Unlock the more straightforward side of The Castle of the Carpathians with this concise and insightful summary and analysis! This engaging summary presents an analysis of The Castle of the Carpathians by Jules Verne, which is set in Transylvania, Romania and tells the story of the mysterious and frightening things that begin to occur at an abandoned castle. The villagers are terrified as nobody knows what is causing these sudden, strange happenings in this supernatural tale of revenge and jealousy. The novel is thought to have inspired Dracula by Bram Stoker, which as released just a few years after Verne's work. Despite this, it is actually the genre of science fiction in which Verne is considered to have been most influential, and he is sometimes even called the "Father of Science Fiction". He is the second most-translated author in the world. Find out everything you need to know about The Castle of the Carpathians in a fraction of the time! This in-depth and informative reading guide brings you: • A complete plot summary • Character studies • Key themes and symbols • Questions for further reflection Why choose BrightSummaries.com? Available in print and digital format, our publications are designed to accompany you in your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time. See the very best of literature in a whole new light with BrightSummaries.com!

The descriptions of the quaint villagers of Werst, their costumes, manner of living, and belief in the supernatural world would in themselves prove an interesting narrative, but when coupled with the exciting adventures of Nic Deck, the two Counts, the cowardly Doctor, and the beautiful La Stilla, the story is undoubtedly one of the most enchanting ever offered. This mysterious tale takes place in the area which in just a few years would become known as Dracula's homeland. Jules Verne has the knack of it. He knows how to make the scientifically romantic story. You might not know what a "nyctalop" was, but if you saw one flapping his wings around the dark fortress in the Carpathians, you would run for it, as did Nic Deck.. Orfanik is head conjurer, and in his trial he explains how he brought into play for a wicked purpose a variety of ingenious inventions. Includes unique illustrations!

This book examines the relationship between Ukraine’s Galician Hutsuls and the Carpathian landscape between 1848 and 1939. The author analyzes the intersections of ecology and culture in the history of the Carpathian Mountains, with a focus on the region’s economy and biodiversity.

The Gothic Wanderer Rises Eternal in Popular Literature From the horrors of sixteenth century Italian castles to twenty-first century plagues, from the French Revolution to the liberation of Libya, Tyler R. Tichelaar takes readers on far more than a journey through literary history. The Gothic Wanderer is an exploration of man's deepest fears, his eff orts to rise above them for the last two centuries, and how he may be on the brink finally of succeeding. Tichelaar examines the figure of the Gothic wanderer in such well-known Gothic novels as "The Mysteries of Udolpho," "Frankenstein," and "Dracula," as well as lesser known works like Fanny Burney's "The Wanderer," Mary Shelley's "The Last Man," and Edward Bulwer-Lytton's "Zanoni." He also finds surprising Gothic elements in classics like Dickens' "A Tale of Two Cities" and Edgar Rice Burroughs' "Tarzan of the Apes." From Matthew Lewis' "The Monk" to Stephenie Meyer's "Twilight," Tichelaar explores a literary tradition whose characters refl ect our greatest fears and deepest hopes. Readers will find here the revelation that not only are we all Gothic wanderers--but we are so only by our own choosing. Acclaim for "The Gothic Wanderer" ""The Gothic Wanderer" shows us the importance of its title figure in helping us to see our own imperfections and our own sometimes contradictory yearnings to be both unique and yet a part of a society. The reader is in for an insightful treat." --Diana DeLuca, Ph.D. and author of Extraordinary Things "Make no mistake about it, The Gothic Wanderer is an important, well researched and comprehensive treatise on some of the world's finest literature." --Michael Willey, author of Ojisan Zanoni Foreword by Marie Mulvey-Roberts, Ph.D. Learn more at www.GothicWanderer.com From Modern History Press www.ModernHistoryPress.com Literary Criticism: Gothing & Romance Literary Criticism: European - General

In the shadow of an abandoned castle, a wolf pack seeks shelter. the she-wolf ’s pups will not be able to survive the harsh transylvanian winter. And they are being stalked by a lone wolf, Morgra, possessed of a mysterious and terrifying power known as the sight. Morgra knows that one of the pups born beneath the castle holds a key to power even stronger than her own—power that could give her control of this world and the next. but the pack she hunts will do anything to protect their own, even if it means setting in motion a battle that will involve all of nature, including the creature the wolves fear the most—Man.

String garlic by the window and hang a cross around your neck! The most powerful vampire of all time returns in our Stepping Stone Classic adaption of the original tale by Bran Stoker. Follow Johnathan Harker, Mina Harker, and Dr. Abraham van Helsing as they discover the true nature of evil. Their battle to destroy Count Dracula takes them from the crags of his castle to the streets of London... and back again.

The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.