In the face of strong moral and aesthetic pressure to deal with the Holocaust in strictly historical and documentary modes, this book discusses why and how reenactment of the Holocaust in art and imaginative literature can be successful in simultaneously presenting, analyzing, and working through this apocalyptic moment in human history. In pursuing his argument, the author explores such diverse materials and themes as: the testimonies of Holocaust survivors; the works of such artists and writers as Charlotte Salomon, Christian Boltanski, and Armando; and the question of what it means to live in a house built by a jew who was later transported to the death camps. He shows that reenactment, as an artistic project, also functions as a critical strategy, one that, unlike historical methods requiring a mediator, speaks directly to us and lures us into the Holocaust. We are then placed in the position of experiencing and being the subjects of that history. We are there, and history is present--but not quite. A confrontation with Nazism or with the Holocaust by means of a re-enactment takes place within the representational realm of art. Our access to this past is no longer mediated by the account of a witness, by a narrator, by the eye of a photographer. We do not respond to a re-presentation of the historical event, but to a presentation or performance of it, and our response is direct or firsthand in a different way. That different way of "keeping in touch” is the subject of inquiry that propels this study.

“A brilliant work of US history.” —School Library Journal (starred review) “Gripping.” —BCCB (starred review) “Accessible…Necessary.” —Kirkus Reviews (starred review) A National Book Award Finalist for Nonfiction, Never Caught is the eye-opening narrative of Ona Judge, George and Martha Washington’s runaway slave, who risked everything for a better life—now available as a young reader’s edition! In this incredible narrative, Erica Armstrong Dunbar reveals a fascinating and heartbreaking behind-the-scenes look at the Washingtons when they were the First Family—and an in-depth look at their slave, Ona Judge, who dared to escape from one of the nation’s Founding Fathers. Born into a life of slavery, Ona Judge eventually grew up to be George and Martha Washington’s “favored” dower slave. When she was told that she was going to be given as a wedding gift to Martha Washington’s granddaughter, Ona made the bold and brave decision to flee to the north, where she would be a fugitive. From her childhood, to her time with the Washingtons and living in the slave quarters, to her escape to New Hampshire, Erica Armstrong Dunbar, along with Kathleen Van Cleve, shares an intimate glimpse into the life of a little-known, but powerful figure in history, and her brave journey as she fled the most powerful couple in the country.

A startling and eye-opening look into America’s First Family, Never Caught is the powerful story about a daring woman of “extraordinary grit” (The Philadelphia Inquirer). When George Washington was elected president, he reluctantly left behind his beloved Mount Vernon to serve in Philadelphia, the temporary seat of the nation’s capital. In setting up his household he brought along nine slaves, including Ona Judge. As the President grew accustomed to Northern ways, there was one change he couldn’t abide: Pennsylvania law required enslaved people be set free after six months of residency in the state. Rather than comply, Washington decided to circumvent the law. Every six months he sent the slaves back down south just as the clock was about to expire. Though Ona Judge lived a life of relative comfort, she was denied freedom. So, when the opportunity presented itself one clear and pleasant spring day in Philadelphia, Judge left everything she knew to escape to New England. Yet freedom would not come without its costs. At just twenty-two-years-old, Ona became the subject of an intense manhunt led by George Washington, who used his political and personal contacts to recapture his property. “A crisp and compulsively readable feat of research and storytelling” (USA TODAY), historian and National Book Award finalist Erica Armstrong Dunbar weaves a powerful tale and offers fascinating new scholarship on how one young woman risked everything to gain freedom from the famous founding father and most powerful man in the United States at the time.

"Outlaw, assassin, art thief, and spy, these fourteen troublemakers and crooks--including Blackbeard the pirate, Typhoid Mary, and gangster Al Capone--have given the good guys a run for their money throughout the ages. Some were crooked, some were deadly, and some were merely out of line--but they all got Caught! as detailed in this fascinating and funny study of crime, culture, and forensic science"--Provided by publisher.

Miss Temperance Flowerdew is on her way to work when a stranger suddenly grabs her off the street and sends her on a Chicago-bound train before she can figure out what happened. When Mr. Gilbert Cavendish is called upon to rescue a missing woman, he follows the trail to Chicago only to discover that the woman is his good friend Temperance. Before they can discover who was behind the abduction, they're seen alone together by a New York society matron, putting their reputations at risk. Gilbert is willing to propose marriage--except Temperance will have none of it. She's finally stepped out of the shadow of her relations and won't give up her independence. But when it becomes clear the misunderstanding in Chicago has escalated into a threat on her life and followed her to New York, accepting Gilbert's help in solving the mystery may lead to more than she ever could have dreamed.

During the Blitz, Henry Green served on the London Auxiliary Fire Service, and this experience lies behind Caught, published when the bombing had only recently ended. Like Green, Richard Roe, the hero of this resolutely unheroic book, comes from the upper class. His wife remains at their country estate, far from the threatened city, while Roe serves under Pye, a professional fireman whose deranged sister once kidnapped Roe’s young son, a bad memory that complicates the relationship between these two very different men. The book opens as the various members of the brigade are having practice runs and fighting boredom and sleeping around in the months before the attack from the air. It ends with Roe, who has been injured in the bombing, back in the country, describing and trying to come to terms with the apocalyptic conflagration in which he and his fellows were caught, putting into question the very notion of ordinary life. Caught was censored at the insistence of its publisher, Leonard Woolf, when it came out in 1943. This is the first American edition of the book to appear as Green intended.

2021 Nebraska Book Award Never Caught Twice presents the untold history of horse raiding and stealing on the Great Plains of western Nebraska. By investigating horse stealing by and from four Plains groups--American Indians, the U.S. Army, ranchers and cowboys, and farmers--Matthew S. Luckett clarifies a widely misunderstood crime in Western mythology and shows that horse stealing transformed plains culture and settlement in fundamental and surprising ways. From Lakota and Cheyenne horse raids to rustling gangs in the Sandhills, horse theft was widespread and devastating across the region. The horse's critical importance in both Native and white societies meant that horse stealing destabilized communities and jeopardized the peace throughout the plains, instigating massacres and murders and causing people to act furiously in defense of their most expensive, most important, and most beloved property. But as it became increasingly clear that no one legal or military institution could fully control it, would-be victims desperately sought a solution that would spare their farms and families from the calamitous loss of a horse. For some, that solution was violence. Never Caught Twice shows how the story of horse stealing across western Nebraska and the Great Plains was in many ways the story of the old West itself.