This catalog provides a descriptive bibliography of books in the Ahmanson-Murphy Aldine collection at the University of California, Los Angeles, together with abbreviated notices of works not at UCLA. Handsomely produced, slipcased, and carefully annotated, this volume should become a major resource for Aldine studies and the history of the book. The Aldine Press revolutionized the production, accessibility, and use of the book. Founded by Aldus Manutius (ca 1452-1515), the press introduced a number of innovations that helped shape the development of the modern book, including italic type and the smaller, pocket-sized volume. By putting the Greek and Latin classics in a form that everyone could afford, it revolutionized scholarship: the uniform Aldine texts made comparison and collation universally available, and they were used in schools. Collectors were interested in the Aldine Press from the beginning; Jean Grolier acquired over two hundred of its publications, often having the books elegantly bound and handsomely illuminated. Since that time, the output of the Aldine Press has been sought after by scholars, book collectors, and librarians. Copies of its books are found in libraries all over the world, where they remain a prized possession and the object of much scholarly research. For thirty-two years, Franklin D. Murphy, who came to UCLA as its sixth chancellor, fostered the expansion of the Aldine collection and encouraged its growth. During the greater part of this long period he was joined in these endeavors by the Ahmanson Foundation, whose constant support permitted the collection to increase in both size and significance. Following Dr. Murphy's death, the Ahmanson Foundation continued its generous support for the expansion of the collection and, in addition, by means of a grant late in 1996, enabled the present catalog to come into existence. This catalog provides a descriptive bibliography of books in the Ahmanson-Murphy Aldine collection at the University of California, Los Angeles, together with abbreviated notices of works not at UCLA. Handsomely produced, slipcased, and carefully annotated, this volume should become a major resource for Aldine studies and the history of the book. The Aldine Press revolutionized the production, accessibility, and use of the book. Founded by Aldus Manutius (ca 1452-1515), the press introduced a number of innovations that helped shape the development of the modern book, including italic type and the smaller, pocket-sized volume. By putting the Greek and Latin classics in a form that everyone could afford, it revolutionized scholarship: the uniform Aldine texts made comparison and collation universally available, and they were used in schools. Collectors were interested in the Aldine Press from the beginning; Jean Grolier acquired over two hundred of its publications, often having the books elegantly bound and handsomely illuminated. Since that time, the output of the Aldine Press has been sought after by scholars, book collectors, and librarians. Copies of its books are found in libraries all over the world, where they remain a prized possession and the object of much scholarly research. For thirty-two years, Franklin D. Murphy, who came to UCLA as its sixth chancellor, fostered the expansion of the Aldine collection and encouraged its growth. During the greater part of this long period he was joined in these endeavors by the Ahmanson Foundation, whose constant support permitted the collection to increase in both size and significance. Following Dr. Murphy's death, the Ahmanson Foundation continued its generous support for the expansion of the collection and, in addition, by means of a grant late in 1996, enabled the present catalog to come into existence.

"In 1981, The Stuart Foundation, a not-for-profit foundation dedicated to funding experimental public sculpture, and the University of California, San Diego formed an extraordinary partnership to create the only major public, site-specific sculpture collection in the world. This collection has redefined the entire arena of public art. Instead of asking artists to create an object, without reference to the site, they required that each artist explore the campus carefully, and create a site-specific piece that could be integrated into the beautifully landscaped, 1,200-acre UCSD campus in La Jolla. The collection includes more than 20 works by some of the art world's most important contemporary artists, including Niki de Saint Phalle, William Wegman, Bruce Nauman, Kiki Smith, Nam June Paik, and Robert Irwin, among others. This new edition of Landmarks: Sculpture Commissions for the Stuart Collection focuses closely on the collection and its artists. The book features an essay from and interview with the collection's founding director, Mary Beebe; a new essay on the role of the Stuart Collection in the development of public art practice from Miwon Kwon; and interviews conducted by Joan Simon with all the artists featured in the collection"--

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.