Carnival Comics proudly presents... Herk Harvey's Carnival of Souls in a digital format for the first time ever! Michael H. Price's acclaimed graphic-novel adaptation of the classic indie chiller-film is back in print with a full-scale restoration and expansion -- the comic-book treatment that moved Stephen King to rave: "It's as nightmarish and unnerving as the movie... I'm in awe of your accomplishment." Originally commissioned by filmmaker Herk Harvey to mark the reissue of his 1962 CARNIVAL OF SOULS, Price's graphic-novel version has taken on a life of its own. Gasp in horror as Mr. Price's great storytelling, intertwines with Todd Camp's wickedly good artistry, to scare the life out of you. In addition to Herk Harvey's Carnival of Souls, you get a collection of some of Michael H. Price and Todd Camp's classic horror gems! Nearly 300 pages of tricks and treats for all! Carnival of Souls is a registered trademark owned by Carnival Comics.

SOMETHING WICKED EVIL THIS WAY COMES. There's something troubling about Professor Caligari's Traveling Carnival. Perhaps it's that no one can recall the arrival of its hard-to-miss caravan of old-style wagons, countless performers, and horse-drawn carts. Maybe it's the creepy calliope music that tirelessly beckons visitors. Let's face it, an enigma that chooses Sunnydale nearly guarantees it's up to more than wholesome family entertainment. After a visit to the carnival's Hall of Mirrors, a once-shy pair of homely sophomore twins parades the halls of Sunnydale High like diva supermodels on a runway. Intuiting the twins' abrupt personality change as more than a self-confidence boost, Buffy -- joined by Angel, Giles, and the rest of the Scoobies -- decides to investigate the suspicious carnival firsthand. But soon it's apparent that the price of admission is higher than she imagined. Those who enter the carnival's attractions exit...changed. Each of the gang soon shows extreme displays of vice. Willow is wracked with envy. Cordelia's greed consumes her. Xander unleashes his gluttony. Angel reveals a lusty new persona. And a dark anger rises in Giles. But it's Buffy's now-blinding pride that threatens to overpower her, and in the process destroy those she loves....

Reveals the artistic subjectivity of the scientific notion of depression.

For one charismatic kid, the dangerous world of the Forest of the Dead becomes the setting for the ultimate escape trick in this exciting debut novel. Jack Carr has been shuttled from foster home to group home to foster home his entire life. The only constant has been his interest in magic, especially handcuff escapes like those mastered by his hero, Harry Houdini. When he’s placed with the Professor, however, he feels like he’s finally found a home—but his new guardian is hiding a dangerous secret. Years ago the Professor bartered his soul to the undead magician Mussini, and when the payment is due, he sends Jack in his place. Jack must travel with Mussini to the Forest of the Dead, a place in between the real world and the afterlife, where he’s forced to perform in Mussini’s traveling magic show. If he stays in the Forest long enough, he’ll die himself. To find his way home, he’ll have the help of Mussini’s other “minions”—kids stolen just like Jack—and his wits, nothing more. Can he follow the example of his hero, Houdini, and escape the inescapable?

Book One in Jazan Wild's Carnival Of Souls Series. The story begins with a trip to a carnival, then quickly turns, taking you spinning on a wild ride into the jungle of the mind! Young Jazan is the sole survivor of a plane crash. When he wakes upon the shoreline, he begins to see the colorful characters from the carnival. Fasten your seat belt and pull the safety bar down. Welcome Ladies and Gentlemen … to Jazan Wild's Carnival Of Souls! "CARNIVAL COMICS" and "CARNIVAL OF SOULS" are Registered Trademarks.

Music in Horror Film is a collection of essays that examine the effects of music and its ability to provoke or intensify fear in this particular genre of film. Frightening images and ideas can be made even more intense when accompanied with frightening musical sounds, and music in horror film frequently makes its audience feel threatened and uncomfortable through its sudden stinger chords and other shock effects. The essays in this collection address the presence of music in horror films and their potency within them. With contributions from scholars across the disciplines of music and film studies, these essays delve into blockbusters like The Exorcist, The Shining, and The Sixth Sense together with lesser known but still important films like Carnival of Souls and The Last House on the Left. By leading us with the ear to hear these films in new ways, these essays allow us to see horror films with fresh eyes.