This high-Fantasy, coming of age tale follows a group of teens chosen to prove their value with a quest to locate Valhalla’s Tears, the one sword that can overthrow an increasingly corrupt governmental tyranny. This sword, vanishing from the land of Cartha thousands of years prior, has been the objective of such journeys for generations, but with a little magic, luck and a ton of tenacity, the village elders believe that Allo and his companions might just have a chance for success. This group, consisting of a Human boy, an Elvin girl, a Halfling male, a part Giant male, a Dwarvin male and a Half-Elvin male mage, setting out with what they can carry. They will have to defeat the beasts and demons that populate this D&D inspired world, along with agents of the government who know that their power will be stripped from them should Valhalla’s Tears be recovered. However, it seems that it’s not just the creatures and men conspiring against them, they must also use their skills and knowledge as well as their courage to traverse dangerous caverns and ford raging rivers and the like. This epic journey, told through the eyes of Allo, is sure to rekindle your love for the High-Fantasy genre. It combines the best elements of traditional carefully created worlds with plenty of unpredictable action, politics, life-long romance and friendships in ways which is sure to please even the most avid of readers.

To justify the plundering of today's Democratic Republic of the Congo, U.S. intellectual elites have continuously produced dismissive Congo discourses. Tracing these discourses in great depth and breadth, Johnny Van Hove shows how U.S. intellectuals (and their influential European counterparts) have used the Congo in similar fashions for their own goals. Analyzing intellectuals as diverse as W. E. B. Du Bois, Joseph Conrad, and David Van Reybrouck, the book offers a theorization of Central West Africa, a case study of normalized narratives on the "Other," and a stirring wake-up call for contemporary writers on international history and politics.

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1889 edition. Excerpt: ... A MORE interesting task for the comparative mythologist can hardly be found, than the analysis of the legends attaching to this celebrated soldier-martyr; -- interesting, because these legends contain almost unaltered representative myths of the Semitic and Aryan peoples, and myths which may be traced with certainty to their respective roots. The popular traditions current relating to the Cappadocian martyr are distinct in the East and the West, and are alike sacred myths of faded creeds, absorbed into the newer faith, and recolored. On dealing with these myths, we are necessarily drawn into the discussion as to whether such a person as St. George existed, and if he did exist, whether he were a Catholic or a heretic. Eusebius says (Eccl. Hist. B. viii. c. 5), "Immediately on the first promulgation of the edict (of Diocletian), a certain man of no mean origin, but highly esteemed for his temporal dignities, as soon as the decree was published against the Churches in Nicomedia, stimulated by a divine zeal, and excited by an ardent faith, took it as it was openly placed and posted up for public inspection, and tore it to pieces as a most profane and wicked act. This, too, was done when two of the Caesars were in the city, the first of whom was the eldest and chief of all, and the other held the fourth grade of the imperial dignity after him. But this man, as the first that was distinguished there in this manner, after enduring what was likely to follow an act so daring, preserved his mind calm and serene until the moment when his spirit fled." This martyr, whose name Eusebius does not give, has been generally supposed to be St. George, and if so, this is nearly all we know authentic concerning him. But popular as a saint he unquestionably...

Hollywood historian and film reviewer Leonard Maltin invites readers to pull up a chair and listen as he tells stories, many of them hilarious, of 50+ years interacting with legendary movie stars, writers, directors, producers, and cartoonists. Maltin grew up in the first decade of television, immersing himself in TV programs and accessing 1930s and '40s movies hitting the small screen. His fan letters to admired performers led to unexpected correspondences, then to interviews and publication of his own fan magazine. Maltin's career as a free-lance writer and New York Times-bestselling author as well as his 30-year run on Entertainment Tonight, gave him access to Katharine Hepburn, Elizabeth Taylor, Sean Connery, Shirley Temple, and Jimmy Stewart among hundreds of other Golden Age stars, his interviews cutting through the Hollywood veneer and revealing the human behind each legend. Starstruck also offers a fascinating glimpse inside the Disney empire, and Maltin's tenure teaching USC's popular film course reveals insights into moviemaking along with access to past, current, and future stars of film, such as George Lucas, Kevin Feige, Quentin Tarantino, and Guillermo del Toro.