Children run, splash, and sing on an island in the West Indies in this lyrical celebration of the Caribbean

A visual celebration of the landscapes and blue waters of the Caribbean Sea includes photography of the cities, beaches, and interiors of such islands as Cuba, Jamaica, and Martinique, reflecting the author's and photographer's efforts to capture the region's relaxed lifestyle. 12,000 first printing.

The story of West Indian immigrants to the United States is generally considered to be a great success. Mary Waters, however, tells a very different story. She finds that the values that gain first-generation immigrants initial success--a willingness to work hard, a lack of attention to racism, a desire for education, an incentive to save--are undermined by the realities of life and race relations in the United States. Contrary to long-held beliefs, Waters finds, those who resist Americanization are most likely to succeed economically, especially in the second generation.

Introduction: Archival dreams and Caribbean life writing -- 'Autobiography in a graveyard' : doors of no return and revolutionary failures -- Speculative autobiography : ghosts and feminist fugitivity -- Repicturing the picturesque : genealogical desire, archives, and descendant community autobiography -- Ashes to ashes, dust to dust : Indo-Caribbean archival impossibility -- "Put my mom in there" : Memorialization as Caribbean counter-archive -- Coda: Untelling history.

Legendary Haitian author Depestre combines magic, fantasy, eroticism, and delirious humor to explore universal questions of race and sexuality. “One-of-a-kind . . . [A] ribald, free-wheeling magical-realist novel, first published in 1988 and newly, engagingly translated by Glover . . . An icon of Haitian literature serves up a hotblooded, rib-ticking, warmhearted mélange of ghost story, cultural inquiry, folk art, and véritable l’amour.” —Kirkus Reviews, Starred Review “An exceptional novel . . . Depestre’s masterpiece and one of the greatest examples of Haitian literature.” —New York Journal of Books Hadriana in All My Dreams, winner of the prestigious Prix Renaudot, takes place primarily during Carnival in 1938 in the Haitian village of Jacmel. A beautiful young French woman, Hadriana, is about to marry a Haitian boy from a prominent family. But on the morning of the wedding, Hadriana drinks a mysterious potion and collapses at the altar. Transformed into a zombie, her wedding becomes her funeral. She is buried by the town, revived by an evil sorcerer, then disappears into popular legend. Set against a backdrop of magic and eroticism, and recounted with delirious humor, the novel raises universal questions about race and sexuality. The reader comes away enchanted by the marvelous reality of Haiti’s Vodou culture and convinced of Depestre’s lusty claim that all beings—even the undead ones—have a right to happiness and true love.

Diana Cooper-Clark has written a book that uncovers a ‘hidden’ history in the Holocaust narrative. The stories of seventeen Holocaust survivors who escaped to Jamaica and who are among the last eyewitnesses to the Shoah are inspiring. As well, she reveals the involvement of Jamaican Jews with the refugees and the Holocaust, and the virtually unknown story of the killing of Caribbean Jews in Nazi concentration camps. In addition, Dreams of Re-Creation in Jamaica has dozens of never before published photographs shared by the Jewish refugees. This book also sheds light on the Sephardim and their marginalization in the history of Hitler’s extermination policies. These compelling tales bring together World War II, Jewish refugees and Jamaican Jews, stories that have previously slipped through the cracks of history. As a child of six years old in Jamaica, Cooper-Clark read a book about the Nazi, Karl Eichmann, thus changing her life. She swore to spend the rest of her life bearing witness to the Holocaust. For everyone inspired by survival stories, and the triumph of life over death for both individuals and communities, this book is a must-read.