During his long career as a diplomat, international lawyer, statesman and investment banker, George Ball interrogated Albert Speer at the end of World War II, worked with Jean Monnet to build Europe, supervised the rescue of hostages in the Congo, advised President Kennedy during the Cuban missile crisis and, as Undersecretary of State in the Johnson and Kennedy administrations, was an early and consistent opponent of America’s involvement in Vietnam. “Clarity, serenity and precision are the marks of this major contribution to an understanding of American foreign policy during the past 40 years. The book deserves to be compared with Dean Acheson’s Present at the Creation (but less self-satisfied) and George Kennan’s Memoirs (but less introverted). Although the author is best known to the general public for his opposition to American military involvement in Vietnam, the historian will find his discussion of European issues the most interesting part of the book.” — Gaddis Smith, Foreign Affairs “[A] first-rate memoir of American politics and foreign policy over half a century. It is literate, lively and amusing, and in places it clarifies basic questions about the foreign policy of the United States... The Past Has Another Pattern is a colorful and thought provoking tour of the recent and not-so-recent past, conducted by a skillful guide.” — Daniel Yergin, The New York Times “[O]ne of the great, examined public lives of our time.” — Kirkus “A distinguished lawyer and public servant with experience of Presidents stretching from Roosevelt to Reagan, [George Ball] has written an impressive book of memoirs.” — Douglas Johnson, London Review of Books “A few years ago I read some 70 volumes of biography and autobiography as a Pulitzer Prize juror. George Ball’s memoirs are everything that most of the art is not. While he does not neglect his achievement, he is candid on the things that went wrong. His public life has provided him with a very great deal of very great importance to tell. He writes admirably well. And much of his story is amusing. This year there will, I promise, be no other biography that will be as good.” — John Kenneth Galbraith “George Ball is that rarity — a distinguished public servant who can write; and his memoir is not only indispensable for the historian but absorbing for the general reader.” — Arthur Schlesinger, Jr.

Winner of the 2006 Joseph W. Goodman Book Writing Award! A comprehensive treatment of the principles, mathematics, and statistics of image science In today's visually oriented society, images play an important role in conveying messages. From seismic imaging to satellite images to medical images, our modern society would be lost without images to enhance our understanding of our health, our culture, and our world. Foundations of Image Science presents a comprehensive treatment of the principles, mathematics, and statistics needed to understand and evaluate imaging systems. The book is the first to provide a thorough treatment of the continuous-to-discrete, or CD, model of digital imaging. Foundations of Image Science emphasizes the need for meaningful, objective assessment of image quality and presents the necessary tools for this purpose. Approaching the subject within a well-defined theoretical and physical context, this landmark text presents the mathematical underpinnings of image science at a level that is accessible to graduate students and practitioners working with imaging systems, as well as well-motivated undergraduate students. Destined to become a standard text in the field, Foundations of Image Science covers: Mathematical Foundations: Examines the essential mathematical foundations of image science Image Formation–Models and Mechanisms: Presents a comprehensive and unified treatment of the mathematical and statistical principles of imaging, with an emphasis on digital imaging systems and the use of SVD methods Image Quality: Provides a systematic exposition of the methodology for objective or task-based assessment of image quality Applications: Presents detailed case studies of specific direct and indirect imaging systems and provides examples of how to apply the various mathematical tools covered in the book Appendices: Covers the prerequisite material necessary for understanding the material in the main text, including matrix algebra, complex variables, and the basics of probability theory

"Published on the occasion of the exhibition 'Prendergast in Italy', Williams College Museum of Art, Williamstown, Massachusetts, July-September 2009, Peggy Guggenheim Collection, Venice, October 2009-January 2010, The Museum of Fine Arts, Houston, Texas, February-May 2010."--T.p. verso.

