The first full-length biography of Sarah Winchester, the subject of the movie Winchester starring Helen Mirren. Since her death in 1922, Sarah Winchester has been perceived as a mysterious, haunted figure. After inheriting a vast fortune upon the death of her husband in 1881, Sarah purchased a simple farmhouse in San José, California. She began building additions to the house and continued construction on it for the next twenty years. A hostile press cast Sarah as the conscience of the Winchester Repeating Arms Company—a widow shouldering responsibility for the many deaths caused by the rifle that brought her riches. She was accused of being a ghost-obsessed spiritualist, and to this day it is largely believed that the extensive construction she executed on her San José house was done to appease the ghouls around her. But was she really as guilt-ridden and superstitious as history remembers her? When Winchester’s home was purchased after her death, it was transformed into a tourist attraction. The bizarre, sprawling mansion and the enigmatic nature of Winchester’s life were exaggerated by the new owners to generate publicity for their business. But as the mansion has become more widely known, the person of Winchester has receded from reality, and she is only remembered for squandering her riches to ward off disturbed spirits. Captive of the Labyrinth: Sarah L. Winchester, Heiress to the Rifle Fortune demystifies the life of this unique American. In the first full-length biography of Winchester, author and historian Mary Jo Ignoffo unearths the truth about this notorious eccentric, revealing that she was not a maddened spiritualist driven by remorse but an intelligent, articulate woman who sought to protect her private life amidst the chaos of her public existence. The author takes readers through Winchester’s several homes, explores her private life, and, by excerpting from personal correspondence, gives the heiress a voice for the first time since her death. Ignoffo’s research reveals that Winchester’s true financial priority was not dissipating her fortune on the mansion in San José but investing it for a philanthropic legacy. For too long Sarah Winchester has existed as a ghost herself—a woman whose existence lies somewhere between the facts of her life and a set of sensationalized recollections of who she may have been. Captive of the Labyrinth finally puts to rest the myths about this remarkable woman, and, in the process, uncovers the legacy she intended to leave behind.

Captive of the Labyrinth is reissued here to commemorate the 100th anniversary of the death of rifle heiress Sarah L. Winchester in 1922. After inheriting a vast fortune upon the death of her husband in 1881, Winchester purchased a simple farmhouse in San José, California. She built additions to the house and continued construction for the next twenty years. When neighbors and the local press could not imagine her motivations, they invented fanciful ones of their own. She was accused of being a ghost-obsessed spiritualist, and to this day it is largely believed that the extensive construction she executed on her San José house was done to thwart death and appease the spirits of those killed by the Winchester rifle. Author and historian Mary Jo Ignoffo’s definitive biography unearths the truth about this reclusive eccentric, revealing that she was not a maddened spiritualist driven by remorse but an intelligent, articulate woman who sought to protect her private life amidst the chaos of her public existence and the social mores of the time. The author takes readers through Winchester’s several homes, explores her private life, and, by excerpting from personal correspondence, one learns the widow’s true priority was not dissipating her fortune on the mansion in San José but endowing a hospital to eradicate a dread disease. Sarah Winchester has been exploited for profit for over a century, but Captive of the Labyrinth finally puts to rest the myths about this American heiress, and, in the process, uncovers her true legacies.

An American reporter's chilling account of being kidnapped and imprisoned by the Taliban, in the no-man's-land between Afghanistan and Pakistan Jere Van Dyk was on the wrong side of the border. He and three Afghan guides had crossed into the tribal areas of Pakistan, where no Westerner had ventured for years, hoping to reach the home of a local chieftain by nightfall. But then a dozen armed men in black turbans appeared over the crest of a hill. Captive is Van Dyk's searing account of his forty-five days in a Taliban prison, and it is gripping and terrifying in the tradition of the best prison literature. The main action takes place in a single room, cut off from the outside world, where Van Dyk feels he can trust nobody—not his jailers, not his guides (who he fears may have betrayed him), and certainly not the charismatic Taliban leader whose fleeting appearances carry the hope of redemption as well as the prospect of immediate, violent death. Van Dyk went to the tribal areas to investigate the challenges facing America there. His story is of a deeper, more personal challenge, an unforgettable tale of human endurance.

