The eight essays in this collection explore the work of Adrienne Rich, one of America’s most significant living writers and a poet and a public intellectual with a substantial audience both inside and outside the academy. Taken together, the essays argue for a shift in the perceived center of gravity of Rich’s career, from the passionate and eloquent poems of a largely personal feminist awakening, from the mid 60s to the early 80s, to the equally (if differently) passionate and eloquent poems of a more broadly public re-imagination of our country and its history, beginning with her work of the mid 1980s. Rich has remained committed to the reconstruction of poetry’s place in public as well as private life, nationally and globally. From varied perspectives, accessible to the common reader as well as the specialist, the collection addresses Rich’s negotiation of the boundary between these public and private spheres and the potential of poetry as a revolutionary medium and alternate epistemology, a means, as the title expresses it, of recovery and regeneration. Rich has aimed always, as the last lines of her poem “Planetarium” (1968) have it, at “the relief of the body / and the reconstruction of the mind,” and this collection works to describe her effort to extend the reach of that healing motive across a continent and a culture. "In these eight keenly executed essays edited by William Waddell, we see Rich finally removing those “asbestos gloves” once used to handle sizzling political topics. Critics in this volume show Adrienne Rich struggling barehanded with changing poetic strategies, complex new subject positions and the relations of power and cultural practice in the constitution of history. Transformative cartographer of words and perceptions, Rich, as Waddell argues, outlines “a method for redefining American space,” remapping North American culture for the marginalized, the repressed and the resistant. Waddell’s collection celebrates the polyphony of politics and aesthetics in Rich’s work, shaping for the reader an ethical discourse intensively visible, for the first time, in volumes such as An Atlas of the Difficult World: Poems 1988-1991, but equally present throughout Rich’s prose and poetry." Mary Lynn Broe, Caroline Werner Gannett Professor, Rochester Institute of Technology

While trauma theory has been adopted by contemporary literary and cultural studies as an ethical way to study depictions of suffering, there is a risk that its present use could cause more harm than good. By emphasizing inaccessible histories, unspeakable suffering, and unconscious witnessing, trauma theory may lead readers to claim others’ suffering through empathic identification. In With the Witnesses, Dale Tracy argues that poetry offers an alternative approach to engage with not only suffering in art but suffering in general. Examining the strategies of witness poetry, Tracy interrogates and reformulates the dominant models of trauma studies in which readers take over the witnessing position by identifying with the speaker as a witness. If the purpose of reading such poetry is to contribute to a chain of witnesses, what is the distinct role of a reader, and how does it differ from the role of the poem’s speaker? Tracy proposes that metonymy – a logic of nearness rather than likeness – is compassion’s formal manifestation. Analyzing poetry that emphasizes the contiguity of metonymy over the substitution of metaphor, she attends to the positions into which witnessing speakers invite readers. Poems that respond to diverse national and transnational contexts of atrocity, conflict, and marginalization guide With the Witnesses toward a compassionate response to suffering that involves feeling with – not as – another. Following each poem as a unique theory of compassion, With the Witnesses demonstrates that poems hold suffering signed as art, not claimable traces of suffering.

In her six-decade long writing career Adrienne Rich (1929–2012) addressed, with sagacity and probing honesty, most of the significant issues of her lifetime. A poet of finely tuned craft, she won numerous prizes, awards, and honorary degrees, and famously rejected the prestigious National Medal for the Arts in 1997. She wrote twenty-five volumes of poetry and seven non-fiction books as she combined the roles of poet, scholar, theorist, and activist. Rich wrote passionately and powerfully about major 20th and early 21st century concerns such as feminism, racism, sexism, the Vietnam War, Marxism, militarism, the growing income disparities in the U.S., and other social issues. Her works ask important questions about how we should act, and what we should believe. They imagine new ways to deal with the social and political challenges of the twentieth century. Setting her work in the context of her life and American politics and culture during her lifetime, this book explores Rich’s poetic and personal journey from conservative, dutiful follower of cultural and poetic traditions to challenging questioner and critic, from passivity and powerlessness to activist, theorist, and acclaimed “poet of the oppositional imagination.”

