A collection of black-and-white cartoon strips about life in the business world featuring Dilbert, the harassed engineer, and his friends.

In a novel of action, intrigue, and romance, a U.S. Navy SEAL and an FBI agent race to unravel a mystery–while confronting their own unresolved feelings for each other. In his career as one of America’s elite warriors, Lt. Sam Starrett can do no wrong. In his private life, Sam–the king of one night stands–has done little right. Now, he’s waiting for a divorce and determined to stay active in his young daughter’s life. But when Sam shows up at the door of his ex-wife’s home in Sarasota, Florida, he makes a grisly discovery. His daughter is gone and the body of a woman lies brutally murdered on the floor. FBI agent Alyssa Locke’s relationship with Sam has been overwhelmingly intense and nearly catastrophic, yet it refuses to end. The last time she saw Sam was six months earlier, when they worked together to stop terrorists from assassinating the U.S. President. Much to her dismay, Alyssa is assigned to lead the murder investigation and once again the two are face to face. When explosive information surfaces linking Sam to the still unsolved assassination plot, the stakes are raised. With her reputation hanging in the balance, and her loyalties in question, Alyssa is faced with an impossible dilemma:arrest a man she believes to be innocent, or risk her career. While Alyssa tries to fight their intense attraction, Sam is determined to heat things up between them once again. And the complex case pushes them both to the wrong side of the law–and on the run to discover the truth. As more agents step into the chase, and with Sam’s daughter still unaccounted for, neither Alyssa nor Sam can predict just how deadly hot this situation is about to become. . . . A thrilling novel that ranges back into the days of World War II, into friendships, families, liaisons, betrayals, and the code of honor that binds the U.S. Navy SEALs, Gone Too Far is an electrifying experience in suspense–and a brilliant tale of lives lived on the edge.

From mountain and valley, from hill and dale, people are asking, "How can I have more Dilbert in my life?" Help is at hand with a blast from the past in Scott Adams' very first compilation of Dilbert comic strips, Always Postpone Meetings with Time-Wasting Morons. It is tempting to compare Adams' work to that of Leonardo da Vinci. The differences are striking. Adams displays good jokes and strong character development, whereas da Vinci has been skating for years on his ability to do shading. Advantage: Adams. And though it may seem boorish to point this out, da Vinci wrote backwards. And he's dead. Advantage: Adams. The choice is clear. Fans looking for a book which will stand the test of time, even beyond the time you spend flipping through it in the bookstore (for which the author receives no royalties whatsoever), should buy this book. Those who are not good comparison shoppers can buy the Mona Lisa.

"From celebrated music writer Dan Ozzi comes a comprehensive chronicle of the punk music scene's evolution from the early nineties to the mid-aughts, following eleven bands as they dissolved, "sold out," and rose to surprise stardom. From its inception, punk music has been identified by two factors: its proximity to "authenticity," and its reliance on an antiestablishment ethos. Yet, in the mid- to late '90s, major record labels sought to capitalize on punk's rebellious undertones, leading to a schism in the scene: to accept the cash flow of the majors, or stick to indie cred?Sellout chronicles the evolution of the punk scene during this era, focusing on prominent bands as they experienced the last "gold rush" of the music industry. Within it, music writer Dan Ozzi follows the rise of successful bands like Green Day and Jimmy Eat World, as well as the implosion of groups like Jawbreaker and At the Drive-In, who buckled under the pressure of their striving labels. Featuring original interviews and personal stories from members of eleven of modern punk's most (in)famous bands, Sellout is the history of the evolution of the music industry, and a punk rock lover's guide to the chaotic darlings of the post-grunge era. "--

The “highly entertaining and thoroughly reprehensible” #1 New York Times bestseller—now with sixteen pages of photos and a new introduction (The New York Times). My name is Tucker Max, and I am an asshole. I get excessively drunk at inappropriate times, disregard social norms, indulge every whim, ignore the consequences of my actions, mock idiots and posers, sleep with more women than is safe or reasonable, and just generally act like a raging dickhead. But, I do contribute to humanity in one very important way: I share my adventures with the world. --from the Introduction Actual reader feedback: "I find it truly appalling that there are people in the world like you. You are a disgusting, vile, repulsive, repugnant, foul creature. Because of you, I don’t believe in God anymore. No just God would allow someone like you to exist." "I’ll stay with God as my lord, but you are my savior. I just finished reading your brilliant stories, and I laughed so hard I almost vomited. I want to bring that kind of joy to people. You’re an artist of the highest order and a true humanitarian to boot. I'm in both shock and awe at how much I want to be you."

Scott Adams has accomplished a rare feat. In his wildly successful cartoon strip, Dilbert, he has transformed the daily drudgery of the workplace into a fresh, comic commentary on life. Consider the cast: a devious and egomaniacal dog who fully intends to rule the world, a former lab rat so eager for acceptance that he's willing to work as a temp, a cat that is an evil HR director—and those are just the animals in Dilbert's world. Mix in the frustrated title character, his clueless pointy-haired boss, and an office full of insecure and dissatisfied white-collar workers and you get the hottest comic strip around. In I'm Not Anti-Business, I'm Anti-Idiot, Adams has truly found a way to relate the sometimes unbelievable craziness of the business world. Since Dilbert first gave a voice to discontented cubicle dwellers, the strip has consistently appeared at the top of comic page popularity polls. Today, the cartoon can be found stuck on office bulletin boards, personal computer monitors, and break-room refrigerators throughout the working world. This volume, I'm Not Anti-Business, I'm Anti-Idiot brings readers more of the bizarre fun. In it, they'll marvel at the escapades of Antina the non-stereotypical woman, who takes apart the office coffee machine "just for fun." They'll witness manager Ted, who just happens to have a beard growing from his forehead. And they'll recoil from Camping Carl, the office's nonstop self-storyteller, whom Dilbert manages to evade only by taking to his cubicle escape tunnel. No one captures modern office life like Adams, a former Pacific Bell employee. Dilbert evokes many laughs, tears, and "How did he know about our company?" comments from workers while at the same time appealing to supervisors who are certain they don't personally commit these managerial faux pas. I'm Not Anti-Business, I'm Anti-Idiot is guaranteed to deliver much, much more of what fans love most about Dilbert.

Here's everything you need to know about how business really operates courtesy of Dogbert.