The Museum’s outstanding collection of maiolica is significant because most of the major pottery centers, maiolica forms, and styles are represented. This current catalogue presents the collection in a chronological progression according to stylistic trends. Lavish color plates accompany the detailed entries

Ceramics from one of the most important collection in the world.

(back cover) This is a complete course in designing ceramics with confidence. Focusing on the design process and principles of shape, form, surface, and function, it also includes practical instruction in studio techniques for rendering your ideas into reality. A complete range of practical advice is offered, organized into units covering each stage of the design process, from working out a brief and seeking inspiration to drawing up technical plans and developing the design. Design concepts with both practical and esthetic considerations are explored in detail, and real-life case studies give valuable insights into the world of practicing ceramic designers. Whether you want to create functional, hard-wearing pots or decorative fine art pieces, this book will demystify the design process and provide the inspiration and skills you need to design with flair. Anthony Quinn is a freelance designer for the tableware industry. Among his clients are Wedgewood, Royal Worcester, and Denby Pottery. He is a senior lecturer in ceramic design at the renowned Central Saint Martin's College in London and is a visiting tutor at the Royal College of Art. Anthony has recently launched a range of pierced oven and tableware with Hartley Greens pottery, designed in conjunction with the Victoria and Albert Museum in London. He has also recently designed the in-flight dining experience for British Airways First Class and Club World. He lives and works in London.

In 1984 the Getty Museum acquired an exceptional collection of Italian Renaissance maiolica, or tin-glazed earthenware. These often brilliantly colored objects range from an early Florentine jar with relief-blue decoration to a much later Mannerist dish with grotesque ornament. The collection was the subject of Italian Maiolica, a beautifully illustrated catalogue that the Museum published in 1988. Italian Ceramics amplifies and updates the earlier volume, including objects—some of them porcelain and terracotta—acquired during the intervening years. Among them are a pair of eighteenth-century candlesticks representing mythological scenes and a tabletop with hunting scenes; and, from the 1790s, the beautifully modeled and painted Saint Joseph with the Christ Child. Italian Ceramics contains the most recent scientific, historical, and iconographic information about the Museum’s holdings. Completely revised and expanded, this book offers a wealth of new information about the Getty Museum’s superb collection, which spans more than four centuries of Italian ceramic art.