Internationally acclaimed surf and ocean photographer, Aaron Chang travelled the world for Surfing magazine in search of the Endless Summer. After three decades of capturing waves, beach lifestyle and exotic landscapes around the world, Aaron wanted to show the natural beauty in his own backyard, San Diego, through his eyes. Aaron¿s most recent book project, SAN DIEGO: Through the Lens of Aaron Chang captures the natural beauty of the San Diego beaches and its coastal communities. This 116 page book is in it¿s 4th edition and is a best seller at Aaron¿s two San Diego based galleries, one downtown and the other in Solana Beach: AaronChang.com/galleries From the stunning beauty of Torrey Pines to coastal charm of Encinitas and Solana Beach, Aaron¿s interpretation of San Diego captures its special allure that attracts millions of visitors every year. Aaron has been nominated San Diego¿s `Ambassador of the Arts¿ 3 years running by the San Diego Tourism Authority. ¿My goal is for people to appreciate the beauty that surrounds us on a daily basis, but gets lost in our busy lives,¿ Aaron explains. A stunning sunset in Cardiff, to a winter swell in Del Mar, to the glamorous roof top views of a city in bloom, these images inspire the viewer to take a break. Look around. Life is good right here in our beautiful city, San Diego.

From the Ventana Wilderness, the Carmel River descends 36 miles through steep canyons into the spreading Carmel Valley. Rain-gorged in spring, it rushes to the Pacific Ocean at Carmel Bay. In summer, shallow riverbanks welcome deer, mountain lions, and waterfowl. For millennia, native tribes fished along the river, which was discovered in 1602 by Sebastian de Vizcaino. He called the waterway El Rio del Carmelo, describing it as "lined with black poplars and other trees of Castile." Ranches, dairies, and orchards thrived under Spanish, Mexican, and finally American flags. The Carmel River, like the valley it defines, has accommodated native, farmer, resident, and now the vacationer as it flows along through time. Today vineyards, tasting rooms, boutiques, and resorts decorate the rural landscape, beckoning visitors and locals alike.

Annie Gray has an epiphany: she is not living the life she ’s always dreamed of. She decides to start fresh, drawing inspiration from her favorite classic Hollywood films. First, Annie moves into the picturesque Carmel bungalow belonging to her grandmother - a retired film star. Next up: landing an exciting job as a private investigator ’s assistant. But Annie ’s new boss is no Humphrey Bogart, and the work isn ’t quite what she pictured. Just when everything in Annie ’s screen-worthy plan teeters on the brink of disaster, she has another epiphany. Will this one land her in the arms of her own leading man?

Historic Homes and Inns of Carmel-by-the-Sea showcases the creativity, talent, and originality of the town's residents, designers, and builders over a span of 80 years, from the pioneering days of the 1880s through the more contemporary ones of the 1960s. One-of-a-kind creations by top-name architects Frank Lloyd Wright, Julia Morgan, Charles Greene, Albert Farr, Gardner Dailey, Henry Hill, and Mark Mills are featured. The designs by the three most influential people who shaped Carmel-by-the-Sea architecturally in its first half-century are well-represented: M.J. Murphy, who literally built the town, with hundreds of homes and buildings to his credit; Hugh Comstock, who defined it with his storybook cottages that gave the village its fairy-tale charm; and Jon Konigshofer, who modernized it through his trademarked, postwar Hillside House. Throughout its history, Carmel-by-the-Sea, California, has attracted unique, spirited, and sometimes eclectic individuals, and this is reflected in its architecture. In combination with the breathtaking beauty, remarkable scenery, and coastal setting, these historic homes and inns give the village its distinct look and make it unlike any place else.

“The Gilded Edge is a compelling read from start to finish. Gripping, suspenseful, cinematic. This is narrative nonfiction at its best.”—Lindsey Fitzharris, bestselling author of The Butchering Art Astonishingly well written, painstakingly researched, and set in the evocative locations of earthquake-ravaged San Francisco and the Monterey Peninsula, the true story of two women—a wife and a poet—who learn the high price of sexual and artistic freedom in a vivid depiction of the debauchery of the late Gilded Age Nora May French and Carrie Sterling arrive at Carmel-by-the-Sea at the turn of the twentieth century with dramatically different ambitions. Nora, a stunning, brilliant, impulsive writer in her early twenties, seeks artistic recognition and Bohemian refuge among the most celebrated counterculturalists of the era. Carrie, long-suffering wife of real estate developer George Sterling, wants the opposite: a semblance of the stability she thought her advantageous marriage would offer, threatened now that her philandering husband has taken to writing poetry. After her second abortion, Nora finds herself in a desperate situation but is rescued by an invitation to stay with the Sterlings. To Carrie's dismay, George and the arrestingly beautiful poetess fall instantly into an affair. The ensuing love triangle, which ultimately ends with the deaths of all three, is more than just a wild love story and a fascinating forgotten chapter. It questions why Nora May—in her day a revered poet whose nationally reported suicide gruesomely inspired youths across the country to take their own lives, with her verses in their pockets no less—has been rendered obscure by literary history. It depicts America at a turning point, as the Gilded Age groans in its death throes and young people, particularly women, look toward a brighter, more egalitarian future. In an unfortunately familiar development, this vision proves to be a mirage. But women's rage at the scam redefines American progressivism forever. For readers of Nathalia Holt, Denise Kiernan, and Sonia Purnell, this shocking history with a feminist bite is not to be missed.