Catalogue d'une très belle collection de dessins anciens ... portraits dessines ...
Title | Catalogue d'une très belle collection de dessins anciens ... portraits dessines ... PDF eBook |
Author | R. W. P. de Vries (Amsterdam) |
Publisher | |
Pages | |
Release | 1902 |
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Catalogue dúne très belle collection de dessins anciens (écoles Néerlandaise, Allemande, Française et Italienne), portraits dessinés, dessins topographiques, dessins modernes, dessins et estampes (Anglaises et Françaises), encadreś
Title | Catalogue dúne très belle collection de dessins anciens (écoles Néerlandaise, Allemande, Française et Italienne), portraits dessinés, dessins topographiques, dessins modernes, dessins et estampes (Anglaises et Françaises), encadreś PDF eBook |
Author | |
Publisher | |
Pages | 69 |
Release | 1902 |
Genre | |
ISBN |
Catalogue d'une très belle collection de dessins anciens (écoles néerlandaise, allemande, française et italienne), portraits dessinés, dessins topographiques, dessins modernes, dessins et estampes (anglaises et françaises) encadrés provenant en grande partie des collections de feu Mr. Ch.M. Dozy, archiviste de Leide et d'un amateur anglais [De Vries, 1902].
Title | Catalogue d'une très belle collection de dessins anciens (écoles néerlandaise, allemande, française et italienne), portraits dessinés, dessins topographiques, dessins modernes, dessins et estampes (anglaises et françaises) encadrés provenant en grande partie des collections de feu Mr. Ch.M. Dozy, archiviste de Leide et d'un amateur anglais [De Vries, 1902]. PDF eBook |
Author | |
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Release | 1902 |
Genre | |
ISBN |
Catalogue de dessins anciens, de portraits dessinés (E.A. la collection F.A. v. S.) et de dessins d'ornaments (collectiion Armand Sigwalt)
Title | Catalogue de dessins anciens, de portraits dessinés (E.A. la collection F.A. v. S.) et de dessins d'ornaments (collectiion Armand Sigwalt) PDF eBook |
Author | |
Publisher | |
Pages | 168 |
Release | 1912 |
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European Drawings 2
Title | European Drawings 2 PDF eBook |
Author | George R. Goldner |
Publisher | Getty Publications |
Pages | 374 |
Release | 1992-10-08 |
Genre | Drawing |
ISBN | 0892362197 |
The Getty Museum's collection of drawings was begun in 1981 with the purchase of a Rembrandt nude and has since become an important repository of European works from the fifteenth through the nineteenth century. As in the first volume devoted to the collection (published in 1988 in English and Italian editions), the text is here organized first by national school, then alphabetically by artist, with individual works arranged chronologically. For each drawing, the authors provide a discussion of the work's style, dating, iconography, and relationship to other works, as well as provenance and a complete bibliography.
European Clocks in the J. Paul Getty Museum
Title | European Clocks in the J. Paul Getty Museum PDF eBook |
Author | Gillian Wilson |
Publisher | Getty Publications |
Pages | 225 |
Release | 2013-08-15 |
Genre | Art |
ISBN | 0892362545 |
Among the finest examples of European craftsmanship are the clocks produced for the luxury trade in the eighteenth century. The J. Paul Getty Museum is fortunate to have in its decorative arts collection twenty clocks dating from around 1680 to 1798: eighteen produced in France and two in Germany. They demonstrate the extraordinary workmanship that went into both the design and execution of the cases and the intricate movements by which the clocks operated. In this handsome volume, each clock is pictured and discussed in detail, and each movement diagrammed and described. In addition, biographies of the clockmakers and enamelers are included, as are indexes of the names of the makers, previous owners, and locations.
In Defiance of Painting
Title | In Defiance of Painting PDF eBook |
Author | Christine Poggi |
Publisher | Yale University Press |
Pages | 318 |
Release | 1992-01-01 |
Genre | Art |
ISBN | 9780300051094 |
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.