This is the first fully illustrated catalogue of a major collection of late Roman and early Byzantine imperial coins. It follows the general layout of the Byzantine volumes in the Dumbarton Oaks series, with a substantial introduction dealing with the history of the coinage, including iconography, mints, and monetary system. In this volume, however, all the coins are illustrated in the plates.

This is your road map to finding your way around the ancient coin fraternity. With more than 200 photographs, tables and charts and a pronunciation guide, you will acquire the knowledge needed to survive this sometimes bewildering market. Get a jump start on the incredible world of the ancients by acquiring a basic understanding of their politics, history, mythology, and astrology and how it affected the minting and designing of their coins.

This important contribution about ancient coins in India has been written jointly by Osmund Bopearachchi and Wilfried Pieper. It is an impressive volume of 289 pages with 59 plates which presents a private collection of ancient coins patiently gathered trough the years. In Part one, W.Pieper develops a historical commentary about the earliest coinages of India, the imperial period of late Magadha and Maurya rule ( ca late IVth-early IInd centuries B.C.), Ujjain and Eran, the Satavahanas (ca Ist century B.C.-early IInd century A.D.), and tribal republics and kingdoms in post-Mauryan northern India ( ca 200 B.C-ca 300 A.D.). This commentary is followed by a detailed catalogue with very precise drawings of more than 600 coins and punch-marked coins. Part two by o. Bopearachhi is organized on the same pattern: a historical commentary about foreign powers in ancient northern India, from the Bactrian Greeks untill the time of the early Kushans followed by a precise catalogue presenting Greek, Graeco-Bactrian and Indo-Greek, Indo-Scythian, Indo-Parthian, and early Kushan coins (in fact, more than 300 specimens). The commentary intends to give a general overview of the coins concerned and of their historical context with a more extensive discussion of the series best represented in the collection. For the indigenous Indian coins this is specially true for the coinages of Ujjain, Eran, Taxila and Kausambi, many of which are new and published here for the first time.

Like other volumes in this series, Ancient History from Coins demystifies a specialism, introducing students (from first year upwards) to the techniques, methods, problems and advantages of using coins to do ancient history. Coins are a fertile source of information for the ancient historian; yet too often historians are uneasy about using them as evidence because of the special problems attaching to their interpretation. The world of numismatics is not always easy for the non-specialist to penetrate or understand with confidence. Dr Howgego describes and anlyses the main contributions the study of coins can make to ancient history, showing shows through numerous examples how the character, patterns and behaviour of coinage bear on major historical themes. Topics range from state finance and economic policy to imperial domination and political propaganda through coins types. The period covered by the book is from the invention of coinage (ca 600BC) to AD 400.

The collection of ancient coins in the Charles University in its present state has existed since l945. Greek, Roman and other ancient coins were entrusted to the care of the Seminar for Ancient History and put together as one collection along with the antique coins of the original collection of the Czech University held by the Seminar. The present collection formed in this way contains about 4000 pieces, mostly in silver and bronze. Connecting the catalogue arrangement to research projects undertaken in the postgraduate studies enabled research efforts of Federico Gambacorta. His catalogue contains 243 coins (chronologically from Valentinian I, the minting of Western – and Eastern Roman Empires and some Byzantine coins). The author has been very thorough and exacting in his efforts by taking pictures of all the coins, which is a very useful, even indispensable apparatus of the volume.