On October 22, 1844, thousands of men, women and children, dressed in Ascension Robes, gather on a desolate, freezing hillside outside Boston to greet the end of the world. Among the crowd is terrified five-year-old, Sarah Pardee, for whom this is the beginning journey to extraordinary fame and notoriety. That night, Sarah is rescued by the cults founder, William Miller, and by Caty and Maggie Fox, who become her friends as they travel their own path to become Americas most distinguished spirit rappers interpreting rapping sounds in haunted houses. As for Sarah, she will go on to become Mrs. William Wirt Winchester, of Winchester rifle fame, one of the richest women in America. She will lose a daughter after only 42 days of life, an event that blights all her remaining days. Guided by an obsession with the spirit world, she will move to the San Jose, California and build one of Americas strangest and most famous structures. But first she will attendand completely disruptthe Charles Street School and then Mary Lyons Mount Holyoke Female Seminary (later Mount Holyoke College), she will meet Edwin Booth, Americas most famous Shakespearean actor, brother to John Wilkes Booth, who presides over a spiritualist meeting where Sarah first communicates with her deceased daughter. Thereafter she will be visited by a spirit guide who directs her building of the massive, controversial monument on the west coast. The Possession of Sarah Winchester tells this compelling story in her own words, revealing child/woman caught in the web of the rise of spiritualism in nineteenth century America. It portrays a brilliant womans mind inundated by repression, grief, and guilt over her familys creation of a weapon that destroyed Native American lives and culture.

Sarah Winchester was a brilliant, creative and generous woman. She lost her only child, Annie, at six weeks old. Her beloved husband William, heir to the Winchester Rifle fortune, died at a young age from tuberculosis. Sarah never recovered from her two heartbreaking losses. Yet through all her pain she was focused on helping those in need.Sarah spent major parts of her adult life on two building projects. Both of them live on today, 97 years after her death.In San Jose, California, Sarah built an architectural marvel, a mansion in the American Queen Anne revival style reflecting great beauty and great innovation. The mansion has operated since 1923 as a tourist attraction known as the Winchester Mystery House. The house is a California Historical Landmark and is on the National Register of Historic Places. Throughout the years rumors have been associated with Sarah and her house. The rumors suggest that the grief-stricken widow sought comfort from a medium in Boston who told her she was being cursed by the spirits of those killed by the Winchester rifle. She should move west, the medium said, and build a house and never stop building. As long as construction continued, she was told, she would not die. The rooms would shelter the good spirits and the sound of hammers would drive away the bad spirits. These rumors led to Sarah being portrayed as eccentric and crazy.In West Haven, Connecticut, Sarah funded the building and operation of a hospital for patients with tuberculosis. The hospital, honoring her husband, was named the William Wirt Winchester Annex for Tuberculosis. Sarah was especially concerned with helping those of limited economic means. Over the years thousands of lives have been saved through the work of this hospital. Although the hospital no longer exists, the fund Sarah created continues to support the Winchester Chest Clinic, now part of the Yale New Haven Hospital.Sarah's hospital remains virtually unknown, whereas Sarah's mansion is toured by a steady stream of visitors from around the world. The mansion was the setting for the 2018 film Winchester, a paranormal thriller starring Academy-Award-winning actress Helen Mirren. The movie was advertised as "inspired by true events." It is true that Sarah and the house both existed, but that is where the "true" events end. The rumors surrounding the house continue to be told. Historical research including newspaper and magazine articles, personal correspondence, and interviews with Sarah's contemporaries reveals an alternative explanation of Sarah Winchester and her mansion.

Based on the myth of the beautiful captive, this novel, first published in 1975 and reprinted with a critical essay, takes its themes from the paintings of the French surrealist, constructing a dream-like narrative suffused with eroticism, playfulness, and subversion.

Perhaps nothing expresses the mystery of our search for the divine as well as the labyrinth. A circular pathway based on spirals found in nature, the labyrinth is a time-honored spiritual tool in faith traditions as varied as Native American, Jewish, and Celtic. As seekers walk to the center of the labyrinth, their minds quiet and turn to God. Walking out again, they bring into the world the spiritual gifts they've received. In A Labyrinth Year, Kautz guides readers on a labyrinth pilgrimage that winds through the seasons of the liturgical year with devotions (to be used while walking the labyrinth) based on the thoughts and emotions of biblical characters whose stories are recalled in the seasonal scripture readings. As readers explore the journeys of these people of faith, they connect with the deeper meaning of the stories and learn to live them out in their own experience.