After twenty-five years Pamela Voorhees is back and she's ready to join her son in a rampage of murder. Only Jason isn't at home anymore; he's the main attraction in a travelling sideshow. Pamela will stop at nothing to bring Jason back to Crystal Lake, but she'd better hurry, because someone at the sideshow is planning to sell Jason¿ on ZingBid. Who will win the auction? The Jason-obsessed rock star, Ross Feratu? The ruthless tycoon, Nathaniel Morgas? Or will the FBI step in and put Jason behind bars before the final bid? Buckle up and get ready to witness the first ever online sale of a serial killer.

Estep follows her first novel, "Diary of An Emotional Idiot, " with a set of linked stories that glimpses two women through the eyes of the men in their lives.

My name is Dove Hendry.Mine is Kingston Axton.I was captured by darkness.She has always been ours...They groomed me for Midnight Mayhem. Like a trained possession, weak against their control.She has been conditioned with our blood for years. She just doesn't know it yet...But Midnight Mayhem was the stained glass that concealed a very dark culture.A culture that she is about to become the center of.The Brothers of Kiznitch come in fours, and they're not happy about me being hustled into their acts.Or are we? Careful, Little Bird. A warning is a warning for a reason...Mind-tricks.Stunts.Deceit.Power.But there's something uglier that has been haunting me for years upon years. So ugly that I have never seen its face. I never had to. I'd hear his whispers through my internal screams, feel his shadow brush against my nightmares. He was my the monster that tormented me.And maybe lived under your bed...When I started Midnight Mayhem, his presence faded.His whispers were silenced.His shadow dissolving without a trace.I wondered why that was.She didn't have to wonder for long...

Includes the plays; Black Mas, Iceman, The False Hairpiece, and Dead Man's Handle. Four darkly mysterious plays with a shamanic theme by one of Britain’s most offbeat playwrights.

The panoramic story of how the horror genre transformed into one of the most incisive critiques of unchecked American imperial power The American empire emerged from the shadows of World War II. As the nation’s influence swept the globe with near impunity, a host of evil forces followed—from racism, exploitation, and military invasion to killer clowns, flying saucers, and monsters borne of a fear of the other. By viewing American imperial history through the prism of the horror genre, Dark Carnivals lays bare how the genre shaped us, distracted us, and gave form to a violence as American as apple pie. A carnival ride that connects the mushroom clouds of 1945 to the beaches of Amity Island, Charles Manson to the massacre at My Lai, and John Wayne to John Wayne Gacy, the new book by acclaimed historian W. Scott Poole reveals how horror films and fictions have followed the course of America’s military and cultural empire and explores how the shadow of our national sins can take on the form of mass entertainment.