Based on the lives of two adolescent girls in the late 19th century who became infatuated with the Western outlaw heroes they had read about in Ned Buntline's stories and left their homes to join them. The outlaws the girls find are the demoralised remnants of the Doolin-Dalton gang, led by the aging Bill Doolin. Annie shames, and inspires the men, to become what she had imagined them to be. The younger sister Jenny finds a father figure in Doolin, who calls her Little Britches. Doolin's efforts to live up to the girls' vision of him lead him to be carted off in a cage to an Oklahoma jail where he waits to be hanged.

Ralph Moody was eight years old in 1906 when his family moved from New Hampshire to a Colorado ranch. Through his eyes we experience the pleasures and perils of ranching there early in the twentieth century. Auctions and roundups, family picnics, irrigation wars, tornadoes and wind storms give authentic color to Little Britches. So do adventures, wonderfully told, that equip Ralph to take his father's place when it becomes necessary. Little Britches was the literary debut of Ralph Moody, who wrote about the adventures of his family in eight glorious books, all available as Bison Books.

"An all-out women-driven, queer, transgender, multiracial takeover of the Old West . . . and that's exactly what Melissa Lenhardt delivers in her unapologetically badass western, Heresy." - New York Times "Lenhardt has created a bold new story where women have taken their rightful place in the narrative of the Outlaw Western genre; where wit, wisdom and wiles could mean the difference between life and death, and where the fellowship of women bested every challenge." -- Kathleen Kent Margaret Parker and Hattie LaCour never intended to turn outlaw. After being run off their ranch by a greedy cattleman, their family is left destitute. As women alone they have few choices: marriage, lying on their backs for money, or holding a gun. For Margaret and Hattie the choice is simple. With their small makeshift family, the gang pulls off a series of heists across the West. Though the newspapers refuse to give the female gang credit, their exploits don't go unnoticed. Pinkertons are on their trail, a rival male gang is determined to destroy them, and secrets among the group threaten to tear them apart. Now, Margaret and Hattie must find a way to protect their family, finish one last job, and avoid the hangman's noose. "Readers who relish an unusual narrative structure will enjoy this unique take on the traditional western." -- Booklist

Tales Behind the Tombstones tells the stories behind the deaths (or supposed deaths) and burials of the Old West's most nefarious outlaws, notorious women, and celebrated lawmen. Readers will learn the story behind Calamity Jane's wish to be buried next to Wild Bill Hickok, discover how and where the Earp brothers came to be buried, and visit the sites of tombs long forgotten while legends have lived on.

Based on the lives of two adolescent girls in the late 19th century who became infatuated with the Western outlaw heroes they had read about in Ned Buntline's stories and left their homes to join them. The outlaws the girls find are the demoralised remnants of the Doolin-Dalton gang, led by the aging Bill Doolin. Annie shames, and inspires the men, to become what she had imagined them to be. The younger sister Jenny finds a father figure in Doolin, who calls her Little Britches. Doolin's efforts to live up to the girls' vision of him lead him to be carted off in a cage to an Oklahoma jail where he waits to be hanged.

When Red Baker, a Larmel steel worker in Baltimore, Maryland, gets laid off from his job he goes crazy: boozing, attempted philandering, running away from his future. Filled with unforgettable characters from Red’s angry but loyal wife, Wanda; his basketball-star son, Ace; his lifelong friend Dog, a casualty of the layoff; and Crystal, the go-go dancer at Lily’s bar who embodies Red’s fantasies of escape. Red Baker is a classic American novel about a man with no identity who tries to replace the one he’s lost.