cosmology of the classical period of Hinduism. Contrasting the bestial persona of Narasimha with Vamana's priestly appearance and his associations with early cosmologic themes, she finds complementarity and significance in this pair as they are viewed in the larger context of periodic cosmic destructions and recreations. While focusing primarily on these two mythological figures, Soifer's work explores the relationship between dharma and the 'devious' acts of gods; the interplay between cosmic and 'sociocosmic' levels of reality; and the relationship between cosmology, theology, and soteriology in a religious worldview.

A novel devoted to speculation of what would happen if an incurable disease caused by virus mutation should come into existence on the continent of Africa. The response to such an event in this novel is instant and brave but power hungry men try to take advantage of the horrifying event to gain their goal of world domination. The tale is told by a retired news anchor to his grandchildren a hundred years later on the event of his one hundredth birthday.

In this second volume, Albert Boime continues his work on the social history of Western art in the Modern epoch. This volume offers a major critique and revisionist interpretation of Western European culture, history, and society from Napoleon's seizure of power to 1815. Boime argues that Napoleon manipulated the production of images, as well as information generally, in order to maintain his political hegemony. He examines the works of French painters such as Jacques-Louis David and Jean Auguste Dominique Ingres, to illustrate how the art of the time helped to further the emperor's propagandistic goals. He also explores the work of contemporaneous English genre painters, Spain's Francisco de Goya, the German Romantics Philipp Otto Runge and Caspar David Friedrich, and the emergence of a national Italian art. Heavily illustrated, this volume is an invaluable social history of modern art during the Napoleonic era. Stimulating and informative, this volume will become a valuable resource for faculty and undergraduates.—R. W. Liscombe, Choice

In a world where angels, demons, and gods fight over the possession of mortal souls, two conflicted pawns are ensnared in a cruel game. The enigmatic seer Estella finds herself thrown together with Count Mikhail, a dogmatic Templar dedicated to subjugating her kind. But when a corrupted cardinal and puppet king begin a systematic genocide of her people, the two become unlikely allies. Taking humanity back to their primordial beliefs and fears, Estella confronts Mikhail’s faith by revealing the true horror of the lucrative trade in human souls. All organized religions are shops orchestrated to consume mankind. Every deity, religion, and spiritual guide has been corrupted, and each claims to have the monopoly on truth and salvation. In a perilous game where the truth is distorted and meddling ancient deities converge to partake of the unseen battle, Estella unwittingly finds herself hunted by Lucifer. Traversing the edge of hell’s precipice, Estella and Mikhail are reduced to mere instruments. Their only means to overcome is through courting the Threefold Death, the ancient ritual of apotheosis—of man becoming God. The Shadow Crucible is a gripping epic set in medieval England where the struggle for redemption is crushed by the powers of evil. Tamara Lakomy is a new and compelling voice in the world of dark fantasy.