The future of English linguistics as envisaged by the editors of Topics in English Linguistics lies in empirical studies which integrate work in English linguistics into general and theoretical linguistics on the one hand, and comparative linguistics on the other. The TiEL series features volumes that present interesting new data and analyses, and above all fresh approaches that contribute to the overall aim of the series, which is to further outstanding research in English linguistics.

The volume contains articles that focus on the interface between linguistic and conceptual knowledge. The issues addressed in the volume include the preconditions of every level of the language system that are required for the transformation of linguistic information into conceptual representations. In accordance with Chomsky’s Minimalist language model, the language system is embedded into the performative systems where language is a part of the cognitive competence of human beings, i.e. system of articulation and perception (A/P) and the conceptual-intentional system (C/I). During the formation of linguistic structures, every performative system obtains well-formed representations as its input information. The articles of the volume show how interface conditions determine the linguistic representations on each level of the linguistic system. Interface conditions result in requirements for the ordering of linguistic elements. The syntactic transformation achieves a point, where the linguistic structure formation branches to two distinct representational levels. Both levels deliver instructions for the systems of performance A/P and C/I. Linearization takes place on the syntactic surface of a sentence. The linearization of linguistic elements is manifest at the derivational point of Spell-out and also on the level of the phonological form (PF). This means that on the one hand, linearization is relevant to the phonetic aspect of linguistic expressions, and on the other hand, the interpretation of linguistic utterances is based on hierarchical structures. On the level of Logical Form (LF) all operations apply which don’t have any influence on the linear order in overt syntax. In addition they affect the generation of hierarchical structures. The structure obtained on LF is the representational format of the semantic form of a sentence.

This book provides a collection of articles on subordination in English framed from both a synchronic and a diachronic perspective. It covers ample areas of the history of the major subordinated structures of English and their recent development in various native and non-native varieties. Most contributions are based on large electronic databases and corpora of written and spoken texts. The book focuses on the continuum that links subordinated and coordinated structures in a fluid way, shows their permanent state of flux, and sheds light on the whole system's dynamic essence by discussing a large number of explanatory principles at work in shaping it. Many of these are well-known from the grammaticalization and the Construction Grammar theories, such as the concepts of attractor, multi-sourcing, inheritance, categorial incursion, metaphorization or exaptation. This volume represents the latest trends in the field by some of its most prestigious specialists.

This study investigates adverbial clauses from a cross-linguistic perspective. In line with other recent typological research in the context of complex sentences and clause-linkage, it proceeds from a detailed, multivariate analysis of the morphosyntactic characteristics of the phenomenon under scrutiny.

The linguistic study of Japanese, with its rich syntactic and phonological structure, complex writing system, and diverse sociohistorical context, is a rapidly growing research area. This book, designed to serve as a concise reference for researchers interested in the Japanese language and in typological studies of language in general, explores diverse characteristics of Japanese that are particularly intriguing when compared with English and other European languages. It pays equal attention to the theoretical aspects and empirical phenomena from theory-neutral perspectives, and presents necessary theoretical terms in clear and easy language. It consists of five thematic parts including sound system and lexicon, grammatical foundation and constructions, and pragmatics/sociolinguistics topics, with chapters that survey critical discussions arising in Japanese linguistics. The Cambridge Handbook of Japanese Linguistics will be welcomed by general linguists, and students and scholars working in linguistic typology, Japanese language, Japanese linguistics and Asian Studies.

Complementing other studies on judicial discourse, this book investigates previously unexplored areas, focusing on the realisation of Concession in the genre of judgment. In addition to providing a review of approaches to concessivity as well as legal and linguistic perspectives on argumentation, the analysis draws on genre studies and follows a genre-based view of legal language. It shows the way in which the Concessive relation is deployed by last-instance courts, as revealed by an examination of EU and Polish judgments. In what constitutes a pioneering attempt to identify tripartite Concessive patterns in written data, the author breaks away from the traditional view of written legal discourse seen as static and monologic communication. Instead, she offers insights into the linguistic construction of judicial argumentation, seen as a “mute dialogue” with the addressee, highlighting recurrent argumentative schemata and related discourse signals and functions. Combining quantitative and qualitative approaches, the analysis demonstrates that the dialogic model of Concession, designed as a tool for an examination of talk-in-interaction, can be successfully applied in an investigation of written data. The book is aimed at students and researchers with interests in legal discourse, genre analysis and argumentation studies.

The study of genre is scattered across research disciplines. This volume offers an integrative perspective starting from the assumption that genres are cognitive constructs, recognized, maintained and employed by members of a given discourse community. Its central questions are: What does genre knowledge consist of? How is it organized in cognition? How is it applied in discourse production and interpretation? How is it reflected in language use?