Evolutions is a collection of epic poems and verse narratives that express various stages and mysteries of life on mankind's long journey. The poems are lavish and enlightening, filled with imagination and elements of pageantry. The book is smart and daring, and attempts to unfold mankind's stories of courage. love, war and death, as it sheds light on spirituality, history and romantic action. The verse narratives are presented with deep intensity that evoke transformative forces and shape new desires. Evolutions is delightful, luminous and hopeful. It peels through layers of life's experiences and removes the clouds that taint inspiration. The poems are profound and engaging, and are laden with intimate charm and curiosity. The book has an interesting flare that is impulsive and piercing. It spirits encouragement and reaches out to embrace all with thought-provoking ideas and issues. with much invigoration, it pushes readers to explore more deeply the power of language and culture throughout human existence.

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"Luis Pales Matos, a white man who began the poesia negra movement in Latin America in 1925, is the subject of The Numinous Site, Julio Marzan's latest book. Unlike its English-language counterpart, poesia negra refers to its subject and not the poet's race, so white poets are credited with writing poesia negra." "Pales's poesia afroantillana popularized the "dark" forces (African roots and unprestigious language) that were the white society's antimatter, an antipoetic consciousness that, complemented and refined by other poesia negra, opened the Latin American poem." "Perhaps influenced by Heidegger, throughout his work Pales reiterated his obsession with the frontier where the mundane touches the spiritual or metaphysical. His poems take the reader on a passage to an encounter with the imagistic representation of that force informing the soul of the individual, the collectivity, and the physical world. All his poems take us on that passage, including his socially conscious Afro-Antillean poems, because they originate from Pales's sense that language, including "Boricua," is synonymous with time and our sense of being. For Luis Pales Matos, poesia was an altar, and style a liturgy that, whether performed in drumbeats or words, invoked the poetic essence that he called the "numen.""--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Theologizing in Black is a creative and rigorous comparative study on black theological musings and liberative intellectual contemplations engaging the theological ethics and anthropology of both continental African theologians (Tanzania, Kenya, Democratic Republic of the Congo) and black theologians in the African Diaspora (Haiti, Trinidad, Jamaica, Antigua and Barbuda, United States). Using the pluralist approach to religion promoted by the philosopher of religion and theologian John Hick, the book is also an attempt to bridge an important gap in the comparative study of religion, Africana Studies, and Liberation theology, both in Africa and its diaspora. The book provides an analytical framework and intellectual critique of white Christian theologians who deliberately disengage with and exclude black and Africana theologians in their theological writings and conversations. From this vantage point, Africana critical theology is said to be a theology of contestation as it seeks to deconstruct white supremacy in the theological enterprise. This book not only articulates a rhetoric of protest about the misrepresentation and underrepresentation of the humanity of African and black people in white theological imagination; it also enunciates a positive image of black humanity and congruently promulgates a constructive representation of blackness. The paramount goal of Africana theological anthropology and ethics is the preservation of life and promotion of human dignity and the sheer acknowledgement that the African people and people of African descent are bearers of the image of God.