Swedish-American Life in Chicago

Swedish-American Life in Chicago
Title Swedish-American Life in Chicago PDF eBook
Author Philip J. Anderson
Publisher
Pages 420
Release 1992
Genre History
ISBN

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Papers originally presented at a conference held in Chicago in Oct. 1988, sponsored by the Swedish-American Historical Society, and other others.

American Art Directory

American Art Directory
Title American Art Directory PDF eBook
Author Florence Nightingale Levy
Publisher
Pages 600
Release 1905
Genre Art
ISBN

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American Art Directory

American Art Directory
Title American Art Directory PDF eBook
Author
Publisher
Pages 806
Release 1918
Genre Art
ISBN

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The biographical material formerly included in the directory is issued separately as Who's who in American art, 1936/37-

Collection of Exhibition Catalogs

Collection of Exhibition Catalogs
Title Collection of Exhibition Catalogs PDF eBook
Author Archives of American Art
Publisher Boston : G. K. Hall
Pages 876
Release 1979
Genre Art
ISBN

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Years

Years
Title Years PDF eBook
Author Art Institute of Chicago
Publisher
Pages 136
Release 1907
Genre
ISBN

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The International Studio

The International Studio
Title The International Studio PDF eBook
Author
Publisher
Pages 620
Release 1908
Genre Art
ISBN

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A Place in the Sun

A Place in the Sun
Title A Place in the Sun PDF eBook
Author Thomas Brent Smith
Publisher University of Oklahoma Press
Pages 209
Release 2016-01-20
Genre Art
ISBN 0806154101

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Of the hundreds of foreign students who attended the Munich Art Academy between 1910 and 1915, Walter Ufer (1876–1936) and E. Martin Hennings (1886–1956) returned to the United States to foster the development of a national art. They ultimately established their reputations in the American Southwest. The two German American artists shared much in common, and both would gain membership in the celebrated Taos Society of Artists. Featuring nearly 150 color plates and historical photographs, A Place in the Sun is a long-overdue tribute to the lives, achievements, and artistic legacy of these two important artists. In tracing the lifelong friendship and intersecting careers of Ufer and Hennings, the contributors to this volume explore the social and artistic implications of the artists’ German heritage and training. Following their training in Munich, both men hoped to build careers in the spirited art environment of Chicago. Both were sponsored by wealthy businessmen, many of German descent. The support of these patrons allowed Ufer and Hennings to travel to the American Southwest, where they—like so many other talented artists—fell under the spell of Taos and its picturesque scenery. They also encountered the region’s Native peoples and Hispanic culture that inspired many of their paintings. Despite their mutual interests, Ufer and Hennings were not identical by any means. Each artist had a distinct artistic style and, as the essays in this volume reveal, the two men could not have had more different personalities or career trajectories. Connoisseurs of southwestern art have long admired the masterworks of Ufer and Hennings. By offering a rich sampling of their paintings alongside informative essays by noted art historians, A Place in the Sun ensures that their significant contributions to American art will be long remembered. A Place in the Sun is published in cooperation with the Denver Art Museum.