Poised to dramatically impact human health, biomedical microsystems (bioMEMS) technologies incorporate various aspects from materials science, biology, chemistry, physics, medicine, and engineering. Reflecting the highly interdisciplinary nature of this area, Biomedical Microsystems covers the fundamentals of miniaturization, biomaterials, microfabrication, and nanotechnology, along with relevant applications. Written by an active researcher who was recently named one of Technology Review’s Young Innovators Under 35, the book begins with an introduction to the benefits of miniaturization. It then introduces materials, fabrication technology, and the necessary components of all bioMEMS. The author also covers fundamental principles and building blocks, including microfluidic concepts, lab-on-a-chip systems, and sensing and detection methods. The final chapters explore several important applications of bioMEMS, such as microdialysis, catheter-based sensors, MEMS implants, neural probes, and tissue engineering. For readers with a limited background in MEMS and bioMEMS, this book provides a practical introduction to the technology used to make these devices, the principles that govern their operation, and examples of their application. It offers a starting point for understanding advanced topics and encourages readers to begin to formulate their own ideas about the design of novel bioMEMS. A solutions manual is available for instructors who want to convert this reference to classroom use.

Ernst Ludwig Kirchner's remarkable series of paintings known as the Berlin Street Scenes is a highpoint of the artist's work and a milestone of German Expressionism, widely seen as a metaphor for modernity itself through their depiction of life in a major metropolis. Kirchner moved from Dresden to Berlin in 1911, and it was in this teeming city, immersed in its vitality, decadence and underlying sense of danger posed by the imminent World War I, that he created the Street Scenes in a sustained burst of creative energy and ambition between 1913 and 1915. As the most extensive consideration of these paintings in English, this richly illustrated volume examines the creative process undertaken by the artist as he explores his theme through various mediums, and presents the major body of related charcoal drawings, pen-and-ink studies, pastels, etchings, woodcuts and lithographs he created in addition to the paintings. The volume also investigates the significance of the streetwalker as a primary motif, and provides insight on the series in the context of Kirchner's wider oeuvre.

Breakthroughs in nanotechnology have been coming at a rapid pace over the past few years. This was fueled by significant worldwide investments by governments and industry. But if these promising young technologies cannot begin to show commercial viability soon, that funding is in danger of disappearing as investors lose their appetites and the economic and scientific promise of nanotechnology may not be realized. Scrutinizing the barriers to commercial scale-up of nanotechnologies, the Nanomanufacturing Handbook presents a broad survey of the research being done to bring nanotechnology out of the laboratory and into the factory. Current research into nanotechnology focuses on the underlying science, but as this forward-looking handbook points out, the immediate need is for research into scale-up, process robustness, and system integration issues. Taking that message to heart, this book collects cutting-edge research from top experts who examine such topics as surface-programmed assembly, fabrication and applications of single-walled carbon nanotubes (SWNTs) including nanoelectronics, manufacturing nanoelectrical contacts, room-temperature nanoimprint and nanocontact technologies, nanocontacts and switch reliability, defects and surface preparation, and other innovative, application-driven initiatives. In addition to these technical issues, the author provides a survey of the current state of nanomanufacturing in the United States—the first of its kind—and coverage also reaches into patenting nanotechnologies as well as regulatory and societal issues. With timely, authoritative coverage accompanied by numerous illustrations, the Nanomanufacturing Handbook clarifies the current challenges facing industrial-scale nanotechnologies and outlines advanced tools and strategies that will help overcome them.

From the outset of her career, Georgia O'Keeffe credited her introduction to modernism as deriving in part from a reproduction of a pastel by Arthur Dove she saw around 1913. By this time Dove was well established as the foremost modernist artist in America, yet O'Keeffe herself would later become a source of renewal for his work. Renowned scholar Debra Bricker Balken here offers the first investigation into the interrelationship between these two great artists. She shows that while Dove's sensual evocations of landscape--his abstractions of nature's undulating rhythms and forms--offered inspiration for O'Keeffe, the influence of O'Keeffe's work on Dove was equally significant. After 1930, Dove turned to O'Keeffe's early works for renewed aesthetic inspiration, mining, as he put it, her "burning watercolors." Beyond examining the impact of these mutual influences, this beautifully illustrated publication situates Dove and O'Keeffe within the circle of Alfred Stieglitz, and brings them into a fuller context within the modernist scene of the 1920s and 1930s. What emerges is a fascinating look at the first pivotal moment of modernism in America. Distributed for the Sterling and Francine Clark Art Institute Exhibition Schedule: Sterling and Francine Clark Art Institute, Williamstown, Massachusetts (June 7 - September 7, 2009)