The holidays are filled with joyful noise. But Christmas is sometimes wrapped in quiet: “Searching for presents quiet,” “Getting caught quiet,” and “Hoping for a snow day quiet.” Irresistibly cute, soft colored pencil illustrations of bunnies, bears, and more paint a magical holiday picture indeed.

When seventeen-year-old Victoria Parker is suddenly placed into foster care, she struggles to find words for the abuse that upended her life. Determined to keep her head down, stay out of trouble, and graduate on time, Victoria soon realizes that no matter how hard she tries to move forward, the trauma in her past won’t leave her alone.

Twenty-third century Earth, ravaged by climate change, looks backwards to the holy ideal of a pre-industrial Eden. Political power has been grabbed by a few powerful families and their green saints. Millions of people are imprisoned in teeming cities; millions more labour on Pharaonic projects to rebuild ruined ecosystems. On the moons of Jupiter and Saturn, the Outers, descendants of refugees from Earth's repressive regimes, have constructed a wild variety of self-sufficient cities and settlements: scientific utopias crammed with exuberant creations of the genetic arts; the last outposts of every kind of democratic tradition. The fragile detente between the Outer cities and the dynasties of Earth is threatened by the ambitions of the rising generation of Outers, who want to break free of their cosy, inward-looking pocket paradises, colonise the rest of the Solar System, and drive human evolution in a hundred new directions. On Earth, many demand pre-emptive action against the Outers before it's too late; others want to exploit the talents of their scientists and gene wizards. Amid campaigns for peace and reconciliation, political machinations, crude displays of military might, and espionage by cunningly wrought agents, the two branches of humanity edge towards war...

**THE INSTANT #1 NEW YORK TIMES BESTSELLER** "An unforgettable—and Hollywood-bound—new thriller... A mix of Hitchcockian suspense, Agatha Christie plotting, and Greek tragedy." —Entertainment Weekly The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive. Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London. Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....

I love to go into the garden. I sit quietly. I see flowers and plants. It makes me feel peaceful. If I am very still, I see birds, insects, and creatures I had not noticed before. I can even hear them! Nibble, crunch, chomp. Chew, bite, slurp, swallow, gulp. They are all hungry! Get ready to look and listen. Get ready fbr fun in the quiet garden. You can make your own quiet garden, too!

The sheriff has come to "put away" Elizabeth Miller--to take her to the state mental hospital. "Well, I may be crazy," Elizabeth tells us, "but I know I'm not wild-crazy, just maybe quiet-crazy, and I don't know which one is worse." For someone about to be penned up with the "crazy folks," you wouldn't think she'd be so calm and analytical. But Elizabeth Miller knows that her trip to the asylum is her last chance at an independent life, her last chance at getting away from Angela--the little dead girl inside her who won't die, who threatens to take over her life. In the hospital, she will find beauty and terror, but most of all, she will find her own inner strength--the strength to heal herself and to face the family and small town she has had to flee. Joyce Durham Barrett's debut novel is the uplifting story of one woman who triuimphs of a terrible past and wakes up to find the world as an adult: ready to embrace it in all its complications, its many shades of meaning and uncertainty, its degrees of good and bad, its wild, wonderful, terrifying, thrilling reality.