During the fall of 1968 and the summer of 1969, William Kelso conducted archaeological excavations at the site of eighteenth-century ruins at Wormslow, near Savannah, Georgia. Historical records indicated that the ruins were the remains of Fort Wimberly, most likely constructed by Noble Jones, an original settler of Georgia. Records further suggested that Fort Wimberly had been constructed on the site of Jones's earlier fortification, a timber guardhouse known as Jones's Fort, built in 1739 and 1740. The existence of these two structures, built at different times on the same location, made possible an archaeological study of two periods of Georgia coastal fortifications. The earlier was built as a major link in General James Oglethorpe's chain of defenses against the Spanish threat from Florida in the 1740s and the later presumably was built to repel the French. The project also presented another important opportunity--the chance to define what effect the semitropical, hostile border environment of colonial Georgia had on the plantation development scheme of at least one English settler. Mr. Kelso's report of his excavations begins with a documentary history of Wormslow, followed by a presentation of the archaeological evidence that correlates it with the historical documents. Ultimately he reconstructs the site based on the historical and archaeological evidence, an architectural study of the ruins, and information about early Georgia architecture in general and other eighteenth-century buildings in particular. The report concludes with a detailed study of the artifacts with illustrations, descriptions, and identifications of the important pieces.

Why do we preserve certain landscapes while developing others without restraint? Drew A. Swanson’s in-depth look at Wormsloe plantation, located on the salt marshes outside of Savannah, Georgia, explores that question while revealing the broad historical forces that have shaped the lowcountry South. Wormsloe is one of the most historic and ecologically significant stretches of the Georgia coast. It has remained in the hands of one family from 1736, when Georgia’s Trustees granted it to Noble Jones, through the 1970s, when much of Wormsloe was ceded to Georgia for the creation of a state historic site. It has served as a guard post against aggression from Spanish Florida; a node in an emerging cotton economy connected to far-flung places like Lancashire and India; a retreat for pleasure and leisure; and a carefully maintained historic site and green space. Like many lowcountry places, Wormsloe is inextricably tied to regional, national, and global environments and is the product of transatlantic exchanges. Swanson argues that while visitors to Wormsloe value what they perceive to be an “authentic,” undisturbed place, this landscape is actually the product of aggressive management over generations. He also finds that Wormsloe is an ideal place to get at hidden stories, such as African American environmental and agricultural knowledge, conceptions of health and disease, the relationship between manual labor and views of nature, and the ties between historic preservation and natural resource conservation. Remaking Wormsloe Plantation connects this distinct Georgia place to the broader world, adding depth and nuance to the understanding of our own conceptions of nature and history.

Much of what is known today of Georgia history was preserved through the diligent efforts of a single family. From Wormsloe, their ancestral plantation near Savannah, the De Rennes built an extraordinary collection of books and manuscripts on the history of the state and the Confederacy, much of which is now housed at the University of Georgia and the Museum of the Confederacy. This book focuses on their efforts in the years 1827 through 1970, conveying the passion and purpose with which they pursued their avocation. William Harris Bragg has mined a vast array of archival sources to present this engaging narrative of the De Renne family. He tells how wealthy bibliophile and philanthropist G. W. J. De Renne and his wife, Mary, set the precedent for the family’s accumulation of historic material, how their son established the Wymberley Jones De Renne Georgia Library that bears his name, and how his children in turn expanded upon that tradition. The De Rennes also printed limited editions of primary historical materials beginning with the series known as the Wormsloe Quartos. Bragg’s account of three generations of the De Renne family vividly records their achievements as it reconstructs their life at Wormsloe and follows them in their travels around the world. It provides glimpses into the dynamics and behavior of one of Georgia’s oldest and most prominent families and the evolution of the southern aristocracy. The book draws on newly available material to expand significantly on Ellis Merton Coulter’s 1955 work, Wormsloe, and provides the most complete account to date of the De Rennes. Beyond the story of the De Renne family, Bragg also reveals much about the history of collecting and of the antiquarian book trade, as well as of the evolution of Georgia historical documentation. Appendix material includes genealogical tables and lists of collections and publications, making De Renne: Three Generations of a Georgia Family an invaluable source for all scholars and aficionados of southern history.

Leisure, Plantations, and the Making of New South investigates the social, architectural, and environmental history of sporting plantations in the South Carolina lowcountry and the Red Hills region of southeast Georgia and northern Florida. Although plantations figure prominently in histories of the post-emancipation South, historians have paid little attention to the redevelopment of plantations for non-agricultural use. By examining the two largest concentrations of sporting plantations on the south Atlantic coast, this collection explores questions about historical memory of slavery, race relations, material culture, and the environment during the first half of the twentieth century.

By the end of the eighteenth century, classicism, which arose out of Europe's fascination with ancient Greece and Rome, had also left its mark on America. This study of the classical style in the fine and decorative arts shows the extent to which it influenced the material culture of Savannah, Georgia, from 1800 to 1840. More than 130 examples of objects owned in Savannah in this period are illustrated, described, and discussed. The objects include oil paintings and watercolors, clocks, musical instruments, jewelry, sculptures, engravings, bank notes, needlework, china, silver, brass, lighting fixtures, architectural elements, and furniture. Page Talbott presents an overview of the origins of classicism in Europe and its spread to America. Emphasizing Americans' close identification of classicism with national values and ideals, Talbott also discusses the style in the context of Savannah's social life and its history as a major southern port. She covers not only the principles, methods, and materials of classical design, but also the manufacture, distribution, sale, and ownership of a wide range of functional and decorative objects. Classical Savannah is the companion volume to the Classical Savannah exhibition, which opened in the spring of 1995 at the Telfair Museum of Art in Savannah. Illustrating well over half of the items in the exhibit, and including a detailed checklist of the additional seventy objects not shown in the book, Classical Savannah is a valuable source for historians, designers, decorators, collectors, and anyone interested in this period of America's history.

From the elegant townhouses of Savannah to the towering hotel and office complexes of Atlanta, the state of Georgia has a distinguished architectural tradition. No other work documents this rich heritage as comprehensively as The Georgia Catalog. Prepared under the auspices of the Historic American Buildings Survey, this carefully researched and beautifully illustrated volume will be an invaluable resource for architects, preservationists, historians, and those who own the historic houses or who simply are interested in Georgia’s architectural legacy. The book is in two parts. The first is a history of and guide to the architecture of the state. John Linley begins his survey with the remains of prehistoric civilization and the architecture of the first European settlers. He traces the development of a native architecture in the state, the flowering of the Greek Revival style, the functional architecture of commerce and industry, and the energy and imagination of urban architecture in the late twentieth century. The text reflects the author’s interest in the rationale and logic that produced the architecture and in the lessons that the past has for the present and the future. He also emphasizes the influence of climate, ecology, landscape, and city planning on both historic and contemporary architecture. The second section of The Georgia Catalog is a complete, updated listing of nearly four hundred sites in the Historic American Buildings Survey. Each entry gives the precise location of the site; a brief description of the structure; the date of construction and the name of the architect, if known; changes in name structure, or location of the building; its present condition; any facts of historical significance; and the number and dates of drawings, photographs, and data sheets in the HABS collection at the Library of Congress. To add to its value as a guide, the volume also includes a glossary of architectural terms and a list of Georgia properties that are included in the National Register of Historic Places, have been designated National Landmarks, or are part of the Historic American Engineering Record.