Cecily Brown is a British-born, New York-based artist who rose to prominence in the late 1990s. Originally influenced by Cubism and Abstract Expressionism, Brown has over the years developed her unique voice, which investigates the sensual qualities of oil paint and portraiture through a satirizing and celebratory process inspired both by abstraction and realism. Gentle and yet forceful, Brown's exuberant brushwork, rich palette, intense energy, and black humor have redefined some of painting's historical canons.

Cecily Brown (b. 1969) transfixes viewers with sumptuous color, bravura brushwork, and complex narratives that relate to some of European painting’s grandest and most time-honored themes, including still life motifs and meditations on mortality through vanitas This intimate survey of the acclaimed British painter reexamines the work of an artist whose influential output references both modern heavyweights, such as Willem de Kooning, Philip Guston, and Joan Mitchell, and Old Masters like Goya, Hogarth, Manet, and Rubens. The book features 21 paintings and 26 works on paper—drawings, watercolors, sketchbooks, and monotypes—that span the three decades of Brown’s career to date, including recently completed and never-before-published works. A conversation with the artist provides insight into her process and sources, while an insightful essay situates Brown in the lineage of the great artists of the last five hundred years.

New York-based British painter Cecily Brown (born 1969) makes sumptuous oil paintings combining abstract and figurative elements, art-historical references and erotic, fragmented bodies in compositions so densely layered that one of Brown's paintings can look "like an enormous colored anthill, with thousands of insects following each other, climbing over each other, hiding and reappearing, leaving colorful traces of their movements," as Danilo Eccher writes in his catalogue essay. This substantial monograph is published to accompany Brown's survey exhibition at the Galleria Civica d'Arte Moderna e Contemporanea in Turin, and features nearly 50 works, including paintings, works on paper, gouache and watercolors as well as seven monotypes, representing the range of Brown's work as well as its unifying concerns. Also included are newly commissioned essays by Danilo Eccher, Alessandro Rabottini and Anna Musini.

Surveying three decades of the British painter Cecily Brown's career, with its vibrant mixture of gestural expression, canonical and pop references, and subversive themes This stunning volume surveys the pioneering career of Cecily Brown (b. 1969), one of the most celebrated artists working in painting today. In particular, it explores her process through paintings and drawings that demonstrate both her radical contemporaneity and her keen reassessment of historical precedents such as old master paintings and abstract expressionism, which have been consistent hallmarks of her art. The book's probing essays look at her practice, investigate the main themes that recur in Brown's work, and consider her art from a feminist perspective. Brown reclaimed the heroic gestural expression often affiliated with the male artists of the abstract expressionist generation--largely out of favor with her peers--and in this mode she creates lush, dynamic paintings that often contain erotic content appropriated from art historical or pop culture sources. Moving between figuration and abstraction, Brown subverts gendered tropes in work that often deals with the power imbalances inherent in voyeurism and sexual violence. Distributed for the Barnes Foundation Exhibition Schedule: Dallas Museum of Art (September 29, 2024-February 9, 2025) Barnes Foundation, Philadelphia (March 9-May 25, 2025)

This timely publication, accompanying a brand new survey exhibition at Whitechapel Gallery, presents key works by some of the most exciting practitioners in current figurative painting.0After a long period dominated by abstraction and conceptual approaches, painting saw a revival of figuration in the 1990s by artists whose work updated portraiture and history painting but remained rooted in the conventions of realism. However a new generation, coming to prominence in the new millennium, are distinguished by a radically different approach to the figure, in which bodies are fragmented, morphed, merged and remade but never completely cohesive.0'Radical Figures' highlights the renewed interest in radical modes of figuration during the past two decades, and considers the vast range of imagery, subjects and stories that have informed this transition: from the re-evaluation of early pioneers such as James Ensor and Max Beckman, and postwar painters such as Maria Lassnig and Philip Guston; to raunchy comics; to the ubiquity of photography on social media.0Fully illustrated in colour, this innovative appraisal will explore the breadth and range of painterly techniques used, such as loose gestural brushwork suggesting polymorphous forms and gender fluid bodies, and thick impasto evoking flesh, matter and objecthood. Including newly commissioned texts on and by each artist, this sumptuous catalogue will showcase the best in figurative painting today.00Exhibition: Whitechapel Gallery, London, UK (06.02.-10.05.2020).

Born in Berlin in 1931 to Jewish parents, the eight-year-old Auerbach was sent to England in 1939 to escape the Nazi regime. His parents stayed behind and died in a concentration camp in 1943. Now in his eighties, Auerbach is still producing his distinctly sculptural paintings of friends, family and surroundings in north London, where he has made his home since the war. The art historian and curator Catherine Lampert has had unique access to the artist since 1978 when she first became one of his sitters. With an emphasis on Auerbach's own words, culled from her conversations with him and archival interviews, she provides a rare insight into his professional life, working methods and philosophy. Auerbach also reflects on the places, people and inspirations that have shaped his life. These include his experiences as a refugee child, finding his way in the London art world of the 1950s and 1960s, his friendships with Lucian Freud, Francis Bacon and Leon Kossoff, among many others, and his approaches to looking and painting throughout his career. For anyone interested in how an artist approaches his craft or his method of capturing reality this is essential reading.