Winner of the Los Angeles Times Book Prize. In this, her thirteenth book of verse, the author of "The Dream of a Common Language" and "Snapshots of a Daughter-in-Law" writes of war, oppression, the future, death, mystery, love and the magic of poetry.

In this inspiring travelogue, celebrated traveler and photographer Jessica Nabongo—the first Black woman on record to visit all 195 countries in the world—shares her journey around the globe with fascinating stories of adventure, culture, travel musts, and human connections. It was a daunting task, but Jessica Nabongo, the beloved voice behind the popular website The Catch Me if You Can, made it happen, completing her journey to all 195 UN-recognized countries in the world in October 2019. Now, in this one-of-a-kind memoir, she reveals her top 100 destinations from her global adventure. Beautifully illustrated with many of Nabongo's own photographs, the book documents her remarkable experiences in each country, including: A harrowing scooter accident in Nauru, the world's least visited country, Seeing the life and community swarming around the Hazrat Ali Mazar mosque in Afghanistan, Horseback riding and learning to lasso with Black cowboys in Oklahoma, Playing dominoes with men on the streets of Havana, Learning to make traditional takoyaki (octopus balls) from locals in Japan, Dog sledding in Norway and swimming with humpback whales in Tonga, A late night adventure with strangers to cross a border in Guinea Bissau, And sunbathing on the sandy shores of Los Roques in Venezuela. Along with beloved destinations like Peru and South Africa, you'll also find tales from far-flung corners and seldom visited destinations, including Tuvalu, North Korea, South Sudan, and the Central African Republic. Nabongo's stories are love letters to diversity, beauty, and culture—and most of all, to the people she meets along the way. Throughout, she offers bucket-list experiences for other travel-lovers looking to follow in her footsteps. For armchair travelers or readers planning a trip around the globe, this arresting collection will awe and inspire!

The journey of an important feminist writer through poetry, prose, and politics Among the most celebrated American poets of the past half century, Adrienne Rich was the recipient of numerous awards, including the Bollingen Prize, the National Book Award, and the Lannan Lifetime Achievement Award. In Understanding Adrienne Rich, Jeannette E. Riley assesses the full scope of Rich's career from 1957 to her death in 2012 through a chronological exploration of her poetry and prose. Riley details the evolution of Rich's feminist poetics as she investigated issues of identity, sexuality, gender, the desire to reclaim women's history, and what she terms "the dream of a common language." Throughout the book she documents Rich's gradually developing assertion that poetry can create social change and engage people in the democratic process. Interweaving explications of Rich's poetry with analysis of her prose, Riley offers a close look at the development of the author's voice from formalist poet to feminist visionary to citizen poet.

As the title indicates, three themes of perpetual interest in contemporary cultural studies – place, identity, and nationality – converge in this critical essay collection. While proffering varied and sometimes clashing arguments concerning the title themes, the essays and their authors all assert the importance of the creative text in defining, contesting, and understanding place, identity, and nationality in the modern and contemporary globalised world. The critical frameworks of these essays grow out of the groundbreaking literary and cultural studies theory of the past two decades. However, several of the essays map hitherto unchartered territory by engaging with recent works from emerging authors and a director, and providing new insight into the work of established authors. Beyond mapping new academic terrain, the collection is further distinguished by its global perspective with texts and authors from around the world which come together in a unique multinational dialogue. The collection is divided into three sections. The first, “Women Writers and Nationalism”, includes essays on Gertrude Stein, Adrienne Rich, Jo Shapcott, and Leila Aboulela. The second, “National Identity and Contemporary Fictions”, examines the role of contemporary fiction in establishing the respective national identities and histories of Wales and Australia. The third, “Transnational Identities”, analyses Partition literature, migrant women’s literature of France and Spain, and film director Shane Meadows’ take on new forms of nationalism. From India, Africa, Europe, Australia, and the United States, the texts and essays crisscross the globe, exploring the relationships between nationality and identity through film, memoir, poetry, and the novel. Some examine national literatures and identities; others focus on the struggle of the individual, particularly the migrant individual, to define his or her identity within a multicultural, multinational framework. Together, the essays register both collective and individual responses to nationality and illustrate new forms of nationalism and identity in the modern and contemporary world.