The story of a little girl who takes part in the creation of John Singer Sargent's well-loved painting.

Drawing on the correspondence of the artist, his friends and his family, as well as a review of contemporary critical responses, this text examines the work of Sargent's early maturity. The text is the catalogue for an exhibition at the Sterling and Francine Clark Art Institute in Summer 1997.

"Explores the art of John Singer Sargent in the context of nineteenth-century botany, gynecology, literature, and visual culture. Argues that the artist was elaborating both a period poetics of homosexuality and a new sense of subjectivity, anticipating certain aspects of artistic modernism"--Provided by publisher.

"An alchemical mix of Borges, Raymond Chandler and Buffy the Vampire Slayer."--Salon.com (Best of the Year) "A delightful collection."--Cleveland Plain Dealer "My favorite fantasy writer."--Alan Cheuse, All Things Considered "Link's stories defy explanation, or at least, brief summary, instead working on the plane between dream and cognitive dissonance. They are true to themselves: witty, beautiful, funny, and startling."--Rain Taxi "Link uses the nonsensical to illuminate truth, blurring the distinctions between the mundane and the fantastic to tease out the underlying meanings of modern life."--Booklist "The 11 fantasies in this first collection from rising star Link are so quirky and exuberantly imagined that one is easily distracted from their surprisingly serious underpinnings of private pain and emotional estrangement." --Publishers Weekly Kelly Link's collection of stories, Stranger Things Happen, really scores. --Daniel Mendelsohn, New York Magazine "A tremendously appealing book, and lovers of short fiction should fall over themselves getting out the door to find a copy." --Washington Post Book World "Stylistic pyrotechnics light up a bizarre but emotionally truthful landscape. Link's a writer to watch." --Kirkus Reviews "A set of stories that are by turns dazzling, funny, scary, and sexy, but only when they're not all of these at once. Kelly Link has strangeness, charm and spin to spare. Writers better than this don't happen." --Karen Joy Fowler "Kelly Link is probably the best short story writer currently out there, in any genre or none. She puts one word after another and makes real magic with them-funny, moving, tender, brave and dangerous. She is unique, and should be declared a national treasure, and possibly surrounded at all times by a cordon of armed marines." --Neil Gaiman "Kelly Link is the exact best and strangest and funniest short story writer on earth that you have never heard of at the exact moment you are reading these words and making them slightly inexact. Now pay for the book." --Jonathan Lethem The eleven stories in Kelly Link's debut collection are funny, spooky, and smart. They all have happy endings. They were all especially written for you. A Best of the Year pick from Salon.com, Locus, The Village Voice, and San Francisco Chronicle. Includes Nebula, World Fantasy, and Tiptree award-winning stories. Kelly Link is the author of three collections of short fiction Stranger Things Happen, Magic for Beginners, and Pretty Monsters. Her short stories have won three Nebula, a Hugo, and a World Fantasy Award. She was born in Miami, Florida, and once won a free trip around the world by answering the question "Why do you want to go through the world?" ("Because you can't go through it.") Link lives in Northampton, Massachusetts, where she and her husband, Gavin J. Grant, run Small Beer Press, co-edit the fantasy half of The Year's Best Fantasy and Horror, and play ping-pong. In 1996 they startd the occasional zine Lady Churchill's Rosebud Wristlet.

“A dynamic group biography studded with design history and high-society dash . . . [This] elegantly wrought narrative bears the Cartier hallmark.”—The Economist The “astounding” (André Leon Talley) story of the family behind the Cartier empire and the three brothers who turned their grandfather’s humble Parisian jewelry store into a global luxury icon—as told by a great-granddaughter with exclusive access to long-lost family archives “Ms. Cartier Brickell has done her grandfather proud.”—The Wall Street Journal The Cartiers is the revealing tale of a jewelry dynasty—four generations, from revolutionary France to the 1970s. At its heart are the three Cartier brothers whose motto was “Never copy, only create” and who made their family firm internationally famous in the early days of the twentieth century, thanks to their unique and complementary talents: Louis, the visionary designer who created the first men’s wristwatch to help an aviator friend tell the time without taking his hands off the controls of his flying machine; Pierre, the master dealmaker who bought the New York headquarters on Fifth Avenue for a double-stranded natural pearl necklace; and Jacques, the globe-trotting gemstone expert whose travels to India gave Cartier access to the world’s best rubies, emeralds, and sapphires, inspiring the celebrated Tutti Frutti jewelry. Francesca Cartier Brickell, whose great-grandfather was the youngest of the brothers, has traveled the world researching her family’s history, tracking down those connected with her ancestors and discovering long-lost pieces of the puzzle along the way. Now she reveals never-before-told dramas, romances, intrigues, betrayals, and more. The Cartiers also offers a behind-the-scenes look at the firm’s most iconic jewelry—the notoriously cursed Hope Diamond, the Romanov emeralds, the classic panther pieces—and the long line of stars from the worlds of fashion, film, and royalty who wore them, from Indian maharajas and Russian grand duchesses to Wallis Simpson, Coco Chanel, and Elizabeth Taylor. Published in the two-hundredth anniversary year of the birth of the dynasty’s founder, Louis-François Cartier, this book is a magnificent, definitive, epic social history shown through the deeply personal lens of one legendary family.

The subject of John Singer Sargent's most famous painting was twenty-three-year-old New Orleans Creole Virginie Gautreau, who moved to Paris and quickly became the "it girl" of her day. A relative unknown at the time, Sargent won the commission to paint her; the two must have recognized in each other a like-minded hunger for fame. Unveiled at the 1884 Paris Salon, Gautreau's portrait generated the attention she craved-but it led to infamy rather than stardom. Sargent had painted one strap of Gautreau's dress dangling from her shoulder, suggesting either the prelude to or the aftermath of sex. Her reputation irreparably damaged, Gautreau retired from public life, destroying all the mirrors in her home. Drawing on documents from private collections and other previously unexamined materials, and featuring a cast of characters including Oscar Wilde and Richard Wagner, Strapless is a tale of art and celebrity, obsession and betrayal.

In this poetry collection, the glittering surfaces of the world are read as divinatory antennae, winkling out what connects us to our watery abode on planet earth. This is a hymn to all the different kinds of connective tissue that lightly, but firmly, weave us into the fabric of our own and others' lives.