Catherine Disney (1800-1853) is known as the ‘lost love’ of the Irish mathematician Sir William Rowan Hamilton (1805-1865), but about herself little is known. Based on what Hamilton wrote about her and scraps of information which were found on various places, extended with conclusions which could be drawn from known events, this is a sketch of how she fell in love with Hamilton in 1824, what the motives may have been for her family to force her to marry the reverend William Barlow (1792-1871), what may have triggered her suicide attempt in 1848 after which she did not live with Barlow any more, and how she spoke with Hamilton shortly before she died. In these two interviews she could finally tell Hamilton that she had also loved him. In the last chapters it is discussed how Catherine’s unhappiness seems to have influenced her eldest son, James Barlow (1826-1913), and through him also her granddaughter Jane Barlow (1856-1917). This sketch is supplementary to the essay A Victorian Marriage : Sir William Rowan Hamilton. But being self-contained, it can also be read on its own.

Instruction in drawing six Walt Disney princess characters (Snow White, Cinderella, Sleeping Beauty, Ariel, Belle, and Jasmine) and one pixie (Tinkerbell).

Cinderella, Belle, Tiana, and Rapunzel each get their own happily ever after story in this deluxe wedding storybook! Princess fans will eagerly discover how four of their favorite characters finally said "I do." These charming tales of true love are complemented with beautiful new artwork. Perfect for Valentine's Day, this elegant jacketed storybook also makes a great gift for young flower girls.

How much of what exceptional people achieve can be put down to their own efforts and inner drive, and how much to fate? In this groundbreaking study, the authors argue that the extraordinary achievements of key figures in Irish history were indeed unstoppable - a product of their character and unique way of interacting with the world. In a series of fascinating character studies, Antoinette Walker and Michael Fitzgerald argue that many of those who were crucial to the development of Ireland's political, scientific and artistic traditions - the revolutionaries Robert Emmet, Pádraig Pearse and Éamon de Valera; the scientist Robert Boyle, mathematician William Rowan Hamilton and ethnographer Daisy Bates; and the poet W. B. Yeats and writers James Joyce and Samuel Beckett - would, if they were alive today, be diagnosed with Asperger's syndrome. The authors examine the character quirks that lead them to believe that all nine can be seen as 'Asperger geniuses'. They assert that this condition meant that all nine were virtually predestined to become exceptional figures in their chosen field and that, moreover, Asperger's syndrome can be seen as the key to genius in all ages and all cultures.

The Walt Disney Company offers a vast universe of movies, television shows, theme parks, and merchandise, all carefully crafted to present an image of wholesome family entertainment. Yet Disney also produced one of the most infamous Hollywood films, Song of the South. Using cartoon characters and live actors to retell the stories of Joel Chandler Harris, SotS portrays a kindly black Uncle Remus who tells tales of Brer Rabbit, Brer Fox, and the “Tar Baby” to adoring white children. Audiences and critics alike found its depiction of African Americans condescending and outdated when the film opened in 1946, but it grew in popularity—and controversy—with subsequent releases. Although Disney has withheld the film from American audiences since the late 1980s, SotS has an enthusiastic fan following, and pieces of the film—such as the Oscar-winning “Zip-a-Dee-Doo-Dah”—remain throughout Disney’s media universe. Disney’s Most Notorious Film examines the racial and convergence histories of Song of the South to offer new insights into how audiences and Disney have negotiated the film’s controversies over the last seven decades. Jason Sperb skillfully traces the film’s reception history, showing how audience perceptions of SotS have reflected debates over race in the larger society. He also explores why and how Disney, while embargoing the film as a whole, has repurposed and repackaged elements of SotS so extensively that they linger throughout American culture, serving as everything from cultural metaphors to consumer products.