Selling Russia's Treasures documents one of the great cultural dramas of the twentieth century: the sale, by a cash-hungry Soviet government, of the artistic treasures accumulated by the Russian aristocracy over the centuries and nationalized after the October 1917 revolution. An astonishing variety of objects, from icons and illuminated manuscripts to Fabergé eggs and Old Master paintings, entered the collections of wealthy Westerners like Andrew Mellon and Armand Hammer in the 1920s and 30s. Written by the leading experts in the field and long regarded as the definitive book on the subject, the original Russian edition of Selling Russia's Treasures is sought after scholars and laymen alike. Now, for the first time, it is made available in English, in a revised and expanded edition that includes a new chapter on the secret files of the Hermitage, previously considered lost, as well as new research on the sale of religious art, and of twentieth-century French masterworks from the Museum of New Western Art. Numerous color plates reunite long-dispersed works in a virtual museum that illustrates the powerful blow inflicted on Russia's cultural heritage by these secretive sales, and rare photographs and archival documents help bring this buried history to light.

The first edition of this unique book established itself as an unparalleled source of information on perfume. Although it is primarily aimed at perfumers and others in the perfume industry, it has also found substantial sales among a wide range of others including aromatherapists, botanists, and many others who wanted to learn more about this faceted subject. The new edition is now aimed squarely at perfumery marketing specialists and others in the industry world-wide and covers in particular the needs of publicity/advertising teams and journalists, together with sales people and consultants at the counters who like to have a wide range of information at their fingertips. Changes include: an expansion of the number of profiles of the perfume houses, and of the 50 or so new perfumes worthy of record which have been launched since the previous edition. There is also increased coverage of the essences and the plants and other material from which they are derived. Coverage of perfume containers is substantially expanded and linked to other parts of the book.

Provides headings for topics, literary and organizational forms, and names of individuals, corporate bodies, places, works, and so on, that might be needed to catalog a general collection used at least in part by children and readers or viewers interested in popular topics.

A beautifully illustrated book that explores the history and legacy of the House of Faberg , from its origins in Russia--and its role in the glamorous world of the Romanovs--to global recognition The name Faberg has long been a byword for luxury. Combining an entrepreneurial vision for craftsmanship with innovative material sourcing and technical ability, Carl Faberg created an astonishing array of bespoke jeweled and enameled objects at the end of the 19th and beginning of the 20th century. This beautifully illustrated book explores the history and legacy of the House of Faberg , from its origins in Russia--and its role in the glamorous world of the Romanovs--to global recognition. Much of the story is familiar, but less well-known is the important part played by the London branch. Opened in 1903, and the only one outside Russia, it became a choice destination for Edwardian high society and an international clientele. Featuring more than 120 pieces, from delicate flowers to Imperial Easter eggs, and with contributions from leading experts, Faberg A Russian Love Affair celebrates the enduring fascination with this master craftsman's works.

This is a revised and greatly expanded edition of a book first published in 1964 by Phaidon Press, and it catalogues in detail over 350 pictures painted since c. 1600. It thus complements The Early Italian Pictures by John Shearman which was published by Cambridge in 1983. The catalogue includes the work of many great painters - Domenichino, Guercino, Guido Reni, Batoni, the two Ricci, Annibale Carracci, Zuccarelli and a famous, unrivalled group of paintings by Canaletto, most of which were commissioned directly from the artist by Joseph Smith and subsequently bought with the rest of his collection by George III. A long introduction traces the history from Charles I onwards of English royal interest in Italian pictures of the seventeenth- and eighteenth-centuries.