During the nineteenth century in Rome, three generations of the Castellani family created what they called “Italian archaeological jewelry,” which was inspired by the precious Etruscan, Roman, Greek, and Byzantine antiquities being excavated at the time. The Castellani jewelry consisted of finely wrought gold that was often combined with delicate and colorful mosaics, carved gemstones, or enamel. This magnificent book is the first to display and discuss the jewelry and the family behind it. International scholars discuss the life and work of the Castellani, revealing the wide-ranging aspects of the family’s artistic and cultural activities. They describe the making and marketing of the jewelry, the survey collection of all periods of Italian jewelry on display in the Castellani’s palatial store, and the Castellani’s activities in the trade of antiquities, as they sponsored excavations, and restored, dealt, and exhibited antiques. They also recount the family’s involvement in the cultural and political life of their city and country.

Bewildering features of modern physics, such as relativistic space-time structure and the peculiarities of so-called quantum statistics, challenge traditional ways of conceiving of objects in space and time. Interpreting Bodies brings together essays by leading philosophers and scientists to provide a unique overview of the implications of such physical theories for questions about the nature of objects. The collection combines classic articles by Max Born, Werner Heisenberg, Hans Reichenbach, and Erwin Schrodinger with recent contributions, including several papers that have never before been published. The book focuses on the microphysical objects that are at the heart of quantum physics and addresses issues central to both the "foundational" and the philosophical debates about objects. Contributors explore three subjects in particular: how to identify a physical object as an individual, the notion of invariance with respect to determining what objects are or could be, and how to relate objective and measurable properties to a physical entity. The papers cover traditional philosophical topics, common-sense questions, and technical matters in a consistently clear and rigorous fashion, illuminating some of the most perplexing problems in modern physics and the philosophy of science. The contributors are Diederik Aerts, Max Born, Elena Castellani, Maria Luisa Dalla Chiara, Bas C. van Fraassen, Steven French, Gian Carlo Ghirardi, Roberto Giuntini, Werner Heisenberg, Decio Krause, David Lewis, Tim Maudlin, Peter Mittelstaedt, Giulio Peruzzi, Hans Reichenbach, Erwin Schrodinger, Paul Teller, and Giuliano Toraldo di Francia.

A fresh and provocative approach to representations of exotic women in Victorian Britain.

The book explores the origins of the word tiara which derives from the head ornaments of Persian kings. The term tiara encompasses the diadem, said to have been invented by Dionysos, god of wine, the Kokoshnik from early Russia, and the wreath of flowers, perhaps the most appealing source of inspiration for the modern jeweller. Tiaras are considered as emblems of love and marriage, as symbols of aristocratic heritage, and as works of art in their own right in a range of styles from the antique and neo-classical to art deco. The stunning array of contemporary designs indicates that tiaras are now most definitely items of high fashion. Many are shown alongside either their original designs or photographs of their owners from the Queen Mother to Madonna. Tiaras, Past and Present traces the history of these magnificent jewels from ancient time to their re-emergence in the First Empire, through the work of famous jewellers like Faberg , Cartier and Boucheron to the extravagant contemporary creations of Vivienne Westwood and Versace. Tiaras of all types glitter throughout the pages, breathtaking in the sumptuousness of their stones and the intricacy of their design. The tiara is indeed pre-eminent among jewels, and this book is a celebration of them.