Reed Environmental Writing Award Finalist, Southern Environmental Law Center, 2021 More than ten thousand known caves lie beneath the state of Tennessee according to the Tennessee Cave Survey, a nonprofit organization that catalogs and maps them. Thousands more riddle surrounding states. In Hidden Nature, Michael Ray Taylor tells the story of this vast underground wilderness. In addition to describing the sheer physical majesty of the region’s wild caverns and the concurrent joys and dangers of exploring them, he examines their rich natural history and scientific import, their relationship to clean water and a healthy surface environment, and their uncertain future. As a longtime caver and the author of three popular books related to caving—Cave Passages, Dark Life, and Caves—Taylor enjoys (for a journalist) unusual access to this secretive world. He is personally acquainted with many of the region’s most accomplished cave explorers and scientists, and they in turn are familiar with his popular writing on caves in books; in magazines such as Audubon, Outside, and Sports Illustrated; and on websites such as those of the Discovery Channel and the PBS science series Nova. Hidden Nature is structured as a comprehensive work of well-researched fact that reads like a personal narrative of the author’s long attraction to these caves and the people who dare enter their hidden chambers.

48 states. 41 national parks. 37,912 miles. A solo grand tour of America. For 9.5 months I traveled in Bertha, my '99 Subaru Forester, seeing everything I had been missing. I collected patches, pins and postcards and blogged and photographed my way across this beautiful country. I hope you enjoy the abridged version of my travels and it inspires you to never stop exploring! Adventure is out there!

From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road • In this taut, chilling story, Lester Ballard—a violent, dispossessed man falsely accused of rape—haunts the hill country of East Tennessee when he is released from jail. While telling his story, Cormac McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance. "Like the novelists he admires-Melville, Dostoyevsky, Faulkner-Cormac McCarthy has created an imaginative oeuvre greater and deeper than any single book. Such writers wrestle with the gods themselves." —Washington Post Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.

For generations, enterprising people in the southern Appalachians have turned the region's extensive network of caves into a strange, fascinating genre of tourist attraction. Visitors pay admission to take a tour deep underground, learning a little about history and geology while puzzling over lit-up rock formations said to resemble anything from Niagara Falls to the Capitol dome. Then off go the lights, enveloping the travelers in total darkness--until the guide flips them back on and welcomes folks back into the safety of the inevitable gift shop. Show caves, as Douglas Reichert Powell explains in Endless Caverns, are at once predictable and astonishing, ancient and modern, eerie and sentimental. Their story sparks memories of a fleeting cool moment deep underground during a hot summer vacation, capturing in microcosm the history and culture of a region where a deeply rooted sense of place collides with constant change. Reichert Powell takes readers along on his journey through the past and present of Appalachia's show caves, highlighting the characters who have owned and operated them, the ways the attractions have developed and changed over the years, and the odd intrigue that still leads people to buy their ticket and head underground. Tourist tastes may shift as interstates whisk travelers past the backroads and on to trendier destinations, but the show cave--like Appalachia itself--endures.

Looking beyond the Highway is an examination of road history and roadside attractions specific to the South. Focused in part on numerous aspects of thematerial culture landscape of the Dixie Highway, the essays consider the politics of roadbuilding, roadside entertainment, the buildings and businesses one might encounter along the road, and regional adaptations to the needs and desires of northern tourists. Following the Dixie Highway from southern Illinois to Florida with sidetrips down other southern roads, the essays cover a wide variety of subjects, many of which will resonate with anyone who has ever lived in or vacationed in the South: Harrison Mayes's “Get Right With God” signs; the park-and-pray craze of outdoor drive-in church services; the rise and demise of brick highways; the fierce political battle over the route of the Dixie Highway; beach music and the evolution of motel architecture in Myrtle Beach; Florida's early tourist towers; and the commercial development of Tennessee caves as tourist attractions. Covering a landscape that includes Tennessee, Georgia, North Carolina, Florida, Mississippi, Indiana, Virginia, Arkansas, Ohio, Kentucky, Alabama, and Illinois, the anthology shows that there was and still is a distinctive southern culture and how roads have influenced that culture. As lively as they are diverse, thearticles provide a solid background for understanding roadside ephemera that have disappeared or are quickly disappearing. Ranging from the serious to the light-hearted and including descriptions of American road and roadside icons to kitsch, the book will appeal to anyone with an interest in road history and roadside architecture.