"This is a beautiful retelling ... perfect for anyone who likes darker-themed romance, horror stories, or plain ol' lesbian vampires." -The Lesbian 52 In the late 19th century, Laura lives a lonely life in a schloss by the forest, Styria, with only her doting father and two governesses for company. A chance accident brings a new companion, however - the eccentric and beautiful Carmilla. With charm unparalleled and habits as mysterious as her history, Carmilla's allure is undeniable, drawing Laura closer with every affectionate touch and word. Attraction blossoms into a temptation Laura fears to name, a tantalizing passion burning brighter than the fires of hell. But when a mysterious plague begins stealing the lives of young women in her home and the village beyond, Laura wrestles to reconcile the truth - that the gentle, fragile woman she loves may be a monster cast out of heaven. Carmilla, the classic vampire novella written by J Sheridan LeFanu, receives new life in this gorgeous retelling, centered on the provocative, controversial leads of the original, Carmilla and Laura.

An adaptation of Shaftesbury’s award-winning, groundbreaking queer vampire web series, Carmilla. Newly escaped from the stifling boredom of a small town, college freshman Laura is ready for her first great adventure. But when her roommate, Betty, vanishes, and a sarcastic, nocturnal philosophy student named Carmilla moves into Betty’s side of the room, Laura decides to play detective. Turns out, Betty isn’t the first girl to go missing — she’s just the first girl not to come back. As Laura closes in on answers, tensions rise with Carmilla. Is this just a roommate relationship that isn’t working out, or does Carmilla know more than she’s letting on about the disappearances? What will Laura do if it turns out her roommate isn’t just selfish and insensitive, but completely inhuman? And what will she do with the feelings she’s starting to have for Carmilla?

Carmilla is a gothic novella by Joseph Sheridan Le Fanu, first published in 1872. It is often considered a seminal work in the vampire literature genre, predating Bram Stoker's Dracula by 25 years. The story revolves around a young woman named Laura and her encounter with a female vampire named Carmilla. The novella is narrated from Laura's perspective, who recounts her strange and eerie experiences with Carmilla. The two young women form a close bond, but Laura begins to experience disturbing dreams and declining health. It is eventually revealed that Carmilla is a vampire, and she is destroyed by a group of vampire hunters. Carmilla is notable for its exploration of lesbian themes, which were considered taboo at the time of its publication. The relationship between Laura and Carmilla is portrayed as intimate and sensual, although it is also fraught with danger and fear. The novella can be interpreted as a commentary on the societal attitudes towards same-sex desire in the Victorian era. The novella is also significant for its contribution to the vampire literature genre. Carmilla is depicted as a seductive and predatory figure, a trope that would become common in later vampire fiction. The novella also introduces the idea of a vampire hunter, a character type that would become a staple of the genre. Carmilla has been adapted into various forms of media, including film, television, and stage productions. It has also inspired a number of derivative works, including the web series Carmilla (2014-2016) and the novel The Gilda Stories (1991) by Jewelle Gomez. In terms of critical reception, Carmilla has been praised for its atmospheric writing and its exploration of taboo themes. However, it has also been criticized for its slow pacing and its lack of character development. Overall, Carmilla is a significant work in the gothic and vampire literature genres, and it continues to be studied and analyzed by scholars and fans alike.

No book since Mrs Shelley's Frankenstein, or indeed any other at all has come near yours in originality, or terror - Poe is nowhere..."-Charlotte Stoker (Mother of Bram Stoker). Originally published in 1897, Bram Stoker's Dracula has spawned countless new editions, inspired over fifty films, and hundreds of reimaginings. The iconic and terrifying character of Stoker's imagination has permeated our conciousness in such away that Dracula is the seminal vampire of popular culture. Set across London and into the darkest corners of Eastern Europe, Dracula is told through the journal entries and letters of its protagonists as they strive to survive the presence of Count Dracula in their lives. Young lawyer Jonathan Harker travels to Transylvania to assist in a land transaction, but finds himself trapped in the Count's castle, tormented by strange and unearthly occurrences. After a miraculous escape, he returns to England, only to find that the Count has followed him to London and has begun tracking his fiancé, Mina... Reprinted in its original form, this edition of Dracula is perfect for a first time reader, or as a classic to keep forever.

Approximately 54,000 words.When fate draws together the lives of two young women, their mutual attraction quickly flourishes into a bond which threatens the boundaries of social etiquette in 1860's Styria.As their relationship continues to develop further, they remain oblivious to the growing horror which surrounds them, as throughout the province other young women begin dying in mysterious circumstances. Meanwhile, others are falling victim to the apparently random attacks of a rampaging pack of wolves. When, finally the truth is revealed, the scene is set for a battle between two ancient evils.Years before the publication of Bram Stoker's Dracula, Joseph Sheridan Le Fanu produced a haunting gothic mystery called Carmilla. David Brian has used much of the original narrative to create a very different version of Carmilla. Introducing an array of new characters, and touching on subjects which would have been considered taboo in the 1800's, Brian has succeeded in bringing a whole new level of horror, and tragedy, to the legend of Carmilla.

The terrifying and definitive collection of Vampire stories from the masters of literary horror They're lurking under the cover of darkness…and between the covers of this book. Here, in all their horror and all their glory, are the great vampires of literature: male and female, invisible and metamorphic, doomed and daring. Their skin deathly pale, their nails curved like claws, their fangs sharpened for the attack, they are gathered for the kill and for the chill, brought frighteningly to life by Bram Stoker, Fritz Leiber, Richard Matheson, Robert Bloch, Charles L. Grant, Tanith Lee, and other masters of the macabre. Careful—they are all crafty enough to steal their way into your imagination and steal away your hopes for a restful sleep.