Excerpt from Cartoon Portraits and Biographical Sketches of Men of the Day Meantime brave Shaw usurps the martial plain, And spreads the field with Gallic heaps of slain. The young poet was sent to Cambridge, where in 1825 he won the Chancellor's medal and after another volume of verse, gave the world Falkland, ' his first novel. A large part of this work is made up of letters from one of the characters to another; and the old style of heading, From the same to the same, ' becomes very tedious, as they talk in vapid platitudes, slightly spiced with Byronic morality. The preface is dated March 7, 1827. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This book was originally published in 1873 and is a very interesting sketch of historical male figures of the time period. The illustrations are intricate and entertaining. This is a reproduction of an important historical work, scanned and digitized by the University of Toronto, and all the images are original scans of the historical text and illustrations. This publication is an effort to make the book accessible digitally and in print in a new, cleaner edition than has previously been published by enhancing image quality without taking away from the original integrity of the document. Add this wonderful work to your historic library! "A selection of the more well known of the leading 19th century figures featured in Cartoon Portraits and Biographical Sketches of Men of the Day (1873) with drawings by Frederick Watty and accompanied by biographical pieces on each of the subjects. With the exception of one, it is a compilation of all the cartoon portraits that were featured in Once a Week, a magazine originally founded as a result of a dispute between Bradbury and Evans and Charles Dickens. Bradbury and Evans had been Dickens' publisher since 1844, including publishing his magazine Household Words. In 1859, Bradbury and Evans refused to carry an advertisement by Dickens explaining why he had broken with Mrs. Dickens. In consequence, Dickens stopped work on Household Words and founded a new magazine, All The Year Round, which he decided would be editorially independent of any publisher. Bradbury and Evans responded by founding Once A Week, with veteran editor and abolitionist hero Samuel Lucas at the head." (www.publicdomainreview.org)

It’s no secret that most New Yorker readers flip through the magazine to look at the cartoons before they ever lay eyes on a word of the text. But what isn’t generally known is that over the decades a growing cadre of women artists have contributed to the witty, memorable cartoons that readers look forward to each week. Now Liza Donnelly, herself a renowned cartoonist with the New Yorker for more than twenty years, has written this wonderful, in-depth celebration of women cartoonists who have graced the pages of the famous magazine from the Roaring Twenties to the present day. An anthology of funny, poignant, and entertaining cartoons, biographical sketches, and social history all in one, VeryFunny Ladies offers a unique slant on 20th-century and early 21st-century America through the humorous perspectives of the talented women who have captured in pictures and captions many of the key social issues of their time. As someone who understands firsthand the cartoonist’s art, Donnelly is in a position to offer distinctive insights on the creative process, the relationships between artists and editors, what it means to be a female cartoonist, and the personalities of the other New Yorker women cartoonists, whom she has known over the years. Very Funny Ladies reveals never-before-published material from The New Yorker archives, including correspondence from Harold Ross, Katharine White, and many others. This book is history of the women of the past who drew cartoons and a celebration of the recent explosion of new talent from cartoonists who are women. Donnelly interviewed many of the living female cartoonists and some of their male counterparts: Roz Chast, Liana Finck, Amy Hwang, Victoria Roberts, Sam Gross, Lee Lorenz, Michael Maslin, Frank Modell, Bob Weber, as well as editors and writers such as David Remnick, Roger Angell, Lee Lorenz, Harriet Walden (legendary editor Harold Ross’s secretary). The New Yorker Senior Editor David Remnick and Cartoon Editor Emma Allen contributed an insightful foreword. Combining a wealth of information with an engaging and charming narrative, plus more than seventy cartoons, along with photographs and self-portraits of the cartoonists, Very Funny Ladies beautifully portrays the art and contributions of the brilliant female cartoonists in America’s greatest magazine.

Now, whether you've had any formal training or not, this book offers you step-by-step directions on how to do all types of cartoons and caricatures.