From wedding bouquets to funeral wreaths, carnations can be seen everywhere in human culture. Their colorful but delicately folded petals have made them one of the foremost decorative flowers, from the gardens of the Ottoman Empire to American Mothers Day bouquets, via Chinese medicines and French Empresses. In this book, Twigs Way explores the extraordinary history of this inimitable flower. The author traces the trials and tribulations of early breeders—compelled by florists’ fascinations for the striped and spotted—which led to delightfully colored (and delightfully named) varieties such as Lustie Gallant and Bleeding Swain. She looks at the symbolism of the red and white—and even green—carnations made famous by Oscar Wilde, and glides through many of the rooms in literature and history that we have filled with the carnation’s glorious scent. Travelling from Europe to China, Way explores how carnations have been used by herbalists the world over as a treatment for ailments to both mind and body, and she looks at the many paintings that have attempted to capture their unique complexities. Lavishly illustrated and full of unexpected delights, this book will—like the carnation itself—charm the mind and invigorate the senses.

Nothing goes right for Eloise. The one day she wears her new suede boots, it rains cats and dogs. When the subway stops short, she’s always the one thrown into some stranger’s lap. Plus, she’s had more than her share of misfortune in the way of love. In fact, ever since she realized romantic heroes are a thing of the past, she’s decided it’s time for a fresh start. Setting off for England, Eloise is determined to finish her dissertation on that dashing pair of spies, the Scarlet Pimpernel and the Purple Gentian. But what she discovers is something the finest historians have missed: the secret history of the Pink Carnation—the most elusive spy of all time. As she works to unmask this obscure spy, Eloise stumbles across answers to all kinds of questions. Like how did the Pink Carnation save England from Napoleon? What became of the Scarlet Pimpernel and the Purple Gentian? And will Eloise Kelly escape her bad luck and find a living, breathing hero all her own?

Mildred Dee Brown (1905–89) was the cofounder of Nebraska’s Omaha Star, the longest running black newspaper founded by an African American woman in the United States. Known for her trademark white carnation corsage, Brown was the matriarch of Omaha’s Near North Side—a historically black part of town—and an iconic city leader. Her remarkable life, a product of the Reconstruction era and Jim Crow, reflects a larger American history that includes the Great Migration, the Red Scare of the post–World War era, civil rights and black power movements, desegregation, and urban renewal. Within the context of African American and women’s history studies, Amy Helene Forss’s Black Print with a White Carnation examines the impact of the black press through the narrative of Brown’s life and work. Forss draws on more than 150 oral histories, numerous black newspapers, and government documents to illuminate African American history during the political and social upheaval of the twentieth century. During Brown’s fifty-one-year tenure, the Omaha Star became a channel of communication between black and white residents of the city, as well as an arena for positive weekly news in the black community. Brown and her newspaper led successful challenges to racial discrimination, unfair employment practices, restrictive housing covenants, and a segregated public school system, placing the woman with the white carnation at the center of America’s changing racial landscape.

LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.

The story of a little girl who takes part in the creation of John Singer Sargent's well-loved painting.