On a cold, rainy night Lily Morgan waited for the man she loved but he never came. She didn't see Nico Cavelli again, until two years later when she's mistakenly arrested in his country. Finding her in jail isn't the only surprise waiting for Nico. He decides to break off his arranged engagement in order to marry her after finding out she had kept the secret of their son from him. Lily gets to marry the man she fell in love with, but is he the same man he used to be? Is Nico really ready to have a family to love?

Normally Prince Nico Cavelli would never waste his time visiting the prison cell of a tourist. Except this particular alleged criminal has stolen something very personal to him-- his son, heir to the Montebianco throne Lily Morgan always knew it was a mistake coming to the Mediterranean kingdom, but she'd had no choice. First she was thrown into jail for a crime she didn't commit...now she's been bailed out by the prince--though in return she must become his royal wife

Includes : Catherine of Siena ; Beatrice d'Este ; Anne of Brittany ; Lucrezia Borgia ; Margaret d'Angouleme ; Renee, Duchess of Ferrara.

Birdoswald was the eleventh fort from the east end of Hadrian's wall. The 1987-92 excavations reported here in great detail explored a long and complex stratified sequence dating from the 2nd century AD. Work concentrated on buildings either side of the via principalis , but also included investigation of the northern defences and the eastern wall at the porta quintana dextra . The report discusses the pre-Roman environment, the construction of the stone fort, discussing the evidence in different periods, the Roman ceramics, the small finds, animal bones and medieval and modern periods. Quite a clear occupation history emerges, from the clearing of the woods in the early 120s AD to the abandonment of the site c.520 AD and the text is copiously illustrated.

Vladimir Nabokov described the literature course he taught at Cornell as "a kind of detective investigation of the mystery of literary structures." Leona Toker here pursues a similar investigation of the enigmatic structures of Nabokov's own fiction. According to Toker, most previous critics stressed either Nabokov’s concern with form or the humanistic side of his works, but rarely if ever the two together. In sensitive and revealing readings of ten novels, Toker demonstrates that the need to reconcile the human element with aesthetic or metaphysical pursuits is a constant theme of Nabokov’s and that the tension between technique and content is itself a key to his fiction. Written with verve and precision, Toker’s book begins with Pnin and follows the circular pattern that is one of her subject’s own favored devices.