Tiré du site Internet de Printed Matter: "A performative exercise and masterclass in "photo-bookmaking", Cover to Cover follows artist Michael Snow through a series of disorienting, domestic self-portraits. Snow, who remains quietly composed throughout, is depicted in various ordinary scenarios made ethereal by artful gestures in composition and lighting. Bookended by two closed doors on front and back cover, Snow makes obvious his intent to focus not on beginning or end, but the transitional space between."

Encompassing the entire Victorian era, this exhibition charts the broad evolution of British draftsmanship and illustrates the new appreciation developed for the art of drawing during the reign of Queen Victoria, from 1837 to 1901. While inviting contemplation of artists operating within the Aesthetic Movement and the Arts and Crafts Movement, the exhibition highlights the work of Pre-Raphaelite geniuses, Edward Burne-Jones, John Everett Millais, William Holman Hunt and Dante Gabriel Rossetti, as well as that of Academic champions Edward Poynter and Frederic Leighton. Through its range of subject matter, techniques and functions - from preparatory sketches to highly finished drawings intended as works of art in and of themselves - Beauty's Awakening expresses the richness, diversity and flair of Victorian draftsmanship as seen through the eyes of a discerning collector. --http://www.gallery.ca.

"Many famous artworks of the Italian Renaissance were made to celebrate love, marriage, and family. They were the pinnacles of a tradition, dating from early in the era, of commemorating betrothals, marriages, and the birth of children by commissioning extraordinary objects - maiolica, glassware, jewels, textiles, paintings - that were often also exchanged as gifts. This volume is the first comprehensive survey of artworks arising from Renaissance rituals of love and marriage and makes a major contribution to our understanding of Renaissance art in its broader cultural context. The impressive range of works gathered in these pages extends from birth trays painted in the early fifteenth century to large canvases on mythological themes that Titian painted in the mid-1500s. Each work of art would have been recognized by contemporary viewers for its prescribed function within the private, domestic domain."--BOOK JACKET.