Our critically acclaimed smash hit Cartographies of Time is now available in paperback. In this first comprehensive history of graphic representations of time, authors Daniel Rosenberg and Anthony Grafton have crafted a lively history featuring fanciful characters and unexpected twists and turns. From medieval manuscripts to websites, Cartographies of Time features a wide variety of timelines that in their own unique ways, curving, crossing, branching, defy conventional thinking about the form. A fifty-four-foot-long timeline from 1753 is mounted on a scroll and encased in a protective box. Another timeline uses the different parts of the human body to show the genealogies of Jesus Christ and the rulers of Saxony. Ladders created by missionaries in eighteenth-century Oregon illustrate Bible stories in a vertical format to convert Native Americans. Also included is the April 1912 Marconi North Atlantic Communication chart, which tracked ships, including the Titanic, at points in time rather than by their geographic location, alongside little-known works by famous figures, including a historical chronology by the mapmaker Gerardus Mercator and a chronological board game patented by Mark Twain. Presented in a lavishly illustrated edition, Cartographies of Time is a revelation to anyone interested in the role visual forms have played in our evolving conception of history

Our critically acclaimed smash hit Cartographies of Time is now available in paperback. In this first comprehensive history of graphic representations of time, authors Daniel Rosenberg and Anthony Grafton have crafted a lively history featuring fanciful characters and unexpected twists and turns. From medieval manuscripts to websites, Cartographies of Time features a wide variety of timelines that in their own unique ways, curving, crossing, branching, defy conventional thinking about the form. A fifty-four-foot-long timeline from 1753 is mounted on a scroll and encased in a protective box. Another timeline uses the different parts of the human body to show the genealogies of Jesus Christ and the rulers of Saxony. Ladders created by missionaries in eighteenth-century Oregon illustrate Bible stories in a vertical format to convert Native Americans. Also included is the April 1912 Marconi North Atlantic Communication chart, which tracked ships, including the Titanic, at points in time rather than by their geographic location, alongside little-known works by famous figures, including a historical chronology by the mapmaker Gerardus Mercator and a chronological board game patented by Mark Twain. Presented in a lavishly illustrated edition, Cartographies of Time is a revelation to anyone interested in the role visual forms have played in our evolving conception of history

Now in Paperback! What does history look like? How do you draw time? Cartographies of Time is the first history of the timeline, written engagingly and with incredible visuals. The authors, both accomplished writers and historians, sketch the shifting field of graphic representations of history from the beginning of the print age through the present. They shed light on western views of history and on the complex relationship between general ideas about the course of events and the technical efforts to record and connect dates and names in the past. In addition to telling a rich, forgotten story, this book serves as a kind of grammar of historical representation, uncovering the ways in which time has been structured in thought and in images, in the Western tradition. Written for both the academically curious and the general reader, Cartographies of Time provides a set of tools for understanding the evolution and the significance of graphic representations of time both in history and in contemporary culture.

This Is Not an Atlas gathers more than 40 counter-cartographies from all over the world. This collection shows how maps are created and transformed as a part of political struggle, for critical research or in art and education: from indigenous territories in the Amazon to the anti-eviction movement in San Francisco; from defending commons in Mexico to mapping refugee camps with balloons in Lebanon; from slums in Nairobi to squats in Berlin; from supporting communities in the Philippines to reporting sexual harassment in Cairo. This Is Not an Atlas seeks to inspire, to document the underrepresented, and to be a useful companion when becoming a counter-cartographer yourself.

Mapping geographies of power and knowledge in qualitative research "In this foundational tome, Professor Celine-Marie Pascale critiques methodology in relationship to specific qualitative methods and argues cogently that despite good intentions, most of this research is still tethered to the Cartesian paradigm thus limiting its emancipatory potential. This is an impressive book that will likely become a classic!" — Eduardo Bonilla-Silva, Duke University, co-author with Tukufu Zuberi, White Logic, White Methods: Racism and Methodology 2012 Winner of the International Congress of Qualitative Inquiry Distinguished Book Award! Using clear language and concrete examples, this text examines theoretical and historical foundations that shape the premise and logic of qualitative social research. It analyzes qualitative methodology and methods in relationship to issues of agency, subjectivity, and experience. Rooted to feminist, critical race, and post-structural literature, it is concerned with social justice as it critiques current research paradigms and advances broad alternatives. This is an ideal text for students in graduate-level courses in Methodology, Epistemology, Qualitative Research Methods, Data Analysis, Ethnomethodology, Symbolic Interaction, Phenomenology, Grounded Theory, and related courses the social, behavioral, and health sciences.

This work is filled with 350 works by well-known artists such as Joyce Kozloff, Ed Ruscha, Julian Schnabel, and Olafer Eliasson. All are wayfinders, charting the highways and byways of the spirit and the topography of the soul.

Can capital be seen? Cartographies of the Absolute surveys the disparate answers to this question offered by artists, film-makers, writers and theorists over the past few decades. It zones in on the crises of representation that have accompanied the enduring crisis of capitalism, foregrounding the production of new visions and artefacts that wrestle with the vastness, invisibility and complexity of the abstractions that rule our lives.