The first book of its kind, "Cast Drawing Using the Sight-Size Approach" teaches the student a systematic way to meet the challenges of drawing.

After cast drawing, cast painting is the next step for the student at many classical art ateliers. The first book of its kind, Cast Painting Using the Sight-Size Approach provides the student with all of the necessary information to succeed at Sight-Size cast painting in oil. In addition to teaching the theory and processes involved in cast painting, Cast Painting Using the Sight-Size Approach also has sections on materials and stretching canvas as well as a short commentary on the "unity of effect" with selections from R.A.M. Stevenson's 1895 edition of Velasquez. For more information about this and other books in the Sight-Size Library as well as instructional DVD's and Sight-Size in general please direct your web browser to www.Sight-Size.com.

Within The Sight-Size Cast is everything you ever wanted to know about Sight-Size cast drawing and painting, impressionistic seeing, and the ways in which many of the ateliers that stem from R. H. Ives Gammell and Richard Lack teach their students. You can learn how to see through Sight-Size with Darren Rousar's book, The Sight-Size Cast.

Nearly 200 plates from the master teacher's famous 19th-century drawing course comprise drawings of casts, chiefly from antiquity; lithographs in the style of drawings by Renaissance and modern masters; and male nudes. This affordable volume constitutes an essential guide for professional artists, students, art historians, and collectors.

* Two hundred lithographs that comprised a famous late nineteenth-century drawing course* Introduces the work of a hitherto neglected master: Charles Bargue* Of interest to artists, art students, art historians, and lovers and collectors of art The Bargue-Gérôme Drawing Course is a complete reprint of a famous, late nineteenth-century drawing course. It contains a set of almost two hundred masterful lithographs of subjects for copying by drawing students before they attempt drawing from life or nature. Consequently, it is a book that will interest artists, art students, art historians, and lovers and collectors of drawings. It also introduces us to the work and life of a hitherto neglected master: Charles Bargue.The Drawing Course consists of three sections. The first consists of plates drawn after casts, usually of antique examples. Different parts of the body are studied in order of difficulty, until full figures are presented. The second section pays homage to the western school of painting, with lithographs after exemplary drawings by Renaissance and modern masters. The third part contains almost 60 académies, or drawings after nude male models, all original inventions by Bargue, the lithographer. With great care, the student is introduced to continually more difficult problems in the close observing and recording of nature.Charles Bargue started his career as a lithographer of drawings by hack artists for a popular market in comic, sentimental and soft-porn subjects. By working with Gérôme, and in preparing the plates for the course, Bargue was transformed into a spectacular painter of single figures and intimate scenes; a master of precious details that always remain observation and never became self-conscious virtuosity, and color schemes that unified his composition in exquisite tonal harmonies. The last part of the book is a biography of Bargue, along with a preliminary catalogue of his paintings, accompanied by reproductions of all that have been found and of many of those lost.

The Charles Bargue and Jean-Léon Gérôme drawing course was originally published by Goupil & Cie between 1866-1871 and consisted of 187 individual lithographs meant for copying by students at atelier art schools. Many famous artists copied from these plates as part of their art studies including Picasso, Van Gogh, and John Singer Sargent. This books contains 130 illustrations from parts I and III of the drawing course.